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1479 pieces, shuffled — reshuffle

Sformo-Analysis Close view under the base ring showing branches merging into thicker trunks as they descend, each junction sitting below the branches entering it. Close on the trunk legs: bark fissures sized to each limb's girth, and a lopped branch stub with its collar — the scar every Roman marble trunk carries. Path character sheet '4_Ruby': five polaroids from small red-haired child to the black-bobbed girl in striped top Sketchbook 49 page in sanguine: a nude pulling drapery from her shoulders with arm raised over her head, a lighter blocked-in figure beside her Barry back from Iraq: seated on the couch in a white keffiyeh and brown robes, photographed in warm low light Photo-weave collage: a black-and-white portrait cut into small rectangles and rewoven, scattering eyes, lips, and hair across the grid Sketchbook 38 spread: a great cedar in the botanic garden, dark boughs in ink and wash spreading over water, small figures picnicking beneath iTunes 'Enter Code' screen refusing a gift card: 'This code is only valid for customers of the United States store' Near-black Blender render of grandmother's kitchen — chair, table and cabinets barely emerging from darkness, a lamp gizmo above ('Kitchen.001') Takayoshi Sato with arms crossed in a leather jacket beneath a glowing Silent Hill 2 banner where Maria poses in her red top Screenshot from Cricoterie, Tale of Tales' Tadeusz Kantor-inspired VR: a horse skeleton puppet, a toppled mannequin and a black figure among doors and a cage on a dark stage Journal spread: blue ballpoint knee studies wrapped in cursive about attraction and illness, skeleton torsos and shoe sketches, 'It's a perfect day for letting go' — 3 June 92 Metope's Depth tablet: the depth histogram with resize and expand, the depth mask band, the CNC floor and ceiling limits, and the CNC check with bit reach, CNC preview and bit diameter. Teiji Furuhashi's Lovers: life-size nude figures projected walking and running around a dark room, a scaffold tower of projectors at its centre Instagram story from earlymusicinstruments: the pegbox of a viola da gamba in progress, its scroll crowned by a small sculpted head in a cap Sketchbook 32, Mediaterra session 2 'Identity & Psychology of the Player': Espen Aarseth mirrored top-to-bottom with Celia Pearce, speakers threaded through a yellow coiling snake Black-and-white snapshot printed upside down: a figure in a striped top stands on a lawn before shrubs, inverted like the tarot Hanged Man Sketchbook 38 spread: Prague Castle and St Vitus's spires in loose watercolor, red rooftops dissolving into wash below a blue sky Sketchbook 49 spread: graphite sketches of conference speakers — a man in glasses folded into a chair with a microphone, a cross-legged panelist, and a bearded man in beanie and thick glasses Sketchbook ballpoint portrait of a laughing boy in an open jacket, eyes squeezed shut, a flame-like doodle rising beside his shoulder French poster for Wong Kar Wai's 2046: an embrace in black over neon Hong Kong signage, the title in gold Playlist mixing Stanley Lieber's GOKU tracks with Nine Inch Nails Ghosts I–IV and FLAMES.GIF songs Four loose cards from sketchbook 47: a candlestick still life, the Farnese Hercules from behind, an ecstatic upturned face with raised arm, and a light gestural nude stepping forward Walton Ford's Falling Bough: a massive branch borne aloft by a swarming flock of passenger pigeons, breaking apart against a pale sunset over the river plain Velázquez's Queen Mariana in the Met's gold frame: black court dress with silver trim, red rosettes, a white handkerchief in hand Cover of sketchbook 34: a bluethroat songbird collaged upside down with a sprig of blossoms, over rosy paint on black board with a red rectangle above Second installation view: the striped platform holds a turquoise head, a faceted white Venus on a striped plinth, bird-skull hybrids, and a small dark figurine Book page from Liao Yiwu's The Corpse Walker: an interview in which Li describes the old profession of walking a corpse home in pairs, chanting 'Ya, ho, ya, ho' Sketchbook 49 spread in wine-red pencil: sleeping subway riders, a heavy downcast face, and two men leaning close over something in their hands Sketchbook 45 before its cover painting: a black-and-white photo of the plain black square book held at one corner, a pencil resting behind it Chromed belt buckle of an eagle in flight with blue banners: LIVE to RIDE, RIDE to LIVE Metope's Face Sets tablet: the paint-regions switch, the list of sets with their colours, stone dropdowns and lock/hide flags, and the region tools — rect, circle, flood fill, smooth edges, fill with material or texture, and extrude set. Last.fm 'now listening' list: Stars of the Lid twice, zlknf, Grails, and Apse's AE twice Sketchbook 42, page 14: ballpoint portrait on tan paper of a woman with a ponytail seen in profile, eyes lowered, her seated body trailing off into light contour lines Windows taskbar: Photoshop, paint, shortcut to blender, Blender, Quest3D all open at 10:45 Sketchbook 43 spread: a real pressed pansy taped over pencil pansies in a vase; opposite, a portrait of an older man in a tank top and a note on seeing the work of Steven Assael, 26 May 2012 A gray cat, blurred mid-shake, sitting on the desk between the laptop and the glass cabinet where the skull keeps watch Page from the Codex Seraphinianus: two halves of a hollow deer joined by red threads, a tiny figure dangling between them, with asemic script Wireframed hooded girl in the viewport, face smooth inside the mesh hood, red seam lines around the face Grayscale collage: paper models with pivoting circle cutouts labeled ontology and metaphysics, concentric paper rings, an eye drawing, black-painted nails Three views of a 3d scan of an Artemis statue in short belted chiton and hunting boots, rendered in a blue and bronze matcap against black Sketchbook 38 spread in ballpoint: a park path curving under trees toward a small stone bridge, an empty bench in dappled shade Tale of Tales lettered on a banner amid extravagant Spencerian pen flourishes that swirl into a long-tailed bird, in black ink on cream Family posing under Louise Bourgeois's giant spider Maman: a woman in black, a man, and a small girl in a red coat, grey sky above A Softer World comic, six sky-blue panels with a crane and unfinished tower: 'I sing anyway.' Sketchbook 46 spread: a museum cast of a male torso from behind, modeled in charcoal and white on orange paper, beside a lighter sketch of a spiraling sculptural group Diptych: looking up through an olive tree's branches at blue sky; below, a woman with dreadlocks and a smiling grey-bearded man lying in the grass Roma sketchbook: a pencil reclining nude, Ovid's Latin on Daphne's transformation lettered around it, and an inked mustached portrait — 'is it possible that in Roma there can be no fantasy?' 1983 Atari ad headed They Laughed When I Sat Down at the Keyboard: a tuxedoed man triumphs at an Atari home computer while party guests gape

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