gallery

1479 pieces, shuffled — reshuffle

Digital painted self-portrait, summer 2005: Auriea with long braids framed by feverfew branches, small white blooms and pale insects scattered through her hair An enormous pale pink peony bloom overwhelming its blue vase on a red table, an orchid pot beside it Sketchbook 42 spread: layered ballpoint and blue pencil sketches of sleepers — a face sunk into a pillow at left, a bald man asleep against his raised arm at right Cy Twombly untitled work: looping white crayon scribbles swarming diagonally across a grey ground Low-poly grey 3d model of a hunched old woman in a headscarf and long skirt — The Graveyard's grandmother, untextured The same support forest assigned the bronze material instead of oak, so the struts read as cast metal against a marble body. Self-portrait against a projection: standing in a black feathered coat, eyes down, while blossoms and branches wash over the wall and face Sketchbook 44 spread: charcoal studies of a male nude from behind and a thigh, with a handwritten list of the ten sibyls — Persian, Libyan, Delphic, Cumaean — and their legends Sketchbook 47 spread at Cologne's Wallraf museum: notes on Stefan Lochner and International Gothic, a sketch of the Virgin with a tower, and a study of Falconet's female bather Blurry cellphone photo from Mom: Canada geese grazing on a sunlit lawn at Eagle Creek, a green pond and trees behind Sketchbook 47 Rome spread: full-page graphite study of a sprawling classical nude with an arm flung overhead, beside grotteschi from Palazzo Doria, a Pietro da Cortona sketch, and notes on feeling at home in Rome Barack and Michelle Obama embracing forehead-to-forehead on election night, black stage behind — AFP/Getty frame Sketchbook 44 spread, IndieCade day one: blue ballpoint portraits of Ian Dallas, Chris Bell, Amy Hennig, Jenova Chen, Christine Love, Anna Anthropy, and Steve Russell with John Romero at the mic Finder window 'heaven and earth': cover-flow preview of an open exhibition catalogue on black, 17 numbered photos listed below Scanned opera synopsis, the prologue of L'incoronazione di Poppea: Fortune and Virtue dispute supremacy until Cupid arrives to settle the matter Sketchbook 46 spread: pencil study of wind-shaped trees in the Sint-Pietersabdij garden in Ghent, with a black frigatebird with scarlet throat painted on the facing page Leonardo da Vinci drapery study: brush and grey tempera on linen of heavy cloth over a kneeling figure, the folds modeled in white heightening Ornate gallery with The Graveyard(?) on a flatscreen — a blue underwater scene — a woman mugging wildly for the camera while a man gazes up Two Path scenes: the misty forest with the small white shrine among trunks, and the girl at a picket fence gate before the house glowing purple Four photos of black garments: a wrap top worn with long locs, a dancing blur, a sleeper under a black coat, and two coats laid out on a patterned bed Yellow pillow-box package printed with concentric white rings: Patch to stop caring about love The Mystery, first ZBrush version in mauve: a skull with a small serene face nested in its eye socket, trailing a long bone stem and torn wing of ear Sketchbook 33 spread: two great black ink blots mirrored across the gutter like a Rorschach figure with outstretched arms, faint pencil sketches beneath Wireframe viewport of the virtual Labytaur: a latticed dome and radiating disc enclosing a cylindrical core, a small dark figure and inverted cone below Cover of sketchbook 21A, 'The Disease Manifesto': white moon and streaked clouds on black-blue night, a pasted caption reading 'Night; stars and a bright moon.' Sketchbook 40, journal page copying Anne Carson: 'Drawing is quite, quite naked...' with notes on drawing, honesty, and modelling a hand in 3D, a wiry hand sketched above Listening party — On Viale della Trinità dei Monti at dusk, she gathered the palazzo's held warmth—travertine walls yielding their pale grayish browns, the yellowish grays of weathered stone like old parchment. Black-and-white photograph of Claude Monet standing in his Giverny studio beside a sofa, surrounded by the huge water-lily panels Kiki Smith's Lilith: a black bronze woman cast from life, crouching upside down high on the gallery wall, glass eyes looking back over her shoulder Top-down view of the Magdalene case in Example #22: tablets playing videos, the wireframe Minorinth head, black and bronze Magdalene figurines, rocks and an open travel sketchbook Masahiro Mori's uncanny valley graph: familiarity against human likeness, dipping past bunraku puppet toward corpse and zombie before healthy person Design sheet of fifteen gravestone sketches on black with red annotations — 'taller + on angles', 'SHE CRIES', 'ERODE BREAK' — planning The Graveyard's tombs Dark 3d bird hunkered in a shallow grass nest, one white eye catching light Two sepia portraits of a man at home: smiling close in wire glasses and a heavy chain; then aiming his Nikon back at the camera beneath a Pianos Daudé poster Washed-out webcam self-portrait, bare-shouldered with a light flare, a St Hubert pilgrimage banner on the wall behind Poliriea: ZBrush render of a mauve cyclops head with tight sculpted curls and one teal eye, resting atop a striped ziggurat pedestal Sketchbook 6 page dated 19 June 1990: worldbuilding notes for 'The SPARE Corp.' — psycho-technics, pneumatics, servomechanics, the Fates as Atropos/Clotho/Lachesis — 'Think about the future' Dutch text on the Sadawaar, a beast of Byzantine lands from Kazwini: its horn of forty-two hollow branches sings sweetly in wind, and mournfully when reversed Sketchbook 46 spread: loose watercolor peonies in rose and magenta with sap-green leaves, blooming across the gutter of the tan pages Artefact Festival 2006 posters spread on a green sofa, each showing a misty forest of tall bare trees with a tiny red figure Blurred photo of a mammogram machine in a beige clinic room, footswitches on the floor RCA LP cover of Great Scenes from Gershwin's Porgy and Bess with Leontyne Price in a red feathered dress and William Warfield kneeling beside her Sformo-Bands Two gritty scratched-negative self-portraits side by side: one pale and open, one dark with burning white eyes Close detail of a Van Gogh flower still life: asters and chrysanthemums in pink, ochre, and red built up in thick ridged impasto strokes Sketchbook 42 spread: ballpoint profile studies — a face with pursed lips filling the left page, overlapping fragments of eyes, noses, lips and small hands on the right Second installation view: the striped platform holds a turquoise head, a faceted white Venus on a striped plinth, bird-skull hybrids, and a small dark figurine Close-up in the Magdalene case: black acrylite and polished bronze Magdalene figurines clutching skulls before a tablet, above a notebook page of questions written in the saint's cave Screenshot from Cricoterie, Tale of Tales' Tadeusz Kantor-inspired VR: a horse skeleton puppet, a toppled mannequin and a black figure among doors and a cage on a dark stage Sketchbook 48 spread in pink and sanguine pencil: two soft studies of portrait busts in the Louvre's shadows, notes on Marie Antoinette-era hand fans — 'it's easier to draw what you can touch'

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