gallery

1504 pieces, shuffled — reshuffle

Stage photo from Wim Vandekeybus's In Spite of Wishing and Wanting: bare-chested men in fuchsia skirts, one balancing in a deep arabesque, others crouched and turning Natal chart drawn in vintage Mac astrology software, cyan double wheel with red and green aspect lines, tables of elements and aspects around it The Bibliochaise by nobody&co: a black armchair whose frame is a bookshelf holding rows of books around a red cushioned seat Sketchbook 40, Köln museums spread: Roman mosaics and hairpins from the Germanicus museum, notes on Käthe Kollwitz's 'Frau mit totem Kind', and inked towers over park trees Sketchbook 48 spread: art-history lecture notes from the Académie Royale on the Three Graces, Mantegna and Titian, facing a tender graphite study of a seated faun with a Santayana quote on Americans and junk Medical diagram of suturing techniques: over-and-over, mattress, subcuticular, Lembert, Cushing, Halsted, Connell, and purse-string stitches Diptych: profile nearly curtained by long straight black hair on a fur throw; below, bare feet with chipped pink polish in deep shag carpet Metope's Canvas tablet: the canvas shape modes (rectangle, circle, polygon), the block width, height and depth fields with the resize anchor, the block material dropdown with its reroll die, and the new-slab button. Sketchbook ballpoint portrait of a laughing boy in an open jacket, eyes squeezed shut, a flame-like doodle rising beside his shoulder ThinkPad X201 tablet open, keyboard in the foreground; the glossy screen reflects the photographer instead of showing anything — the Eureka Maru Stygian Hand: a dark encrusted open hand rendered in bronze and green, cradling a single brown eyeball in its glossy palm against molten gold blur Sketchbook 39, digital painting: the full moon as a soft smudge of white haloed in violet-black night Three test renders of a scanned bust with flowers for La Vita Nova: sparse point cloud, solid shaded mesh, and dense stippled versions side by side Wood-panelled wall of framed personal photos — a man in a white suit singing, band snapshots with congas — behind a frosted-glass lamp Giuseppe Maria Crespi's Hecuba Blinding Polymestor: the Trojan queen in torn white silk drives her thumbs into the bound king's eyes as he claws backward in the dark Twitter exchange from February 2012: Auriea tells Hasan Niyazi she wants to make games with metaphysical catharsis; he wagers such a game is two console generations away; she replies 'we will be working to bring the future to you TODAY!' Cover of sketchbook 1: a red chaos star on black, 'RIEA' in white block letters, 'CHAOS is my life' at the hub — 'Auriea Harvey's Sketchbook' Four Saint John test prints against orange: a white resin figure, black demon legs on a rod above a tiny reclining body, a small black figurine, and a bronze-patina cast Green-on-black terminal listing: files MissJones and THEDEVIL, then the command 'cp ._THEDEVIL ._MissJones' Sketchbook spread in ballpoint: gothic spires and hanging chandelier-like forms of Riverside Church, drawn dense and scratchy across both pages Anime still: a green dinosaur mascot in a white apron offers baked snacks from a tray in a village street, subtitled It's really scrumptious! How about one? Harrison Ford as Rick Deckard in Blade Runner, looking up warily in his rough brown coat, hair damp The Graveyard-era prototype: two white vases in an endless field of red poppies, above dark text panels of overlapping muttered dialogue Reference chart of Blender sculpt-mode keyboard shortcuts: draw, smooth, pinch, inflate, grab brushes and their keys, white text on dark grey Inside back cover of sketchbook 38: a sun-bleached Polaroid self-portrait among bare branches, hair falling over the face, taped beside a German page on 18th-century literature Olia Lialina and Dragan Espenschied leaning together at a restaurant table, she blowing a kiss past a bottle, a wheel of cheese in the foreground Sketchbook 32 spread in black ink: Central Park trees at night seen from the Natural History Museum steps, canopies blotted heavy against a pale sky Magritte's The Treachery of Images: a smoothly painted pipe above the cursive caption Ceci n'est pas une pipe Network diagram of red nodes joined by curving grey lines, spiraling loosely like a galaxy on a white ground Cover of sketchbook 13: dark blue-black board with a single pasted image of a theater curtain labeled 'unknown' Sketchbook 49 spread: dark graphite vignette of a seated figure with another curled beside it, facing a bending walking figure with bundled back, a lined older face, and scattered head studies Journal spread: blue ballpoint knee studies wrapped in cursive about attraction and illness, skeleton torsos and shoe sketches, 'It's a perfect day for letting go' — 3 June 92 Two states of a 3d girl's face: buried in rainbow scanline noise above, and smooth with one glass eye looking out below Path character sheet '4_Ruby': five polaroids from small red-haired child to the black-bobbed girl in striped top Star Trek Voyager cast photo: Janeway front and center with arms crossed, the crew in red and gold uniforms around her Concert at a small venue: singer bent over at the stage edge in black, guitarist and drummer on stage, sparse audience watching Roma sketchbook: watercolor along the Tiber in greens, and below, the column of Romulus and Remus drawn sideways amid writing about finding Bernini's tomb On the studio's green cutting mat: a small white clay sculpture splitting open like a fruit, posed with two clementines on an envelope La Vita Nova from above: four white scanned statuettes stand at the arms of an X-shaped crossroads floor lettered CONTEMPT / DISPREZZO and XLVI AND A DAY / XLVI E UN GIORNO Lecture slide: three Bernini images — the Fountain of the Four Rivers figure sketch, an oval chapel plan, and Sant'Andrea al Quirinale's facade overlaid with proportion lines Sketchbook 46 spread: loose watercolor peonies in rose and magenta with sap-green leaves, blooming across the gutter of the tan pages Tall foxglove stem with pink bell flowers rising against a peeling whitewashed wall Path character sheet '3_Ginger': five polaroids of the redhead tomboy at different ages, hooded child to lanky teen Back of sketchbook 38 and its spine: marbled green paper under a black inked cloud, leather corners, spine strips reading 'Der Geist des Rokoko' Botticelli's Map of Hell (c. 1485): the funnel-shaped abyss of Dante's Inferno in tempera on parchment, its terraced rings of the damned narrowing down to Lucifer at the point Sketchbook 45 spread: ballpoint analysis of Michelangelo's Battle of the Centaurs relief — figures blocked into boxy volumes at left, the writhing knot of bodies drawn organically at right Sketchbook 38 spread: the roof view again — a sunset skyline in pink and indigo above, and a brick chimney rising through clouds at right Shoulder tattoo in progress: green Japanese waves curling around dark smoke-grey clouds, two red petals falling, partly outlined panels near the shoulder blade Belgian driving-theory exam sheet from the GOCA centre, 24 September 2012: 'Uitslag Theoretisch Examen — Geslaagd' (passed), receipt stapled below Still from Silent Hill 2: Maria leans close behind the cell bars, subtitle reading See? I'm real.

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