gallery

1504 pieces, shuffled — reshuffle

Textured 3d prop: a red-handled knife stuck upright in a green-topped tree stump Cover of sketchbook 10: a dark window taped into mottled blue-green painted board, an X of white creases over a swirling green orb The same head fallen sideways, eyes closed, long white hair streaming — an Ophelia-like sleeping face Sketchbook 44 spread, 'Slightly lost': ballpoint sketch of the Heusden bus stop en route to a driving exam, a reclining graphite nude below, and watercolor figure studies in grey and burnt orange opposite Glaze strength inside a groove, by groove width and Pool scale Extreme close-up of one made-up eye, winged eyeliner and freckles, looking sidelong Hotel-room door detail: steel panel with white handle, ballpoint graffiti on the frame — 'JOHAN Je t'♥ gio 21/03/08' Journal spread painted black: a red anatomical hand with a blue-purple palm reaching down the right page, faint red writing in the margins Booklet page for The Books' It Never Changes to Stop: the sampled schoolteacher's monologue — 'Sit up straight and be quiet... absolutely still, every eye closed' — set as a poem Sketchbook 39, digital painting: the full moon as a soft smudge of white haloed in violet-black night Sketchbook 32 spread, Athena 4 Oct 06: the Erechtheion caryatid porch in red ink, a purple caryatid 'cement copy', pencil snakes twisting below — 'growing hair, moving arms, shifting weight' Bookbinding, three views: fanning the fresh deckle-edged signatures in cream, peach and celadon; the finished linen cover with black elastic; peach marbled endpapers Sketchbook 49 spread at the Met's Raphael drawings: graphite nude from behind, quoting 'keep one's compass in one's eyes and not in the hand, for the hands execute, but the eye judges' Two dim screenshots from the horror shooter F.E.A.R.: a red corridor with clotted dark ceiling, a small figure at its end and bare footprints down the tiles AP photograph of the yeti crab Kiwa hirsuta: a white deep-sea crab, its long arms shaggy with pale silky bristles Abstract digital painting in reds and flesh pinks: smeared strokes, tangled dark lines and glossy tubular forms over an orange ground Spolia-Section-Slab A sculptural bust featuring a bearded male figure in white marble or plaster, positioned in profile against a weathered green patina base with black and gold-spotted stone, set against a black background. The figure's classical features and flowing beard are rendered in sharp detail, while the contrasting materials and oxidized finish suggest an aged or intentionally antiqued decorative object. Yellow Vooruit FrictiesSalon flyer for a Tale of Tales talk, 13.02.07, over a dark painted forest with an abandoned swing set Back cover of sketchbook 49: dark green cloth with a pasted photo of an open book — 'Relation du naufrage de la frégate La Méduse' — and an embossed rooster Sketchbook 46 spread titled 'The Audience': overlapping colored-pencil studies of a group of nudes in graphite, brown and wine red — standing, crouching and turning as if watching something Four stills: a figure writing at a bright window table, a white silk sail over a dark landscape, a woman by a pond, and a tornado funnel at night Lecture slide: detail of Bernini's marble hand pressing into Proserpina's flesh, paired with a proportional construction of a face labeled Fig A Sketchbook 42 spread: graphite copy of a muscular bearded figure biting his knuckles, after a Sistine ignudo or slave, above a faint pencil tangle of folded limbs Cy Twombly untitled work: looping white crayon scribbles swarming diagonally across a grey ground Sketchbook 42 spread: ballpoint Christmas stocking hung from a switch plate, a basket of dried flowers, and studies of a toddler — walking away in a dress, laughing face, sulking mouth Sketchbook 32, Mediaterra 'Utopia & Virtual Space': ballpoint portraits of panelists — Margarete Jahrmann, Laura Baigorri Ballarín, Gonzalo Frasca — with notes on ludic society A three-dimensional digital sculpture of a standing female figure rendered in pale gray and white, viewed from behind with arms crossed, a long staff or pole extending vertically through the composition from head to toe. The figure wears flowing, draped clothing with horizontal scan lines and pixelated artifacts visible across the surface, suggesting a 3D model or point cloud visualization. Belgian Senate ballot, 13 June 2010, pink paper listing 25 senators by party column; a hand with a pencil hovers over Groen! Blender scene for MinoRinth: twelve wooden folding chairs ringing a flat round labyrinth carved with concentric paths Metope's Canvas tablet: the canvas shape modes (rectangle, circle, polygon), the block width, height and depth fields with the resize anchor, the block material dropdown with its reroll die, and the new-slab button. Me and My Ghost: scanline-torn webcam self-portrait, chin on hand, upscaled 2024 Blingee'd black-and-white Crater Lake photo: animated stars and sparkles, 'Merry Christmas!' stamped in the corner Sketchbook 35 diary spread relabeled December: a long-haired girl seen from behind, and again close-up kissing a dark bird's head, a game controller sketched below Spolia-Gizmo-Move The Aztec basalt statue of Coatlicue: the earth goddess with clawed feet, a skull at her waist and twin serpent heads forming her face, on a blue ground small animation of the Prophet Ezekiel from my video in this room is a sculpture called PROPHECY. a man with a swirling cloud around his head stumbles around then focuses. Journal spread: blue ballpoint knee studies wrapped in cursive about attraction and illness, skeleton torsos and shoe sketches, 'It's a perfect day for letting go' — 3 June 92 ZBrush fragment for the Magdalene: a single bent arm rising from the elbow, its hand gripping a skull whose jaw dissolves into the fingers Andrew Loomis's 'Ideal Proportions at Various Ages': male figures from one year to adult divided in head units, noting the legs grow nearly twice as fast as the torso Another view of Proserpina in sepia: the twist of her torso, his hand gripping, her body arching away Five studio photos of Saint John the Baptist growing from a skeletal clay armature to a full figure raising a shell, long-haired and bearded, against red curtains Twitter exchange: Auriea shares Monteverdi's First Book of Madrigals; Hasan Niyazi replies 'as if 1587 taps us on the shoulder and says remember — blessings' Sketchbook 49 spread: graphite drawing of wilting amaryllis blooms, facing a close study of a nude's hip and a small sanguine figure climbing into shadow KOLLA app icon — two photos pasted overlapping on the cutting mat, the overlap multiplying The Graveyard grandmother's face in wireframe over textured skin, black beret, on flat sky blue Dim webcam photo: a man's face half out of frame beside a window with potted plants on the sill, a pale building across the street and a radiator below Handwritten shorthand alphabet on dotted paper, a to z over their stroke signs, with the quick brown fox pangram written out in shorthand below Sformo-Assembled Museum conservation room, deep red walls: Memling's singing and music-making angel panels on wheeled easels among examination lamps and tool carts

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