gallery

1504 pieces, shuffled — reshuffle

Spolia-Style-Pelt Fan-made English translation diagram of the Nintendo DS Browser settings menu, mapping every checkbox for web, interface, network, time and shortcut settings Two low-poly grey toy soldiers posed like plastic army men — one swinging a club overhead, one striding with pistol drawn Atta Kim's long-exposure Making Love: two bodies dissolved into a single yellow-green cloud of light on darkness Roman studio in morning sun (photo on its side): gilt rococo mirror on a bare wall, pine shelving with white sculptures and skull, an open notebook of red-chalk drawing Sketchbook fantasy drawing in colored pencil: a pale long-haired figure raising a sword before a sea with a tall ship, a huge face dreaming in the sunset sky Four photos of black garments: a wrap top worn with long locs, a dancing blur, a sleeper under a black coat, and two coats laid out on a patterned bed Sketchbook 49 spread: a red-and-graphite banner-waving nude atop struggling fallen figures, facing a putto's face, a study of a nude's hip and thigh in pink, and a keychain shaped like an 8 Yellowed Japanese newspaper clipping reviewing Boris Vian — a column by Sone Motokichi on the intellectual 'spitting on graves' poet-provocateur White vodou veve drawing on a dark grey ground — a starred, symmetrical crossroads emblem framed by two arcs Walking behind someone on a sandy path between grassy dunes, cigarette in hand, long shadows Sunny's Lion: a blue-green painting of a snarling shishi guardian lion face, round eyes and bared teeth framed by spiraling curls of mane The original beige Apple Macintosh: built-in monochrome screen showing a welcome dialog, floppy slot below, keyboard cable in front Sketchbook 32 spread in black ink: Central Park trees at night seen from the Natural History Museum steps, canopies blotted heavy against a pale sky Raphael's Saint Michael Vanquishing Satan: the winged archangel in blue and gold descends with raised spear onto the demon writhing on the rocks Long pink-and-black text conversation about BioShock: 'i didn't find it gorgeous at all... Hellgate <--vs--> Anne Carson. Anne Carson wins!' Airmail envelope from the John Simon Guggenheim Memorial Foundation, 90 Park Avenue, addressed to Ms. Auriea L. Harvey Ornate gallery with The Graveyard(?) on a flatscreen — a blue underwater scene — a woman mugging wildly for the camera while a man gazes up MinoRinth from above: green-edged concentric maze rings curving below brick towers, their walls stitched with dotted purple seams Black-and-white photograph of Auguste Rodin, bearded and in a dark smock, raising a mallet against a huge white marble block Rutger Hauer as Roy Batty at the end of Blade Runner, platinum-haired and wide-eyed, cradling a white dove against his chest Concert at a small venue: singer bent over at the stage edge in black, guitarist and drummer on stage, sparse audience watching Ancient Egyptian bronze mirror: a slender standing woman forms the handle, her upraised arms curving into a papyrus support for the broad golden disc Roma sketchbook spread 'S.P.Q.R.': ink studies of statues and angels with notes — 'It is a frightening thing when one culture supplants another... In Rome the Gods are truly dead.' Skype call with Michaël Samyn at 07:13: he mugs close to the camera, two relatives peeking in behind, the caller smiling in the corner window Sketchbook 49 spread: studies after Rembrandt's Man with the Golden Helmet at the Gemäldegalerie, and Géricault at Ghent's MSK — severed-head studies, phrenology marbles, and the 'head of a monomaniac' Vija Celmins graphite ocean drawing: an even field of small waves rendered wave by wave, no horizon MinoRinth canopy: the scanned tree bends into a dome of stippled black-and-sepia foliage over the copper chimneys of the maze towers Video lecture paused at 14:54 — 'The Nature of Arguments', Critical Reasoning for Beginners, a lecturer beside a slide at the University of Oxford podium Sketchbook 41 spread: a wall of ballpoint portraits from a games conference in Montréal, labeled with names — Darren Wershler, Brian Greenspan, Jim Bizzocchi, Nick Montfort, Bernard Perron — and 'I cannot draw Thomas Grip' Sketchbook 46 spread: orchid buds barely open, purple and green against a brown wash — 'things that are not, that cannot, but must be' — beside a chalk study of a weathered column and rooftop Blender scene for MinoRinth: twelve wooden folding chairs ringing a flat round labyrinth carved with concentric paths Bare studio with peeling walls: a large-format camera on a tripod facing a trestle table, cold window light, paint-spattered floor Sketchbook 32: Carpeaux's Ugolino and His Sons sketched from the back in sanguine wash, the huddled figures knotted together Labeled map of ancient Rome: the seven hills in orange within the red line of the Servian Wall, the Tiber, Tiber Island, and the Field of Mars at left Two ancient Egyptian black stone heads with damaged noses, side by side on museum stands — one with wig, one curly-haired Mirror self-portrait in the Louvre's terracotta rooms: phone raised between the panes of a black vitrine full of small antique figures, a visitor rubbing her eyes at left Abramović and Ulay, Breathing In/Breathing Out: two faces locked mouth to mouth, trading one breath back and forth Jacques-Louis David's The Death of Socrates: the philosopher reaches for the hemlock cup while pointing skyward, his grieving students around the prison bed Still from Shadow of the Colossus: Wander on his black horse Agro wheels before a towering, moss-grown stone colossus A gray cat, blurred mid-shake, sitting on the desk between the laptop and the glass cabinet where the skull keeps watch Spolia-Style-Vine Odd Nerdrum painting: close-up of a hooded figure with head tipped back and mouth wide open, painted in warm ochres against a pale ground Collage manifesto: a Formlabs printer glowing orange at center, ringed by grayscale 3D scans — museum figurines, face casts, draped bodies, a Madonna in a niche Cy Twombly's Poems to the Sea, 1959: twenty-four white panels of scribbled pencil, oil, and wax crayon evoking horizon lines, numbers, and sea-script Sketchbook 40, 'colors list! 2011': swatches of every watercolor named in script — rose madder, cobalt green, new gamboge — beside a rooted tree stump study Sketchbook 42 spread on tan paper: ballpoint café portraits — a man's face cropped at the glasses, and a woman with an updo, round earring and choker glancing back over her shoulder Torn scrap covered in handwritten 'yes yes yes' around a Tale of Tales Endless Forest calling card and a blue A PRIOR airmail sticker Dell paperback cover of Madeleine L'Engle's A Wrinkle in Time: a winged centaur rearing over dark mountains, a green face glowering in a crystal sphere Sketchbook 32, Mediaterra 'Utopia & Virtual Space': ballpoint portraits of panelists — Margarete Jahrmann, Laura Baigorri Ballarín, Gonzalo Frasca — with notes on ludic society

854 more ›