gallery

1458 pieces, shuffled — reshuffle

Corner of a social profile: '144 friends — See All' Blurry snapshot in a pink tank top printed with a roaring purple monster, mid-gesture Metope's Texture tablet, the pattern studio: a grid of pattern primitives and the recipe sliders that shape them, with the bake-to-form controls at the foot. Page 10 of Marguerite Duras' Hiroshima Mon Amour script in English: their talk mingles themselves with Hiroshima, she appears dressed as a Red Cross nurse, and Nevers is highlighted where her past begins Two ancient Egyptian black stone heads with damaged noses, side by side on museum stands — one with wig, one curly-haired Sketchbook 50 spread of dark thumbnail copies at the Mauritshuis, Den Haag: Rubens's Assumption sketch, Rembrandt's Andromeda, Vermeer's Diana and her Nymphs, Tityus and Sisyphus, and Rembrandt's Two Moors Sketchbook 44 spread from the Imagining the Future symposium, Neuchâtel, 10 July 2012: ballpoint portraits of speakers with a microphone, and a watercolor of the Alps over the lake with a sailboat Attic wall mid-repair: patches of white filler over old yellow paint above a long white floating shelf, bare wood floor below Sketchbook 22B spread: a pencil drawing of a nude sleeper stretched across both pages amid pink stains — 'never before has reality been so appealing...' Sketchbook spread: a figure in red and green ballpoint asleep in an armchair, and opposite, a collaged anatomical heart ringed by a rhinestone bracelet with a red mitten below Sketchbook 32 spread from the Met's Asian galleries: pink brush sketches of Krishna battling the horse demon Keshi, notes on Durga and Shiva, and a seated Maitreya Bodhisattva face in ink Sketchbook pencil portrait of a young man in vest and shirt looking down, arms crossed at the wrists, signed in cursive 'Love Truitt' Mark Ryden-style painting in a heavy gilded frame: a big-eyed brown-skinned girl with a white hair bow and lace collar Sketchbook 49 spread at Chicago's Driehaus Museum: sanguine studies of Tiffany bronze candlesticks and a caryatid ('Renaissance + Japanese motifs combined'), facing graphite silhouettes of cinnabar lacquer and skyline finials Sketchbook 48 spread: ballpoint portrait of a bald speaker and a colored-pencil portrait in mint-green shirt, with notes on the aesthetics of play coming from action, not objects — 'don't let a day go by' Sketchbook 38 fold-out in pencil: a Ryanair seatback tray, the wing over a coastline near Bologna, and a neighbor thumbing a phone — 'airplane to Bologna' A grey Dutch bicycle with a black basket leaning against a park bench in a winter park, bare trees and drifts of fallen leaves behind Snapshot of producer Kenji Kaido and director Fumito Ueda, creators of Ico and Shadow of the Colossus, standing side by side at an event Sketchbook 22B spread 'NIGHT OF ME': golden grasses and silver berries on seafoam green, opposite a red spider-like burst and a row of gold ovals circled in silver La Vita Nova render: a towering point-cloud figure fills a dark shaft of light, tiny scanned statuettes hovering in niches around it A dense strip of engraved sheet music in 12/8, marked 'mhm' at the start, black notes crowding the staff Sketchbook 43 spread: pencil lilies in a glass jar — 'Nature is organized. It's like all my life I've been worshipping the wrong goddess' — facing faint studies of hands and feet Sketchbook 45 spread: graphite still life of a clementine with a dried curling leaf on its stem, and a separate leafy twig floating on the facing page Metope's Tools tablet: a grid of twenty shape tools (Pad, Coil, Stylus, Knife, Rake, Rib, Smooth, Smear, Pinch, Inflate, Scrape, Move, Crease, Chatter, Gnomon, Moulding, Drill, Extrude, Imprint, Stamp), the Relax Mesh and Rebuild Mesh buttons, and the brush sliders below. Belgian driving-theory exam sheet from the GOCA centre, 24 September 2012: 'Uitslag Theoretisch Examen — Geslaagd' (passed), receipt stapled below Sepia still life: a hand with dark nails at the edge of frame, two rough loaf-like stones, and a dark peony resting in a footed cup Kaleidoscopic double exposure of a bouquet — pink gerberas, celosia and veronica mirrored into symmetry on a kitchen table Small grainy GIF of Mr. T in his layered gold chains and mohawk Three glitched 3d renders: exploded polygon spikes in yellows, a rainbow-triangulated leg embedded in grey mesh, dark red faceted caverns Homestay snapshot from Kanazawa: the Okawa family — teenage son, father and grandmother — kneeling on tatami, beside the envelope back with their family details handwritten Titian's Bacchus and Ariadne: the god leaps from his cheetah-drawn chariot toward the startled Ariadne under a deep blue sky crowned with stars Official letter from Stad Gent, Dienst Bevolking Vreemdelingen, dated 2 August 2001 — the residence-permit request declared void, signed and stamped Old mattress and new, side by side in black and white: the sagging striped one leaning, the taut white Sultan standing straight Café Astrology natal wheel in beige and red: Gemini sun, Libra ascendant, with the triangular aspect grid and planet table below Small pill-shaped interface strip fading from white into warm grey Low-poly grey 3d model of a hunched old woman in a headscarf and long skirt — The Graveyard's grandmother, untextured Dentist office view — The waiting room holds its pale blue certainty—sky caught behind glass, the colour of a summer afternoon in the north, bleached by fluorescent light into something patient and still. Small Mac notification bar: 'You hear the sound of Crows (7).' — NetHack speaks New Year's Eve tray on a yellow table: a bowl of chips, cheeses, clementines, cookies, and a hand pouring the sparkling wine Sketchbook 35 diary spread in pencil: the studio television on its wheeled cart of consoles and decks, a book shelf, and a big plush flower against a cube Cy Twombly's Poems to the Sea, 1959: twenty-four white panels of scribbled pencil, oil, and wax crayon evoking horizon lines, numbers, and sea-script Sketchbook 49 spread: two soft graphite studies of entwined wrestling nudes, limbs arched and knotted around each other's torsos Page 125 of Gene Wolfe's Soldier of the Mist: at an opened grave a dead woman speaks as an oracle, questioned about a wolf whose name was Man Full page of the EINLEITUNG self-portrait: inked head over German book text, halo scratched in pencil, flames and torn dialogue scraps rising across a sky-blue chest Journal page: the Parsons 'fine arts' senior thesis exhibition card, 1993, above taped photo strips of small sculptures — 'this was a very good idea' in pencil Cover of sketchbook 33: the sleeping face of van Eyck's God the Father from the Ghent Altarpiece turned sideways in its gold inscribed halo, set into pebbled leather and tapestry Sketchbook 38 spread in watercolor: pale garden flowers in blues and reds, a spiky globe thistle, and red blooms — noted 'Gonks garden' Six Magdalenes clothed in their own hair: Donatello's gaunt penitent, two paintings of angels lifting her to heaven, Giampietrino's praying saint, and carved altarpiece elevations Sketchbook 38 spread in ballpoint: a park path curving under trees toward a small stone bridge, an empty bench in dappled shade Cover of sketchbook 46: plain grey-green linen with a black elastic band, unadorned

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