gallery

1479 pieces, shuffled — reshuffle

Sketchbook 32, Mediaterra 'Utopia & Virtual Space': ballpoint portraits of panelists — Margarete Jahrmann, Laura Baigorri Ballarín, Gonzalo Frasca — with notes on ludic society Sketchbook 44 spread: graphite studies of a standing male nude in two overlapping stances at left, and at right the model reclining, legs extended toward the corner Netscape screenshot of LOVE by Group Z, Belgium — early net art by Michaël Samyn: the word LOVE spelled in daisies inside gold and floral frames, hosted in Rhizome's anthology Sketchbook 32, Mediaterra Athens, session 1 'Gaming Society': ballpoint portraits of seven speakers as busts on plinths — Julian Dibbell, Daniel Pargman in a Magic Circle trophy, and others Titian's Bacchus and Ariadne: the god leaps from his cheetah-drawn chariot toward the startled Ariadne under a deep blue sky crowned with stars Beksiński painting: a figure with wild red hair and bared teeth, pearls at the throat, wrapped in a rotting ornate garment amid an orange haze Tiny sprite of a mosquito with green body and spread translucent wings Sketchbook 50 spread of dark thumbnail copies at the Mauritshuis, Den Haag: Rubens's Assumption sketch, Rembrandt's Andromeda, Vermeer's Diana and her Nymphs, Tityus and Sisyphus, and Rembrandt's Two Moors Atta Kim's long-exposure Making Love: two bodies dissolved into a single yellow-green cloud of light on darkness Self-portrait as a point cloud: a figure with dreadlocks floats dismembered inside a white wireframe cube on an endless blue grid Sketchbook 49 spread: ballpoint portraits of long-haired conference-goers, a face with heavy eyes, and notes — 'board games as narrative devices', 'dice as the devil's bones', 'gamification is where capitalism wants to go' Sketchbook 41, page 33: ballpoint family scene — a woman with long dark hair, a toddler seen from behind, and a bearded man in glasses reclining with one socked foot forward Leonardo da Vinci's parachute sketch: a figure hanging beneath a sealed linen pyramid, mirror writing in the margin Sketchbook 49 page in sanguine: a nude pulling drapery from her shoulders with arm raised over her head, a lighter blocked-in figure beside her Three test renders of a scanned bust with flowers for La Vita Nova: sparse point cloud, solid shaded mesh, and dense stippled versions side by side Sketchbook 44 spread from the Imagining the Future symposium, Neuchâtel, 10 July 2012: ballpoint portraits of speakers with a microphone, and a watercolor of the Alps over the lake with a sailboat Table of the Celtic tree calendar: thirteen months from Birch to Elder or Myrtle, the tree of death, with thorn, heath, poplar, and fir for the seasons Sketchbook 46: graphite study on orange paper of a marble male torso from behind, headless and armless on its museum mount Split screen: a folder of vanitas skull paintings beside a YouTube documentary about painter Fuyuko Matsui, a woman in kimono seen from behind Sketchbook 48 spread in pink and sanguine pencil: two soft studies of portrait busts in the Louvre's shadows, notes on Marie Antoinette-era hand fans — 'it's easier to draw what you can touch' Two mirror photos rotated sideways: trying on a green-blue-white abstract print dress with heels, in a sunny wooden-floored room Takayoshi Sato with arms crossed in a leather jacket beneath a glowing Silent Hill 2 banner where Maria poses in her red top Sketchbook 48 spread: 'The lesson of Raphael — you stand on the dragon, your sword is lighter than air', with a pencil study of a standing putto reaching upward — 'transform the hours of your life into art' Screenshot from Ico: the boy in his red tunic and horned helmet reaches down from a wooden plank toward the pale, glowing Yorda in the castle gloom Museum vitrine with a device to measure the scent of a flower: white blossoms sealed in a glass bottle, tubing running to a small wooden pump box beside a porcelain jar Sketchbook 40, Lido 30 May: beach umbrellas in blue ballpoint, a palm frond, a yellow-lit Venetian facade with flower balconies, watercolor swatches down the edge Cover of sketchbook 23A: plain deep magenta cloth, worn and water-stained, no title Sketchbook 49 spread in silverpoint-light graphite: a mustached man's face, a hand gripping a dark plum, a corked bottle, and a nude beside stacked studies of a bearded head and wing Sketchbook 41, page 92: layered ballpoint study of a seated figure with rolled sleeves, hands clasping reins or cords, with small thumbnails noting 'full scene VR view' and jump points Sketchbook 49 spread: graphite study of a mannerist pose with arm raised, and a sanguine drawing of two intertwined nudes dated 30 Dec 2013, 17:45, at the Louvre Sketchbook 44, 'Things that happen at night', last night in Fenouillet, 27 July 2012: four ballpoint vignettes — a hill against storm light, wind through a dark window, a man in darkness, a figure day-for-night Sketchbook 57 page at the Musei Capitolini: charcoal study after Caravaggio's St John the Baptist embracing the ram, with notes on getting authorized to draw after 6:30 3d raven from above, wings spread wide showing purple-striped feathers, gliding in the dark viewport E-book page with a note reading What I strive for when I write, pinned to Bloy's description of Huysmans dragging the Mother Image down the staircase of terrified Syntax Sketchbook 48 spread: pink-pencil dancer with raised arm over notes on the Musée Carnavalet — 'Paris explained by Parisians, collected by a madman' — and the Musée Cognacq-Jay's Boucher pastels Sketchbook 48 spread in graphite: a walnut hanging from its twig with one leaf, and a softly modeled human skull turned three-quarter into darkness, with small sigil-like doodles above Notebook page 'The ultimate FINAL to do list' with nearly every line struck through in red, 'DONE!' scrawled at top Sketchbook 48 spread, first day drawing in the Louvre: boxy graphite block-in of a seated nude, ink brush sketches, and the assignment 'Draw all the River Gods!' Sketchbook 32 spread in black ink: Central Park trees at night seen from the Natural History Museum steps, canopies blotted heavy against a pale sky Line diagram of a Molotov cocktail: a taped bottle with labeled wick and fuel mixture Alone on a bench in a crimson museum hall, hood up, notebook in hand, before Rubens' vast Martyrdom of Saint Livinus Still from Shadow of the Colossus: Wander on his black horse Agro wheels before a towering, moss-grown stone colossus UV test texture: a grid of numerals 0 through 9 marching diagonally across squares of red, green, yellow, cyan, and purple Sketchbook ballpoint portrait of a laughing boy in an open jacket, eyes squeezed shut, a flame-like doodle rising beside his shoulder Atari Tempest title screen: the word TEMPEST in glitching red-and-blue vector strokes above the 1980 Atari copyright Sketchbook 44 spread, 27 December 2012: colored-pencil studies of bare feet, a potted seedling and a small tree, beside dense game-design notes on ditching the open world and unrolling the world in chapters Instagram post by earlymusicinstruments captioned Nearly there, tagging auriea.art: a viola da gamba on the workshop wall, dark body, pale unvarnished neck, carved head atop the pegbox Four Dior haute couture looks by Galliano, Madame Butterfly themed: Hokusai-wave gown, kimono silhouettes and origami tailoring Sketchbook 41 café spread: ballpoint sketches of a coffee cup, kettle, and a long-haired bearded man, with conference notes on Silent Hill 3, spatiality, the uncanny, and games as creative writing tools Side view of Auriea's small bronze Magdalene raising a skull before her face, photographed on a windowsill beside a cream-white rose

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