gallery

1504 pieces, shuffled — reshuffle

Entropy8Zuper! flag emblem: a black pennant with white 8 and zig glyphs waving inside a red circle on black Poster for In the Kingdom #19: layered blackletter cascading down black — works by Auriea Harvey, baykiddead and Alex Myers, December 13 at Project Project, 1818 Vinton The Path: Rose in red-and-black standing in mossy undergrowth, purple forest hung with red lanterns behind her James Jean's painting Sink: a robed minotaur pours a thread of water from a teapot toward a pale bald girl curled in a tub among dark leaves Blender simulation of a striped exhibition table: a grey torso on a ziggurat plinth, blue and orange cyclops heads, an orange-gloved fragment, and scattered skulls Body scan, 2004: a low stapled abdominal incision in warm dim light, a white dressing pulled aside at the right Cover of sketchbook 24: grey-black felt with a gold eagle medallion reading 'Illustrated Encyclopedia of the Modern World' Sketchbook 46 spread: 'Frequently I am quite torn apart by anger' — a ballpoint figure collapsing amid scribbled darkness beside an up-flung arm drawn in graphite, a bare foot planted below Glitched Netscape window on entropy8.com: a black-and-white close-up of a woman's face shredded by horizontal bands of corruption Abyssinian kitten enthroned on an iPad on a red cushion, huge ears up, beside a taped-up STAN theater poster Overexposed café scene through glass: children's party around a blue table with pink cups, an adult leaning over the middle, greenhouse shelves behind Kara Walker's Burn: black paper silhouette of a girl with braids standing in cut flames, a gnarled plume of smoke towering above her Evening primrose (teunisbloem) seen from above at night, two pale yellow flowers on a rosette of narrow leaves, photographer's shoes visible below Dutch botany diagram in six panels showing successive growth stages of the prikneus (Lychnis coronaria), pink blooms multiplying frame by frame Textured 3d crow standing on flat chroma green, beak open mid-caw Journal spread 'BLUTVERGIFTUNG chapter I': the word smeared in rusty red between two collaged kitchen-knife ads pointing at each other Vooruit cinema screen from the balcony: 'Filmfestival Gent & Vooruit presenteren CLINT MANSELL & SONUS QUARTET' Metope's Depth tablet: the depth histogram with resize and expand, the depth mask band, the CNC floor and ceiling limits, and the CNC check with bit reach, CNC preview and bit diameter. Sketchbook 45 spread: graphite anatomy studies — a foot and lower leg, a hand resting on a shaded knee, and a seated nude's knees with a fist hanging over one of them Spolia-Gizmo-Size Sketchbook 44 spread: pale watercolor notation of the Pacific coast — green scrub hills, scattered trees, and an ochre bluff washed over faint pencil beneath The word NOW in soft-edged black letters, set diagonally and dissolving into a pale blue ground Face texture test: a woman's head overgrown with dark feathered fur, black hollow eyes, wireframe lines showing through Sketchbook 5: layered ink drawing of Washington Square Park — the arch's shadow, globe lamps, fences and 'hushed stairs' woven into a dense patterned composition Cover of sketchbook 23B: a narrow old ledger bound in dark marbled paper, red cloth at the spine, edges worn to orange Blender title bar path: /Auriea/Work/144/MODELING/The Concept Of Everything Divided By Girl/GMH/GMH-modeling/ThePathOfKidRed05.blend Vija Celmins's Eggs, 1964: four fried eggs sizzling on a grey double hot plate against a muted blue-grey ground Sketchbook 40 spread on the game that became Bientôt l'été: door-and-level diagrams, color theory notes on hue value chroma, and the Room 101 passage from Orwell copied out Back of sketchbook 31: a dark felt pencil roll stitched in red over a black Moleskine, four worn pencils tucked in the bottom The same head fallen sideways, eyes closed, long white hair streaming — an Ophelia-like sleeping face Sketchbook 49 page in sanguine: a nude pulling drapery from her shoulders with arm raised over her head, a lighter blocked-in figure beside her Bookbinding, three views: fanning the fresh deckle-edged signatures in cream, peach and celadon; the finished linen cover with black elastic; peach marbled endpapers Raphael's self-portrait from the Uffizi: the young painter in black cap and robe glancing over his shoulder, in a gold frame inlaid with knotwork panels Max von Sydow as Ming the Merciless in Flash Gordon, gloating in a red high-collared uniform beside a white rocket in a rivet-walled corridor Sketchbook 44 page: ballpoint masked figures in hooded robes labeled Beauty, Wit, Virtue and Grace — 'the fairies are not your friends, they are old magic' — with a crowned tragic mask at center Low-poly grey 3d model of a hunched old woman in a headscarf and long skirt — The Graveyard's grandmother, untextured Blurry conference photo of a speaker beside a slide headed Developers are Pussies, arguing developers misunderstand the business of publishing Digital painting after a life photo: seated nude with red hair, arms crossed over her face, pale body against near-black Dense pencil drawing of a bare left foot from above on near-black hatched ground, an ankle strap at the heel iPhone tarot app, three cards on green wallpaper: Five of Pentacles, Seven of Pentacles, Nine of Cups Mac OS X desktop collage: an mp3 player showing 'King Of Sorrow' (4:51 left), a webcam widget and a clock over an ornate collaged background A scanned drift of currencies: a fifty-million-Mark Reichsbanknote, a US two-dollar bill, Egyptian pounds, assorted coins, and a pink hundred Rick Owens–style runway look: model wrapped in a grey-brown scarf-dress with knit cap, long gloves, and shaggy fur boots Inside cover of sketchbook 20: collaged Muybridge-like figures carrying trays across the bottom, a golden crest reading 'PSYCHE STORY' held up at right, rusty reds above Sketchbook 49 spread: graphite sketches of conference speakers — a man in glasses folded into a chair with a microphone, a cross-legged panelist, and a bearded man in beanie and thick glasses Louise Bourgeois marble sculpture: a torso-like form clustered with smooth white breast shapes, carved from a rough-hewn block Sketchbook 46 opening: 'This book begins on a plane. The Crystal Ship is being filled' — a painted airplane window on orange paper with budget notes ('learn to drive, NOT OPTIONAL'), facing a watercolor of Michaël asleep in a blue shirt Janine Antoni's Lick and Lather: two self-portrait busts side by side, one licked-down chocolate, one washed-away white soap, on classical pedestals Olia Lialina and Dragan Espenschied leaning together at a restaurant table, she blowing a kiss past a bottle, a wheel of cheese in the foreground Two dim screenshots from the horror shooter F.E.A.R.: a red corridor with clotted dark ceiling, a small figure at its end and bare footprints down the tiles

804 more ›