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1504 pieces, shuffled — reshuffle

Inside the MinoRinth maze: dark castle-like towers with chimneys loom over the walls under a curdled white-and-sepia sky Windows taskbar: Photoshop, paint, shortcut to blender, Blender, Quest3D all open at 10:45 Four runway looks with furry animal masks — horned goat and sheep heads over tartan coats and prints Diptych of mirror self-portraits in a white bedroom: Auriea photographing her reflection, then the same mirror with the camera flash burst obliterating her face Soft black-and-white photograph of a Penguin Classics Ovid, Metamorphoses: Bernini's Apollo and Daphne on the cover, laurel leaves sprouting from her hands Cover of sketchbook 22B: a dark overexposed photograph of a crowd raising round-headed forms, like a procession seen through fog Dense pencil drawing of a bare left foot from above on near-black hatched ground, an ankle strap at the heel Two figures on the wide wet sand of the Belgian coast under a heavy sky, a rainbow arcing down toward distant apartment blocks Wally Wood's 22 Panels That Always Work — the classic cheat sheet of comic framings: big head, extreme close-up, silhouette, down shot, L-shape and the rest Blurry cellphone photo from Mom: Canada geese grazing on a sunlit lawn at Eagle Creek, a green pond and trees behind Night desk: Wacom tablet showing a painting in progress of a girl in a forest clearing, laptop with the reference scene, headphones and the watercolor tin nearby Path production prints: black-and-white posters of the six sisters hung on a line, and the tall Scarlet poster taped up over the tidy desk Dense journal spread: an inked self-portrait beside a collaged red planet, columns of handwriting, and a blue profile facing a ghostly face — 'READ IT AND COMMIT ME' Two 3D scans side by side: dark-clay double portrait of the artist facing herself, skull in hand — and a white version, the skull held up where the face should be Moth orchid in bloom on the desk at night, lamplight throwing its shadow across a shelf of small treasures — cup, boxes, prints, a gilt mirror Transcript of the Kryptos sculpture at CIA headquarters: four panels of ciphertext letters and the keyed Vigenère alphabet tableau Black-and-white photograph of Claude Monet standing in his Giverny studio beside a sofa, surrounded by the huge water-lily panels Vija Celmins drawing of a spider web: concentric silk rings and radial spokes in white on black Instagram story from earlymusicinstruments: the pegbox of a viola da gamba in progress, its scroll crowned by a small sculpted head in a cap Studio corner crowded with wood frames holding small game-screenshot prints, art postcards pinned above a green cutting mat Blender top view: a small posed figure at the crossing of yellow dashed constraint circles and axis lines — camera rig geometry Dutch botany diagram in six panels showing successive growth stages of the prikneus (Lychnis coronaria), pink blooms multiplying frame by frame Four Saint John test prints against orange: a white resin figure, black demon legs on a rod above a tiny reclining body, a small black figurine, and a bronze-patina cast Standing hand-on-hip in red shirt and gold pleated skirt beside a marble Asklepios, in front of a frescoed landscape wall in Rome Sketchbook 41 spread: pencil and red ballpoint life-drawing studies of crouching and reclining nudes, with a handwritten list of painters — Morot, Shishkin, Carlsen, Mancini, Prud'hon, Vibert, Bonnat, Ribera Sketchbook 40, journal page copying Anne Carson: 'Drawing is quite, quite naked...' with notes on drawing, honesty, and modelling a hand in 3D, a wiry hand sketched above Sketchbook 47 Rome spread: colored-pencil study of legs against blue 'DIVO IOANNI' lettering, and a dense ballpoint drawing made standing at Bernini's Fountain of the Four Rivers — 'ROME III' Cover of sketchbook 39: half marbled paper veined in red, half grey felt with visible stitching, a pen clipped into the top edge Metope's Layers tablet: a layer with its colour, blend mode, opacity and relief, the smart-mask generator buttons, and the flatten and smart-material controls. Composite telescope image of the Bullet Cluster: colliding galaxy clusters with hot gas in pink and the inferred dark matter mapped in blue among the field of galaxies Novelty phone-message slip headed 'SADE (Shah-day)': 'While you were listening to Sade's DIAMOND LIFE album', with checkboxes like 'Phoned' and 'Wants to see you' over her faint portrait Sketchbook 32: pencil studies of heads — a downcast woman at left, and a large anguished bearded face, eyes closed, drawn dark and dense Max patch titled the larynx of frankenstein's monster: dozens of phoneme players wired into a gate, with the creature's demand for a female pasted alongside Dell paperback cover of Madeleine L'Engle's A Wrinkle in Time: a winged centaur rearing over dark mountains, a green face glowering in a crystal sphere Sketchbook 44 spread, 27 December 2012: colored-pencil studies of bare feet, a potted seedling and a small tree, beside dense game-design notes on ditching the open world and unrolling the world in chapters Sketchbook 48 spread: sanguine and red nude leaning on one knee beside notes on contour as 3D horizon and mise en page, facing a graphite figure bending into shadow Sketchbook 49 page: finished graphite study of a lounging male nude with drapery across his thighs, one leg thrown wide, modeled against a dark ground A solid red square Grainy photograph of the transit of Venus: an arrow points to the planet's small dark silhouette against the Sun's blurred limb Cover of sketchbook 36: red Moleskine with a dark Polaroid of a braided head wrapped in red-veined tissue, a postcard of an ornate clock-tower shrine, and a skull sticker Sformo-Analysis Sketchbook 33 spread: two great black ink blots mirrored across the gutter like a Rorschach figure with outstretched arms, faint pencil sketches beneath Sketchbook 38 fold-out: a quince studied twice — in soft graphite lying on its side, and in saturated watercolor hanging yellow against green Two Endless Forest deer side by side: a black one with blue skull face and sparkler antlers, and a red one in a green luchador-style mask Odd Nerdrum painting: close-up of a hooded figure with head tipped back and mouth wide open, painted in warm ochres against a pale ground Close detail of a Van Gogh flower still life: asters and chrysanthemums in pink, ochre, and red built up in thick ridged impasto strokes Sketchbook 32 spread: a bushy tree in dried-blood red wash, and opposite, a chestnut tree in sanguine beside an Art Nouveau gate — 'with Laura in the park (citadel), 2006' Bernini's Rape of Proserpina, close: Pluto's fingers sinking into her marble thigh and waist, stone made flesh Sketchbook 48 spread: delicate graphite study of a downcast female nude leaning forward, ringed by spiraling notes on block-in, shadow pattern and 'draw contour last' Dancing drawing in black ink: splattered vertical strokes and a long arc of dots crossing over a broad smeared wash near the bottom of the sheet

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