gallery

1479 pieces, shuffled — reshuffle

Tiny image of a woman in a white head-wrap looking over her shoulder, after the old master portrait Louvre sketchbook study in pencil and white chalk on grey paper: two views of a headless draped Aphrodite torso, the cloth knotted at her hips Page 125 of Gene Wolfe's Soldier of the Mist: at an opened grave a dead woman speaks as an oracle, questioned about a wolf whose name was Man Scanner image of a dry vine sprig: red wiry stems and tiny dark berries branching off a woody twig on a black ground Sketchbook 44 spread, IndieCade: blue ballpoint portraits of Anna Anthropy speaking, Dan Pinchbeck in an Amnesia t-shirt, and Natalie Pozzi in profile French exam paper, January 2008, name Auriea Harvey: 83% total with 'Très bien!' in green ink An antique red-and-gold binding of Vecellio's Costumes Anciens et Modernes given new blank pages — old spine, bare label panel, fresh paper inside Studio wall: a charcoal torso study clipped to a board beside a whitewashed wall hung with USB cables, a mirror below reflecting an outstretched hand Sketchbook 44 spread: pencil studies after ceiling figures — a flying woman with wind-blown drapery carrying an infant, and a second tumbling figure seen from below 3D-scanned portrait of the artists mother in blue-white on black: head wrapped in a scarf, face in profile, the shoulders dissolving into torn point-cloud lace Network diagram of red nodes joined by curving grey lines, spiraling loosely like a galaxy on a white ground Two skeleton-rigged girls in cyan bones walking a plank boardwalk in a dark purple forest — Path animation debugging Journal page: the Parsons 'fine arts' senior thesis exhibition card, 1993, above taped photo strips of small sculptures — 'this was a very good idea' in pencil P·P·O·W gallery graphic for The Unbody, May 6 to June 9 2021: Auriea's dark green Ox Apotheosis sculpture, a horned bull-headed figure enthroned, floats on blue Sketchbook 32 dark side spread: black ink thickets with yellow and tan smears at left; a clump of pines behind a Speed Limit 35 sign at right Eight-song playlist starting with Final Fantasy's None Of You Will Ever See A Penny, five stars, then Deerhunter, Boduf Songs, Fridge, Beck, Cranes To-do list detail: 'Decisions on what objects are found in the forest', 'watch the zbrush3 dvd', 'DONT MAKE A FOOL OF YOURSELF' in small caps Evening primrose (teunisbloem) seen from above at night, two pale yellow flowers on a rosette of narrow leaves, photographer's shoes visible below Sketchbook 46 spread: 'Frequently I am quite torn apart by anger' — a ballpoint figure collapsing amid scribbled darkness beside an up-flung arm drawn in graphite, a bare foot planted below Sketchbook 42 spread: notes for a talk on designing from emotional experiences — The Graveyard, The Path, The Endless Forest — beside a gouache castle tower with flags and pencil portraits, with 'we draw on the dead body of the world' in red ink Sketchbook 47 spread: two graphite studies of a curly-headed marble Venus, with notes on Fetti's 'Melancholy', Thomas Boudin, and Coysevox's 'Crouching Venus' — 'she's looking heavenward, sitting on a tortoise' Dark render of a girl in a red dress facing forward, hair merging into blackness, her face and body a cracked mosaic wireframe — early Path work La Vita Nova from above: four white scanned statuettes stand at the arms of an X-shaped crossroads floor lettered CONTEMPT / DISPREZZO and XLVI AND A DAY / XLVI E UN GIORNO Sketchbook 45 spread from the Vrije Academie Wednesday-evening session: graphite studies of legs — a pair bent at the knee in profile, and a standing pair from mid-torso down Dutch botany diagram in six panels showing successive growth stages of the prikneus (Lychnis coronaria), pink blooms multiplying frame by frame Sketchbook 40, Schloss notes: a red ribbon whipping between inked topiary and hedges, sketches of chandeliers and a fountain in a room, notes on hidden servant doors Three webcam self-portraits stacked: glowering by a window in a scarf, headphones on looking down, and a close smiling face The metal ENIGMA nameplate from a German Enigma cipher machine: capital letters inside a pointed oval badge Sketchbook 42 spread: inked fantasy landscape — a cypress and tower at left, windswept trees with ribboning branches at right, and two small girls standing beneath them Etching, fourth state: a seated nude Magdalene with a skull's face resting her chin on one hand, winged figures swooping toward her over a dark inky floor The Minories vitrine in Example #22: the horned faun bust flanked by the crumbling gilt infant head, a rose-crowned terracotta head with pearl earrings and two small dark imps Sketchbook 48 spread in graphite: self-portrait with full hair and hand at chest, legs in patterned tights on heeled sandals, a coffee mug, and tiny thumbnails noting 'The Moon' and a black dog Tekken doujinshi page: a boy reads happily about Paul Phoenix's towering flattop while grandfatherly Heihachi looks on, headed So what if I'm a Paul fan! Cover of sketchbook 29: a painted collaged face on black — cropped bands of eyes, nose and grinning teeth assembled into a mask Desktop with 3d girl half-wireframed beside a photo of a blindfolded woman, and a hooded red-cloaked model in a second window; a filename rants across the top 19th-century anatomical plate: dissected shoulder and arm of a bowed figure, muscles and arteries hand-colored, with key text above Near-black photograph of a bearded man's face barely lit from below by a single tealight flame Wall text for Example #22, an exhibition of 3D printworks by Auriea Harvey at Kassel Dokfest, announcing her lecture performance at the Bali Kino, November 15 Digital painting 'Did she jump or was she pushed': a white streak of a falling figure flashing through smoky blue and umber clouds inside a hot red border Blurry cellphone photo from Mom: Canada geese grazing on a sunlit lawn at Eagle Creek, a green pond and trees behind Cover of sketchbook 20, 'Psyche Story': a winged figure in a pale blue gown collaged over gauze and yellowed floral paper — 'now I feel all my life has needed was one good dream' Low-poly grey 3d model of a hunched old woman in a headscarf and long skirt — The Graveyard's grandmother, untextured Unity editor: camera and sound gizmos hovering over a ground plane textured with a black-and-white cloud sky French poster for Wong Kar Wai's 2046: an embrace in black over neon Hong Kong signage, the title in gold Pink virtual sticky note of French conjugation practice: 'vouloir – TO WANT: je veux, tu veux, il veut, nous voulons, vous voulez, ils veulent' White brushed hand-lettering on black reading MEDUSA@entropy8.com, painted like chalk strokes Sketchbook pencil studies: a woman's downcast face, a dark heavily-shaded bearded man grimacing, and a faint construction-lines head Black-and-white still of highway signs — Holman Correctional Facility 2, Fountain Correctional Facility 3 — a helicopter overhead, and a torrent of red lyric text running below A carpet of round nasturtium leaves with a few hidden orange flowers, seen from above Early 3D render at 52 FPS: girls in white dresses scattered across a lawn under painted trees, one dark figure in a leaf-dappled dress up front — an army of she

829 more ›