gallery

1479 pieces, shuffled — reshuffle

Webcam still from an AR test — 'Pattern marker example with Three.js' — peering over glasses in a patterned dress, the screen behind mirroring the page Desktop wallpaper grid of cute forest-creature illustrations in greens and plums — deer, mushroom folk, a peacock — with Mac folders scattered over it Ace of Pentacles tarot card — a hand from a cloud holding a gold pentacle coin over a garden; caption 'Most favorable of all cards' Four rough alpha screenshots of MinoRinth: wireframe foliage over the spiral labyrinth, a dark scanned beast on a plinth, a black column on red rings, and the green orb under gold walkways Cover of The Sandman: A Game of You by Neil Gaiman: a pale arm stretched over a green-tinted castle, a weathered book pinned to a black disc above Ana Mendieta's Body Tracks: arms raised high against a pale wall at the start of the drag, blood-dipped, the film grain in rainbow bands Endless Forest deer wearing the sugar-skull mask, black-bodied with glowing green skeleton markings, walking a sunlit clearing Grainy video still: a figure in a homemade paper dress printed with the two towers of the World Trade Center Barry back from Iraq: seated on the couch in a white keffiyeh and brown robes, photographed in warm low light Digital figure study of a thin androgynous figure in profile, eyes closed, sketched in pale flesh tones on brown with white scribbled ground Four Magdalenes in ecstasy side by side: Artemisia Gentileschi's slumped Magdalene, Caravaggio's Magdalen in Ecstasy, an angel visiting the long-haired saint, and a polychrome sculpture detail Belgian driving-theory exam sheet from the GOCA centre, 24 September 2012: 'Uitslag Theoretisch Examen — Geslaagd' (passed), receipt stapled below Silenus cradling the infant Dionysus, Roman copy after a Lysippan original, Vatican Museums inv. 2292. A vine-wrapped tree trunk carries the composition, and a plain squared strut ties Silenus' lower leg back to it. Photograph by sailko, CC BY-SA 3.0 via Wikimedia Commons. Woodblock-printed Chinese book page presenting the ʼPhags-pa script: columns of angular Mongol square letters glossed with Chinese characters Broken web age-calculator: 'You are NaN days old today. You will be NaN days old on NaN/NaN/Na' Animation frames from Eraserhead: the pale-cheeked Lady in the Radiator standing with clasped hands on her small lit stage between dark curtains Sketchbook 45: a white rose in graphite against a dark hatched ground, its stem crossing two curled leaves — dated notes opposite mention Bientôt l'été and Anne Carson Detail of Marqueste's Perseus Slaying Medusa: the gorgon cries out, head wrenched back, small wings at her shoulder, beside a fluted column Photographed text titled Telling of the Bees: the custom of informing hives of a death in the household, whispering thrice that their mistress is dead Louise Bourgeois marble sculpture: a torso-like form clustered with smooth white breast shapes, carved from a rough-hewn block Macro through a kaleidoscopic lens: a carved rosette embossed in reds and flesh tones, dissolving into flower-mosaic blur Vija Celmins graphite ocean drawing: an even field of small waves rendered wave by wave, no horizon Almost-black room: a dark silhouetted head in the foreground, a man's face lit by a screen at the far desk, an icon poster on the wall Back cover of sketchbook 17: a Kokoschka Kunstschau drama poster, an 'Andre the Giant Has a Posse' sticker, a strip of red velvet and a tiny yellow cat charm on a string Three murky frames from Silent Hill 4: a grainy monochrome ceiling, a huge fist against a lit corridor, and a row of apartment windows over a courtyard Michelangelo's Madonna of Bruges in her dark marble altar niche at the Church of Our Lady, flanked by saints, candles, roses and pink blossom branches Smooth grey 3d male body in A-pose, faceless, feet on the green ground line An old engraving of two figures embracing beneath a rocky overhang, overpainted with ranks of falling black teardrops that spill past its margins Tiny sprite of a mosquito with green body and spread translucent wings Roma sketchbook: study of Daphne's hands sprouting laurel leaves at her fingertips, drawn in ink across the spread Museum conservation room, deep red walls: Memling's singing and music-making angel panels on wheeled easels among examination lamps and tool carts Abyssinian kitten enthroned on an iPad on a red cushion, huge ears up, beside a taped-up STAN theater poster Abramović and Ulay, Breathing In/Breathing Out: two faces locked mouth to mouth, trading one breath back and forth Black-and-white museum photograph of an ancient mold-blown glass flask shaped as a human head, seen from above so the open rim gapes where the crown should be Digital painting of celosia flowers in a green vase, olive greens on a brown ground with rough pale yellow brushwork around it Correggio's Jupiter and Io: the nude nymph swoons in the embrace of the god, who dissolves into a smoky grey cloud with a barely visible kissing face Sketchbook 44, 'Things that happen at night', last night in Fenouillet, 27 July 2012: four ballpoint vignettes — a hill against storm light, wind through a dark window, a man in darkness, a figure day-for-night P·P·O·W gallery graphic for The Unbody, May 6 to June 9 2021: Auriea's dark green Ox Apotheosis sculpture, a horned bull-headed figure enthroned, floats on blue Sketchbook 32 spread from the Met: a falcon-headed crocodile god in yellow, four red Anubis-like animal heads, and pencil sketches of a resting arm — 'a river runs through him' Sketchbook page filled with dense spiral scribble columns, a small eye and profile drawn below, Japanese writing in the margin Back cover of sketchbook 18: a photograph of an open hand pressed under waxed translucent paper, everything tea-stained and creased Collage naming two Roman coins — Faustina's over a painted empress, Antonius' silver denarius below Sketchbook 49 page in sanguine: a nude pulling drapery from her shoulders with arm raised over her head, a lighter blocked-in figure beside her Sketchbook 48 spread: notes on the paragone and the Carracci academy beside a large soft-pencil study after Guido Reni — a bearded face in profile with a pointing hand — 'looking at a photo I only see the camera' Vija Celmins drawing of a spider web: concentric silk rings and radial spokes in white on black The Graveyard-era prototype: two white vases in an endless field of red poppies, above dark text panels of overlapping muttered dialogue Green-on-black terminal listing: files MissJones and THEDEVIL, then the command 'cp ._THEDEVIL ._MissJones' Back cover of sketchbook 16A: a Daniel Clowes 'PARANOID' comic page varnished in amber, its edges dissolving into dark red drips Sketchbook 38 spread: a lattice footbridge at Schwanau crossing between mossy cliffs and firs, all in soft grey-green watercolor Zoe Leonard's typewritten text I want a president, 1992, beginning "I want a dyke for president" and ending on presidents who are always clowns, liars, thieves

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