gallery

1504 pieces, shuffled — reshuffle

Snapshot dated April 1993: a young woman in a patterned vest smiles under a desk lamp in a cluttered dorm room, necklaces hanging on the wall behind Raphael's black-chalk study of an upturned female head beside a pencil sketchbook page of an older man in a tank top with studies of mouths and noses ZBrush fragment for the Magdalene: a single bent arm rising from the elbow, its hand gripping a skull whose jaw dissolves into the fingers Snowflake-filtered webcam pair: Michael and Auriea cheek to cheek, then Auriea laughing with hand to forehead, ring catching the light Song lyrics hand-lettered in black marker filling a yellow legal page, beginning ring them bells and ending in rows of small asterisk stars QR code for the ProjectProject work Sketch for a Cyclops Cover of sketchbook 25: dark green cloth with a small black-and-white photo of Devils Tower and three red ribbons hanging down Sketchbook 48 spread in graphite: a walnut hanging from its twig with one leaf, and a softly modeled human skull turned three-quarter into darkness, with small sigil-like doodles above Sketchbook 43 spread from a hospital room, 1 June 2012: pencil studies of the draped bedside table, IV drip lines, a faucet, and a hand cradling a heart-rate clip — 'Oh Venus, where did I go wrong?' Inside cover of sketchbook 20, winter 1993: an inked self-portrait on sky blue under the printed word 'EINLEITUNG', golden grasses collaged over the chest Roma sketchbook: the Colosseum's arched wall brushed in ink with red scaffolding crosshatch, tourists reduced to black strokes — 'Colleseo' Dancing drawing: a sweeping charcoal-and-pencil arc curving up the page from a dense black smudge, looping scribbles at its base Handbound sketchbook open on a green park table: gouache painting of the pond and trees, the same real pond hazy behind Sketchbook 49 spread at the Met's Raphael drawings: graphite nude from behind, quoting 'keep one's compass in one's eyes and not in the hand, for the hands execute, but the eye judges' Two Endless Forest deer side by side: a black one with blue skull face and sparkler antlers, and a red one in a green luchador-style mask Black-and-white double exposure on 2nd Street: a blurred face streaked with motion in a mirror, plaster wall and shuttered window folding into shadow Sketchbook 40, 'Going Forth By Day': Gent to Venice by train — a blue-inked station kiosk, and sleeping passengers in faint pencil — 'every now and then it lets out a high pitched scream' Jean Fouquet's Virgin and Child Surrounded by Angels from the Melun Diptych: the pale crowned Virgin bares one breast amid red and blue seraphim Chalk drawing on red-brown paper: two arms reaching upward and a tilted, smiling face — study of a straining Eros from the Louvre Painting of a huge grey wolf's head hanging upside down among pale birch trunks, jaws open, while a small child covers their face below Hand holding a sketchbook: blue ink wash landscape of icy light with a small dark girl in a white dress standing at right Sketchbook 46 spread: 'Frequently I am quite torn apart by anger' — a ballpoint figure collapsing amid scribbled darkness beside an up-flung arm drawn in graphite, a bare foot planted below Three views of a 3d scan of an Artemis statue in short belted chiton and hunting boots, rendered in a blue and bronze matcap against black Two stems of moth orchids, white petals speckled with magenta and deep pink lips, in front of an old wooden door Roma sketchbook: a weeping face drawn in red pencil beside a Palazzo Barberini ticket dated 10/05/2006 and postcards of Canova's Pauline Borghese and Caravaggio's Narcissus Spolia-Gizmo-Move Spolia-Gizmo-Size Paper Enigma Machine by Michael C. Koss, 2003: printable rotor columns, reflector chart, and step-by-step encoding instructions on one sheet Sketchbook 35 diary spread in pencil: the studio television on its wheeled cart of consoles and decks, a book shelf, and a big plush flower against a cube Detail of Marqueste's Perseus Slaying Medusa: the gorgon cries out, head wrenched back, small wings at her shoulder, beside a fluted column Sketchbook 51 spread in sepia ink at 'Rubens privé', Antwerp: thumbnail copies of Rubens self-portraits, Isabella and Helena, with notes — 'Rubens cannot make me cry like Rembrandt, but he can make me feel love' Tippi Hedren lighting her cigarette from a match held in a crow's beak — The Birds publicity photo Collage for MinoRinth: two mirrored profiles of Auriea joined like a Janus head, each face half-hidden by a horned grey bull's head Plain pale pink square swatch Robert Fludd's black square engraving, its edges inscribed 'Et sic in infinitum' on all four sides Sketchbook 38 spread in pencil: a glass of tea, its bag slumped beside it on a crumpled napkin — 'tea, Ronse(?)' Dancing drawing: a tall sheet of vertical ink gestures like falling figures — coiled, knotted and dripping strokes with faint traces of orange Sketchbook 48 spread: 'The lesson of Raphael — you stand on the dragon, your sword is lighter than air', with a pencil study of a standing putto reaching upward — 'transform the hours of your life into art' Sketchbook 45 spread: graphite still life of a clementine with a dried curling leaf on its stem, and a separate leafy twig floating on the facing page Two small painted portraits labeled Bonnie and CLYDE — blonde Faye Dunaway and Serge Gainsbourg-esque face, side by side Sketchbook 40 spread: Florence from Fiesole in the faintest watercolor — a blue hill line, green olive trees, two golden figures standing at lower left Sketchbook 32, Mediaterra session 3 'Game Politics': six conference speakers drawn as ballpoint busts with name labels, tangled cords looping between them Close view under the base ring showing branches merging into thicker trunks as they descend, each junction sitting below the branches entering it. Inverted photo: bare legs dangling from a silver-insulated ceiling above shopping baskets of toys — a mirror-world garage Zoe Leonard's typewritten text I want a president, 1992, beginning "I want a dyke for president" and ending on presidents who are always clowns, liars, thieves Photoshop layer tabs named: henna, blood, blood splatter, blood — working on Faustina Girl with long blond hair sitting close to a TV, customizing a cartoon monkey's fur colors in a game menu The Metope Atelier interface: the glyph spine at the left, the Tools tablet pinned open with all twenty shape tools and the brush controls, the Material tablet at the right, and a relief in progress in the viewport. Journal spread in black grease crayon: two slashed portrait heads emerging from darkness, a third small face lower left Four stills: a figure writing at a bright window table, a white silk sail over a dark landscape, a woman by a pond, and a tornado funnel at night

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