gallery

1504 pieces, shuffled — reshuffle

Blender screens of a pinstripe-suited character (FeyWolf) with white hair and green cuffs, plus a smooth grey female head below Blender simulation of a striped exhibition table: a grey torso on a ziggurat plinth, blue and orange cyclops heads, an orange-gloved fragment, and scattered skulls Looking up through MinoRinth: a dark tree trunk forks overhead into pixel-dust foliage, the maze's green rings and grids dissolving in white glare Tempest gameplay: a blue wireframe funnel plunging into blackness, the yellow claw shooter at its rim firing down at red and purple enemies Leonardo da Vinci's parachute sketch: a figure hanging beneath a sealed linen pyramid, mirror writing in the margin Grayscale collage: paper models with pivoting circle cutouts labeled ontology and metaphysics, concentric paper rings, an eye drawing, black-painted nails Polaroid of a foot in a bright red-orange stocking and black strappy sandal, dark skirt hem swinging above speckled lino Textbook skeleton standing in anatomical position, palms forward, on a teal ground Roma sketchbook: the baldachin's twisted columns brushed in heavy black ink beside writing — 'There is a certain perversity to St Peters... The angel stabs you in your own true heart' Sketchbook 49 spread: ballpoint choir singers of the Berliner Domkantorei mid-phrase, with a pasted ticket for Bach's Matthäuspassion at the Berliner Dom, 12 April 2014 Me and My Ghost: webcam self-portrait dissolving into dotted wave lines, upscaled 2024 Journal spread: a red panel with a dark folded form at center, flanked by dense pages transcribing a conversation — 'he had been paralyzed from the waist down...' Small grainy GIF of Mr. T in his layered gold chains and mohawk Sketchbook 41, page 92: layered ballpoint study of a seated figure with rolled sleeves, hands clasping reins or cords, with small thumbnails noting 'full scene VR view' and jump points A feverfew plant (moederkruid) with small white double blooms and green ferny leaves against a peeling whitewashed wall 3D-printed cyclops head prototype in tan filament held in the hand, a single brown glass eye set into its off-center socket Barry back from Iraq: seated on the couch in a white keffiyeh and brown robes, photographed in warm low light Spread from Anne Carson's Autobiography of Red, pages 4 and 5: what difference did Stesichoros make — adjectives as the latches of being, and red Geryon of Erytheia Three glitched 3d renders: exploded polygon spikes in yellows, a rainbow-triangulated leg embedded in grey mesh, dark red faceted caverns 3d raven from above, wings spread wide showing purple-striped feathers, gliding in the dark viewport Both sides of Sonic Youth's first EP on SST cassette: clear shells listing The Burning Spear, I Dream I Dreamed, She Is Not Alone, The Good and the Bad Sketchbook 47 Naples spread: pencil studies after Caravaggio's 'Seven Acts of Mercy', two anguished theater masks, and a winged sphinx — 'Misericordias Domini in aeternum cantabo' Sketchbook 43: the June 2012 transit of Venus painted as an ochre-gold sun disc with the planet a small dark dot near its lower edge Digital painting on teal: a gaunt pale-faced figure bowed forward, wrapped head to foot in long dark red-streaked hair, bare hands and feet showing Sketchbook 38 spread in ballpoint: a park path curving under trees toward a small stone bridge, an empty bench in dappled shade Two hand-painted matryoshka-style dolls with sad pink faces — one hooded in cream, one with a golden bob — above a black pointed hood and a tiny red gem Protective styles: hands parting and braiding a seated girl's hair, her eyes patient and downcast, a mug and dark shelf behind LECTOR reading a spread aloud, the current sentence highlighted Ingres's Odalisque in Grisaille: the Grande Odalisque reclining nude among grey silks, painted entirely in tones of grey, looking back over her shoulder Sketchbook 5: ballpoint self-portrait close-up, face filling the right of the page with lips parted, a chair and window line-drawn behind Sketchbook 47 Rome spread: full-page graphite study of a sprawling classical nude with an arm flung overhead, beside grotteschi from Palazzo Doria, a Pietro da Cortona sketch, and notes on feeling at home in Rome Sketchbook 45 spread: pencil drawings of Martha from above — stockinged legs crossed at left; at right her long hair falling over a white blouse and dark skirt as she sits curled RCA Victor Opera Series cover for Bizet's Carmen: Leontyne Price in large hoop earrings against red, with Franco Corelli, Karajan and the Vienna Philharmonic billed Preface page from Anne Carson's Grief Lessons — 'Tragedy: A Curious Art Form' — beginning 'Why does tragedy exist? Because you are full of rage. Why are you full of rage? Because you are full of grief.' Roma sketchbook: watercolor along the Tiber in greens, and below, the column of Romulus and Remus drawn sideways amid writing about finding Bernini's tomb Sformo-Mold-Exploded Corner of a social profile: '144 friends — See All' Tall blurry photo: a bundled figure standing tiny at the foot of an enormous carved wooden church door Sketchbook 46: soft pencil drawing of a crowned Madonna statue with hands pressed in prayer, ringed by a halo of roses Sketchbook 46: graphite study on orange paper of a marble male torso from behind, headless and armless on its museum mount Soft grayscale painting of a white rabbit at rest with ears raised, glazed like porcelain against a white ground Looking down at a new dress printed with deer, trees and red flowers — a Bambi-esque forest scene with black lace at the neckline Lecture slide: three Bernini images — the Fountain of the Four Rivers figure sketch, an oval chapel plan, and Sant'Andrea al Quirinale's facade overlaid with proportion lines METOPE paint and glaze figure Sketchbook 49 spread in wine-red pencil: a laurel-crowned nude seated in thought with hand to chin, and a heavily draped figure gathering her robes as she steps forward French exam paper, January 2008, name Auriea Harvey: 83% total with 'Très bien!' in green ink Page from Cabanne's Dialogues with Marcel Duchamp: painting had become retinal — few ideas, mostly technical problems, all painting since Impressionism antiscientific A robed figure sits alone on a vast expanse of rippled desert sand, golden light raking the dunes — an image from Lawrence of Arabia Early game avatar: a low-poly nude brown-skinned woman with black bobbed hair, arms at her sides, texture seams still showing, on a purple base Four subtitled film stills of Odd Nerdrum painting by candlelight, saying that to achieve something you need to know where you are in this world

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