gallery

1504 pieces, shuffled — reshuffle

Mirrored double portrait: a pale face with dark fringe doubled nose to nose, a point of light burning between the eyes over a band of ringed dots Sketchbook 49 spread on small baroque bronzes at the Louvre, 30 Dec 2013: tangled sketches of centaur battles and Ovidian groups, a red reclining figure, and two experiments in failed balance Mirrored webcam self-portrait: face doubled down the center line, drinking from a glass, dreadlocks framing both halves Two photographs of a Commodore VIC-20 blank programming cassette: the white tape labeled Side 2 above its silver-striped cardboard sleeve Vija Celmins's Eggs, 1964: four fried eggs sizzling on a grey double hot plate against a muted blue-grey ground Dark render of a girl in a red dress facing forward, hair merging into blackness, her face and body a cracked mosaic wireframe — early Path work Cover of sketchbook 10: a dark window taped into mottled blue-green painted board, an X of white creases over a swirling green orb Sketchbook 44 spread over the printed chapter headings of Feu et Flamme: a tonal graphite nude curled around his knees, hands clasped over his feet Sketchbook 45 spread: graphite anatomy studies — a foot and lower leg, a hand resting on a shaded knee, and a seated nude's knees with a fist hanging over one of them Sketchbook 32: Carpeaux's Ugolino and His Sons sketched from the back in sanguine wash, the huddled figures knotted together Correggio's Jupiter and Io: the nude nymph swoons in the embrace of the god, who dissolves into a smoky grey cloud with a barely visible kissing face Tarot app spread on a wood table: The Hermit, King of Cups, Page of Wands reversed, Ace of Pentacles, The Devil below; to the right The World, The Empress and Hierophant reversed Sketchbook 44 spread, IndieCade day one: blue ballpoint portraits of Ian Dallas, Chris Bell, Amy Hennig, Jenova Chen, Christine Love, Anna Anthropy, and Steve Russell with John Romero at the mic Two gritty scratched-negative self-portraits side by side: one pale and open, one dark with burning white eyes Max patch titled the larynx of frankenstein's monster: dozens of phoneme players wired into a gate, with the creature's demand for a female pasted alongside Sketchbook 42, page 11: ballpoint still life on tan paper — a two-liter Sprite bottle, glass mugs, eyeglasses, a crumpled wrapper, and a TV remote New watercolor tin open on a plaid lap: two rows of half-pans from reds through blues to ochres, a water brush laid across Dutch text on the Sadawaar, a beast of Byzantine lands from Kazwini: its horn of forty-two hollow branches sings sweetly in wind, and mournfully when reversed Photographed text titled Telling of the Bees: the custom of informing hives of a death in the household, whispering thrice that their mistress is dead Sketchbook 40, journal page copying Anne Carson: 'Drawing is quite, quite naked...' with notes on drawing, honesty, and modelling a hand in 3D, a wiry hand sketched above Abramović and Ulay, Breathing In/Breathing Out: two faces locked mouth to mouth, trading one breath back and forth Closed exterior shutters of Bosch's Garden of Earthly Delights: the third day of Creation painted in green-grey grisaille, the new earth inside a transparent sphere Metope's Face Sets tablet: the paint-regions switch, the list of sets with their colours, stone dropdowns and lock/hide flags, and the region tools — rect, circle, flood fill, smooth edges, fill with material or texture, and extrude set. Sketchbook 47 spread on the 'Rubens in Europe' exhibition: écorché studies, notes on Van Dyck's Charles I and Rubens's Leda and the Swan copy after Michelangelo — 'bursting out of this rectangle, but so still' Cover of sketchbook 22B: a dark overexposed photograph of a crowd raising round-headed forms, like a procession seen through fog Cover of sketchbook 16B: raw grey board with a pasted three-panel comic strip — a woman's face, a burst of static, dark tentacles — captioned '...my wound healed, and I continued my journey' Heather Mason's unlockable God of Thunder costume in Silent Hill 3: a tank top printed with the thunder god Raijin, her arms mottled with full-sleeve tattoos Orientalist painting of Salome: a dark-haired woman with hoop earrings and bared breast in a red sash skirt, gripping a brass platter and blade Playlist mixing Stanley Lieber's GOKU tracks with Nine Inch Nails Ghosts I–IV and FLAMES.GIF songs Journal page: the Parsons 'fine arts' senior thesis exhibition card, 1993, above taped photo strips of small sculptures — 'this was a very good idea' in pencil Sketchbook 40, 'Plan V': a hand-drawn watercolor map of the Venice trip — the Grande Canal, Lido, flight numbers, hotel notes, two instant photos taped on, 'we sat here + kissed' Blurry conference photo of a speaker beside a slide headed Developers are Pussies, arguing developers misunderstand the business of publishing Auriea Harvey, Iphigenia Sketchbook 45 spread: graphite portraits of dying flowers — a drooping daisy over collapsed petals at left, a closed rose bending on its stem beside a tulip at right Till We Have Faces, pages 292 and 293: Orual chews the strange bread of the gods, declares herself Ungit, and despairs that no man will love an ill-favoured woman A house porch on fire at night: flames and smoke pouring over a stairway railing, lens flare purple in the foreground A red 3d-printed extension worn over the middle finger of a brown hand with gold-painted nails and a gold ring; laptop keyboard and grey cat beyond Sketchbook 44 spread: airplane cabin interior in red ballpoint — seat backs, tray tables and curtains in crosshatch, a sleeping passenger's hand curled at upper left Sketchbook 22B spread of journal writing with taped photos of small buildings and trees, a pencil sketch of a wrought-iron gate — 'turn the trees to flame.' Villa medici and the Black congress — She came to Viale della Trinità dei Monti at the hour when the stone begins to hold the day's heat like a secret. Marqueste's Perseus Slaying Medusa in marble, seen from below: the hero's arm grips the screaming gorgon by her snake-tangled hair Cover of sketchbook 20, 'Psyche Story': a winged figure in a pale blue gown collaged over gauze and yellowed floral paper — 'now I feel all my life has needed was one good dream' Film still: a small blond child reaches up toward a brown hotel door numbered 404 — page not found FlightView tracker map: flight DL5372 en route from Indianapolis to New York over a weather-radar map of the eastern US RCA LP cover of Great Scenes from Gershwin's Porgy and Bess with Leontyne Price in a red feathered dress and William Warfield kneeling beside her P·P·O·W gallery graphic for The Unbody, May 6 to June 9 2021: Auriea's dark green Ox Apotheosis sculpture, a horned bull-headed figure enthroned, floats on blue Sketchbook 44 spread, 3 September, model session: soft pencil sketches of the same nude bending, kneeling and seen from the back, poses overlapping across the gutter Panorama on the Gravensteen bridge in Ghent, unimpressed face in the foreground, the castle and canal curving behind, tourists at the rail Sketchbook 32, Mediaterra session 2 'Identity & Psychology of the Player': Espen Aarseth mirrored top-to-bottom with Celia Pearce, speakers threaded through a yellow coiling snake

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