gallery

1458 pieces, shuffled — reshuffle

Sketchbook 47 spread at the Musée de Flandre, Cassel: notes on Flemish Mannerism and 'The Flood' by Matthijs Cock, sketches of a jester and the Struganoff Madonna's snake-like sleeve Notebook page 'The ultimate FINAL to do list' with nearly every line struck through in red, 'DONE!' scrawled at top Sketchbook 44 spread: ballpoint portraits drawn during video calls — faces labeled 'cyberkati', a bearded man smiling, a profile in glasses, hands, sleeping cats, and a red-pencil profile Dancing drawing: a dense tangle of black ink figures looping across grey-washed paper, thin drips running off the bottom of the swarm A red 3d-printed extension worn over the middle finger of a brown hand with gold-painted nails and a gold ring; laptop keyboard and grey cat beyond Cover of sketchbook 40: plain dark grey woven bookcloth, worn at the corners, no title Daniel Lefcourt's The Invention of Public Relations: gold-painted nuggets, a slide projector and carousel, rulers, gloves, and archive photos knolled on grey Three Jandek-style CD-Rs on a desk: 'Magick for Cherishings' and 'Magick for Prudence' with pressed-flower covers, one disc hand-labeled 'NOT SURE IF I SENT THIS TO YOU ALREADY!' Two photos from a Japanese junior high visit: uniformed students crowding around a young Auriea at a desk, and a classroom waving calligraphy banners overhead A house porch on fire at night: flames and smoke pouring over a stairway railing, lens flare purple in the foreground Small grainy black-and-white photo of Sonic Youth: Kim Gordon, Thurston Moore, Lee Ranaldo, and Steve Shelley posed against a dark wall Sketchbook 44 spread: charcoal studies of a male nude from behind and a thigh, with a handwritten list of the ten sibyls — Persian, Libyan, Delphic, Cumaean — and their legends Macro through a kaleidoscopic lens: a carved rosette embossed in reds and flesh tones, dissolving into flower-mosaic blur La Vita Nova from above: four white scanned statuettes stand at the arms of an X-shaped crossroads floor lettered CONTEMPT / DISPREZZO and XLVI AND A DAY / XLVI E UN GIORNO The Path's red room: girl in striped top standing on a dark table in a blood-red interior, black silhouette figures around the walls Tiny low-poly skull render, warm bone tones on black — game skull sprite Sketchbook 49 spread of café and subway sketches: a hooded figure asleep on folded arms in red pencil, a child drawing at a table, and three bespectacled sleepers stacked in graphite Gallery corner installation of cut paper: red arteries, cream intestines, and green organs cascading down the white walls onto the concrete floor UV test texture: a grid of numerals 0 through 9 marching diagonally across squares of red, green, yellow, cyan, and purple Back cover of sketchbook 20: layers of cheesecloth painted pale blue and gold over damask fabric, tiny eyelets inked lower left Sketchbook 49 spread: a single faint gesture drawing of curling, flame-like figures rising up the page fold, the rest of the spread blank Cover of sketchbook 45: a small oil painting glued to the black cloth board — two extracted molar teeth painted thickly in ivory against a deep teal ground Roadworks warning sign gif: the digging man in a red triangle — u radu je spas, in work is salvation Lecture slide: Olafur Eliasson's Weather Project three ways — the huge indoor sun at Tate Modern, a figure raising arms before it, visitors sprawled on the floor Cover of sketchbook 48: an old ledger bound in red leather and swirled brown marbled paper, scuffed white at the edges RCA LP cover of Great Scenes from Gershwin's Porgy and Bess with Leontyne Price in a red feathered dress and William Warfield kneeling beside her Two stems of moth orchids, white petals speckled with magenta and deep pink lips, in front of an old wooden door Etching, fourth state: a seated nude Magdalene with a skull's face resting her chin on one hand, winged figures swooping toward her over a dark inky floor Bernini's Rape of Proserpina, close: Pluto's fingers sinking into her marble thigh and waist, stone made flesh Dozens of telephone lines crossing a pale evening sky, small birds strung along the farthest wire by a streetlamp Inside the basilica of Fourvière in Lyon: blue-and-gold mosaic vaults, angel-topped columns, a glittering cylindrical chandelier against tall stained glass Sketchbook 47 spread: ballpoint life drawings — a bald man in profile, a bending figure with hanging hair, and overlapping reclining and seated nudes Sketchbook 45 spread: pencil drawings of Martha from above — stockinged legs crossed at left; at right her long hair falling over a white blouse and dark skirt as she sits curled Standing hand-on-hip in red shirt and gold pleated skirt beside a marble Asklepios, in front of a frescoed landscape wall in Rome Louise Bourgeois's giant bronze spider Maman standing over James Ensor's grave beside the brick church tower of Our Lady of the Dunes, Ostend The Pleiades star cluster: the seven sisters blazing blue-white inside wisps of reflection nebula on a dense starfield METOPE paint and glaze figure Sketchbook 42, page 66: watercolor and pencil of a sleeper's face resting on a yellow-washed arm, the head faint graphite, the raised forearm a wedge of gold Five studio views of the Fauna head circling from front to back: the long-eared child's face, the horn bud, and the gold-filled fissures crossing the white skull Sketchbook 6 page dated 18 May 1990, 'The Story Link, Act 1 Scene 1': a teenage screenplay outline in colored markers about a killer car, organ donors, and a plot to 'take over the world', interrupted by a commercial announcement Metope's Project tablet: save, save-as, projects gallery, .metope export and import, the ZIP, STL and GLB/USDZ exports, and the five-colour Prusa XL print panel with its filament rows and mapping modes. A work desk: white iBook, black keyboard, Wacom tablet and mouse, a Dell monitor showing a portrait in progress, daisies in an orange vase Cover of sketchbook 37: red Moleskine overlaid with gold paper drawn over in red vines and lettering — 'The...King' — a printed eye peering through the tendrils Before and after, two selfies: long dreadlocks past the chest, then cut to chin length, holding up the severed hair with a grin (a face photobombing below) Mirror self-portrait in the Louvre's terracotta rooms: phone raised between the panes of a black vitrine full of small antique figures, a visitor rubbing her eyes at left Sketchbook 49 spread: pale blue-pencil studies of draped figures with a shield-like disc, beside a graphite arm and a slender standing nude with raised arm Photographed text titled Telling of the Bees: the custom of informing hives of a death in the household, whispering thrice that their mistress is dead Joseph Beuys's Eurasia Siberian Symphony 1963 in three photos: taxidermy hare on poles against the chalk-drawn panel, plus the museum label Sketchbook 41 spread: charcoal studies of noses and lips, a seated figure, perspective primitives, a red-draped column, and a blue gouache nude marked 'after Carracci' The original beige Apple Macintosh: built-in monochrome screen showing a welcome dialog, floppy slot below, keyboard cable in front

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