gallery

1479 pieces, shuffled — reshuffle

Dancing drawing: a tall sheet of vertical ink gestures like falling figures — coiled, knotted and dripping strokes with faint traces of orange Fifty-song year-end playlist: UMO, Momus, Belle & Sebastian, Vivaldi's Stabat Mater highlighted, Jarboe, Joanna Newsom, Boduf Songs Sketchbook page filled with dense spiral scribble columns, a small eye and profile drawn below, Japanese writing in the margin Tall foxglove stem with pink bell flowers rising against a peeling whitewashed wall Desktop wallpaper grid of cute forest-creature illustrations in greens and plums — deer, mushroom folk, a peacock — with Mac folders scattered over it Page titled Pi is Irrational: Niven's short proof set in white mathematical type on black, from the defined polynomial to the concluding contradiction Cover of sketchbook 6 (1996): crumpled white spiral notebook inked 'Auriea Part 6' over a taped clipping reading 'sex, life, and the cosmos…', dated 8 May–20 Aug Journal page: the Parsons 'fine arts' senior thesis exhibition card, 1993, above taped photo strips of small sculptures — 'this was a very good idea' in pencil First page of Robert Graves's I, Claudius: Claudius introduces himself and his nicknames — the Idiot, the Stammerer, Clau-Clau-Claudius — under a Greek key ornament Sketchbook 49 spread on the Musée d'Orsay's 'Masculin/Masculin': notes on Guido Reni's Sebastian, the Barberini Faun, Ron Mueck and Mercié's David, with sketches of a lounging and seated male nudes Early 3D render at 52 FPS: girls in white dresses scattered across a lawn under painted trees, one dark figure in a leaf-dappled dress up front — an army of she Metope's Layers tablet: a layer with its colour, blend mode, opacity and relief, the smart-mask generator buttons, and the flatten and smart-material controls. Chalk drawing on red-brown paper: two arms reaching upward and a tilted, smiling face — study of a straining Eros from the Louvre Sketchbook 49 spread of cast-hall studies: headless antique torsos, a winged Cupid stringing his bow, a standing putto seen in profile, and a muscular breastplate torso Soft black-and-white photograph of a Penguin Classics Ovid, Metamorphoses: Bernini's Apollo and Daphne on the cover, laurel leaves sprouting from her hands Comic panels of Death from Neil Gaiman's Sandman: the pale girl in black, ankh at her throat, moving through a crowded street Journal spread: a crosshatched ink head with hollow eyes among falling leaves — 'what a horrible way to go, to be crushed...' — opposite a page of pencil writing Vija Celmins graphite ocean drawing: an even field of small waves rendered wave by wave, no horizon Scanned sketchbook drawing colored digitally: a grey-haired man in glasses and plum suit sitting in a pale green armchair, rotated sideways on yellow The Path: Rose in red-and-black standing in mossy undergrowth, purple forest hung with red lanterns behind her A Burlington Magazine anthology open to the 1998 article The Raphael Tapestry Cartoons Re-examined, with a pricked cartoon head of a woman as its plate MTAA's Simple Net Art Diagram, ca. 1997: two clip-art computers joined by a cable, a red lightning bolt at the midpoint labeled 'The art happens here' Skype call with Michaël Samyn at 07:13: he mugs close to the camera, two relatives peeking in behind, the caller smiling in the corner window A Roland TR-606 Drumatix drum machine: silver face with accent and drum knobs above a row of sixteen grey step buttons Full master copy after Benoist's Portrait of a Negress: seated black woman in white headwrap and drape, one breast bare, ochre ground Sketchbook 47 Vienna spread: blue-pencil study after Correggio's 'Jupiter and Io', museum sketchers at easels, Klimt ornament motifs, and notes on the Secession's Beethoven Frieze and the Leopold Museum Artemisia Gentileschi's Judith Beheading Holofernes: Judith and her maidservant pin the general to the bed with braced arms as the blade cuts through, blood soaking the sheets Page 10 of Marguerite Duras' Hiroshima Mon Amour script in English: their talk mingles themselves with Hiroshima, she appears dressed as a Red Cross nurse, and Nevers is highlighted where her past begins Cover of sketchbook 38: a misty black-and-white photo of a Japanese garden framed in Kodak TX film-box edges, collaged over torn German book pages with red initials The Graveyard: the old woman leaning on her cane at a fork in the white path, tombs and dark trees pressing in, black and white Lecture slide from The Endless Forest: sunbeams falling into a clearing where a white stag stands at a small ruin A robed figure sits alone on a vast expanse of rippled desert sand, golden light raking the dunes — an image from Lawrence of Arabia Roma sketchbook: brush-pen sketch after Bernini's Rape of Proserpina — her raised arm and turned head, his fingers pressing into her hip Sketchbook 49 spread at the Musée Jacquemart-André: notes on Vigée-Lebrun, Van Dyck and Lord Leighton's 'Antigone', facing a dense graphite copy of Aleijs Loir's sprawling satyr with pipes The same vessel after growing supports: branching oak-coloured struts descend from the rim and from the base ring, merging into a few thicker legs that meet the build plate. Sketchbook 45 spread dated 2013: Martha's head bent over drawing at left in graphite; at center her wavy hair drawn entirely in red pencil; a fainter study with red handprint at right Sketchbook 44 spread, 3 September, model session: soft pencil sketches of the same nude bending, kneeling and seen from the back, poses overlapping across the gutter Cover of sketchbook 3: black leather painted 'AURIEA'S SKETCHBOOK III' in purple around a photo of a hand with a chaos-star drawn on it, one eye peering past Digital painted self-portrait, summer 2005: Auriea with long braids framed by feverfew branches, small white blooms and pale insects scattered through her hair Despair.com demotivational poster, Procrastination: a figure gazes over a sea of clouds — laziness always pays off now Top-down view of the Magdalene case in Example #22: tablets playing videos, the wireframe Minorinth head, black and bronze Magdalene figurines, rocks and an open travel sketchbook Silent-film title card, white on black: 'Through me you pass into the city of woe… All hope abandon ye who enter here.' Distant game-engine test: the small Lumpy Girl figure standing alone on a flat dusty purple plain, seen from far away Sketchbook 49 spread in silverpoint-light graphite: a mustached man's face, a hand gripping a dark plum, a corked bottle, and a nude beside stacked studies of a bearded head and wing Sally Mann's Virginia #42 (2004): huge varnished silver print of a freckled sleeping face, eyes closed, gallery caption below Giuseppe Maria Crespi's Hecuba Blinding Polymestor: the Trojan queen in torn white silk drives her thumbs into the bound king's eyes as he claws backward in the dark A blood-red stag with towering antlers walking through tall grass and poppies — Tale of Tales anniversary card image Webcam diptych in reds and pinks: a woman in an orange shirt at a keyboard, then her hand on the piano keys below Hotel-room door detail: steel panel with white handle, ballpoint graffiti on the frame — 'JOHAN Je t'♥ gio 21/03/08' A gray cat, blurred mid-shake, sitting on the desk between the laptop and the glass cabinet where the skull keeps watch

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