gallery

1458 pieces, shuffled — reshuffle

Web clipping titled A Woman on Fire naming Auriea Harvey a digital artist, programmer, and multimedia maven, beside a red-lit portrait of her at 25 Screenshot from Ico: the boy in his red tunic and horned helmet reaches down from a wooden plank toward the pale, glowing Yorda in the castle gloom The Path's red room: girl in striped top standing on a dark table in a blood-red interior, black silhouette figures around the walls Cover of sketchbook 21A, 'The Disease Manifesto': white moon and streaked clouds on black-blue night, a pasted caption reading 'Night; stars and a bright moon.' Second installation view: the striped platform holds a turquoise head, a faceted white Venus on a striped plinth, bird-skull hybrids, and a small dark figurine Sketchbook 46, 8 March at the Met: graphite and watercolor study of the Crouching Aphrodite marble, wine-red shadows at her hip, a rainbow of paint swatches down the page edge Ghost-white ambient-occlusion bake of a girl's bust, blank eyes, floating over black shoulders Sketchbook page in faint pencil: a domed high church on a cliff above the sea, with ruled text beginning 'The high church of Oorcon looms massively...' The Graveyard in black and white: the old woman with her cane walking the central path between crosses toward the chapel 3d Día de los Muertos sugar-skull mask, white with pink flower eyes, green petal lashes and red stitched grin Sketchbook 32 spread from the Met's Asian galleries: pink brush sketches of Krishna battling the horse demon Keshi, notes on Durga and Shiva, and a seated Maitreya Bodhisattva face in ink The word NOW in soft-edged black letters, set diagonally and dissolving into a pale blue ground Sketchbook 48 Paris spread: Louvre notes on the Marie de Médicis cycle and Musée Rodin — 'La Lumière de l'Antique', the Belvedere Torso's influence, sketches of headless draped figures Sketchbook 49 spread of Louvre copies: a crouching satyr and standing nude pulling off her shift, facing a Daumier-like group of heads and a pensive figure resting chin on fist Back cover of sketchbook 22B: half faded red cloth, half a smoky photographic print of gnarled tree branches Sketchbook 44 spread: airplane cabin interior in red ballpoint — seat backs, tray tables and curtains in crosshatch, a sleeping passenger's hand curled at upper left Standing in split-toe tabi boots on a concrete doorstep, grey trousers pushed into the black boots, a number-printed black skirt above Two photos from a Japanese junior high visit: uniformed students crowding around a young Auriea at a desk, and a classroom waving calligraphy banners overhead Self-portrait reflected in a botanical garden greenhouse pane, camera raised, autumn pines and roses tinted rose-gold through the glass Close-up in the Magdalene case: black acrylite and polished bronze Magdalene figurines clutching skulls before a tablet, above a notebook page of questions written in the saint's cave Metope's Layers tablet: a layer with its colour, blend mode, opacity and relief, the smart-mask generator buttons, and the flatten and smart-material controls. Tiny dark graphic of a small white puff of cloud or smoke floating in blackness METOPE paint and glaze figure The Path logo: scratchy black hand-drawn capitals reading THE PATH, 'a tale of tales' small beneath Sketchbook 45 spread: a close brown-toned gouache portrait of a woman's face, facing a red ink-and-wash figure curled inside an egg-like ring with notes on love, fragments and ruins in technological art Tiny snapshot of Quinton at graduation, smiling in black cap and gown and holding a diploma Walking behind someone on a sandy path between grassy dunes, cigarette in hand, long shadows Takayoshi Sato with arms crossed in a leather jacket beneath a glowing Silent Hill 2 banner where Maria poses in her red top Soft black-and-white photograph of a Penguin Classics Ovid, Metamorphoses: Bernini's Apollo and Daphne on the cover, laurel leaves sprouting from her hands Instagram post by earlymusicinstruments captioned Nearly there, tagging auriea.art: a viola da gamba on the workshop wall, dark body, pale unvarnished neck, carved head atop the pegbox Artemisia Gentileschi's Judith Beheading Holofernes: Judith and her maidservant pin the general to the bed with braced arms as the blade cuts through, blood soaking the sheets A box crammed with 3D-print tests: faces and heads in chocolate brown, blue, gold, copper, and bone, red architectural fragments, and gridded lattice scraps Low-poly grey 3d model of a hunched old woman in a headscarf and long skirt — The Graveyard's grandmother, untextured Grey placeholder card reading 'THERE IS NO BOOK 14' in serif capitals Annotated Quest3D screenshot: a tangle of linked channel blocks with pink circles and arrows marking which body and motion nodes were already there Sketchbook 49 page in sanguine: a nude pulling drapery from her shoulders with arm raised over her head, a lighter blocked-in figure beside her Colored-pencil drawing on gray paper: a dead tulip, petals collapsed like drapery over a ghost of yellow Cover of sketchbook 2: rows of white profile heads drawn on black leather, a few picked out in blue, pink and green, with a chaos star — 'Auriea Harvey's Sketchbook II' Sketchbook 38 spread in watercolor: magenta coneflowers with drooping petals at left, a bank of pink valerian against dark hedge at right Sketchbook 47 spread in ballpoint: the sea stacks of Baia delle Sirene rising from calm water, rocky shore in loose outline across the foreground Maerten de Vos, The Temptation of Saint Anthony: demons haul the saint into the sky by his cloak while below Anthony walks past lions, a devil-drummer and an elephant with a howdah Spread from Anne Carson's Autobiography of Red, pages 4 and 5: what difference did Stesichoros make — adjectives as the latches of being, and red Geryon of Erytheia ZBrush sculpt for a leviathan: massive clay-toned monster haunches with a beaked growth, ridged scar rows across the belly, and curved tusks jutting from one hip Hand-drawn anarchy symbol: a rough black brushstroke A crossing through a circle Dim webcam photo: a man's face half out of frame beside a window with potted plants on the sill, a pale building across the street and a radiator below Sketchbook 41 spread: Sunset Appreciation Society notes with a lighthouse lamp drawn in ballpoint, a turreted house, and below, gouache studies of a fountain and an ultramarine stair tower with the persons of the play (Salomé) listed Back cover of sketchbook 33: a jeweled blue Renaissance sleeve and a hand leafing through a green book, collaged in leather corners with a floral tapestry band Back cover of sketchbook 16A: a Daniel Clowes 'PARANOID' comic page varnished in amber, its edges dissolving into dark red drips Botticelli's Map of Hell (c. 1485): the funnel-shaped abyss of Dante's Inferno in tempera on parchment, its terraced rings of the damned narrowing down to Lucifer at the point The bunny-eared girl textured: red bob wig and blue flame-like ears over a wireframed cream face — Path girl in progress

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