gallery

1479 pieces, shuffled — reshuffle

Early color photograph of Emilie Flöge standing in a garden wearing a flowing white reform dress with appliquéd panel, designed with Gustav Klimt Sketchbook 48 spread: art-history lecture notes from the Académie Royale on the Three Graces, Mantegna and Titian, facing a tender graphite study of a seated faun with a Santayana quote on Americans and junk Three stags from The Endless Forest sitting and standing in dark woods, human faces and glowing runes floating over their antlers Robin Minard's à voir, en silence: a black boxed edition holding a grey CD in the lid and a handwritten score sprouting wiry stems tipped with small piezo discs Vija Celmins graphite ocean drawing: an even field of small waves rendered wave by wave, no horizon Abstract digital painting in reds and flesh pinks: smeared strokes, tangled dark lines and glossy tubular forms over an orange ground Pretty in Pink soundtrack in iTunes: OMD, Suzanne Vega, Psychedelic Furs, New Order, Echo & Bunnymen, The Smiths Grey Blender wireframe of a bunny-eared girl's head, dense mesh face with two flat ears sticking up Duchamp's Air de Paris: a glass ampoule like a teardrop ornament, hooked at the top, hanging on a thread — fifty cc of Paris Spread from C. S. Lewis's Till We Have Faces, pages 168 and 169: Orual presses Psyche about her unseen husband, monster, shadow, or god of the Mountain Chromed belt buckle of an eagle in flight with blue banners: LIVE to RIDE, RIDE to LIVE Letter from Stad Gent, 8 December 2008: the nationality declaration accepted — Belgian nationality as of 3 December 2008 Diptych: Filippo Lippi's Annunciation, angel kneeling before Mary among arcades — and a restaging on a sunny lawn, four friends posed before a little white chapel Broken web age-calculator: 'You are NaN days old today. You will be NaN days old on NaN/NaN/Na' Till We Have Faces, pages 292 and 293: Orual chews the strange bread of the gods, declares herself Ungit, and despairs that no man will love an ill-favoured woman Family posing under Louise Bourgeois's giant spider Maman: a woman in black, a man, and a small girl in a red coat, grey sky above Tale of Tales's The Graveyard installed in the V&A Videogames exhibition: monitors, notebooks, and framed sheets along a dark gallery wall A tall vessel in Spolia with the overhang heatmap on and no supports: red bands mark the rim lip and the underside of the base ring, the surfaces that lean past 45 degrees from vertical. Homestay snapshot from Kanazawa: the Okawa family — teenage son, father and grandmother — kneeling on tatami, beside the envelope back with their family details handwritten Body scan, 2002: a horizontal abdominal incision closed with a row of metal staples, stained gauze pads resting above it A freshly pulled molar, roots and all, lying in an open palm; a gold ring on one finger Three tiny black bird silhouettes flying across a long white banner Roma sketchbook: the Colosseum's arched wall brushed in ink with red scaffolding crosshatch, tourists reduced to black strokes — 'Colleseo' Sketchbook 5: layered ink drawing of Washington Square Park — the arch's shadow, globe lamps, fences and 'hushed stairs' woven into a dense patterned composition Two sagittal MRI scans of the same head and spine in profile, lips, tongue, and vertebrae glowing white against black Mike Libby's mechanical insect: a real cicada with orange-and-black wings spread, its body replaced by tiny watch gears and a red jewel New Year selfie from below in the Louvre's gilded galleries, painted ceiling of gods and putti overhead, chin high Scan of a single leaf gilded entirely in tarnished silver, its serrated edge and stem intact against black Scanned opera synopsis, the prologue of L'incoronazione di Poppea: Fortune and Virtue dispute supremacy until Cupid arrives to settle the matter Sketchbook spread: pencil study of a shaggy black-and-white wolf standing guard, a red-hooded shape and a small drawn hand on the facing page Six Magdalenes clothed in their own hair: Donatello's gaunt penitent, two paintings of angels lifting her to heaven, Giampietrino's praying saint, and carved altarpiece elevations Tintype-style self-portrait, very close: round dark-rimmed glasses, window light on one side, the plate scratched and spotted Young hemelsleutel (sedum) plant with broad grey-green leaves in a terracotta pot on brick paving A notan diptych — panel A in one gray with a white mass, panel B in the second gray with black and white masses, HUD proportion bars beneath each A gray kitten sits bolt upright on the studio's wide plank floor between the piano, its stool, and the open pine door Journal spread in black grease crayon: two slashed portrait heads emerging from darkness, a third small face lower left Portrait swallowed by darkness: only the tip of a nose, a bared smile and chin lit between black locs Diary page in green ink, Thursday August 27: 'computers take too long and I am sick of being enslaved… no more writing on machines… I love the paper, just feeling the pen on the paper' Mirrored double portrait: a pale face with dark fringe doubled nose to nose, a point of light burning between the eyes over a band of ringed dots QR code for the ProjectProject work Sketch for a Cyclops Black silhouette of a woman drifting mid-turn against a grey gradient, a faint reflection under her feet Villa medici and the Black congress — She came to Viale della Trinità dei Monti at the hour when the stone begins to hold the day's heat like a secret. Photograph of the back of a neck and shoulders tattooed with the single lowercase word life, ending in a period Cover of sketchbook 23B: a narrow old ledger bound in dark marbled paper, red cloth at the spine, edges worn to orange Sketchbook 49 spread of Donatello studies: St George and the Dragon relief with a large horse head, the pointed-hatted profile of Saint Louis de Toulouse, and notes on Spiritelli and Brunelleschi vs. Ghiberti Diptych: profile nearly curtained by long straight black hair on a fur throw; below, bare feet with chipped pink polish in deep shag carpet Intricate red paper-cut wall piece: a horned skull crowns a cascading tree of veins and drips sheltering small figures, birds, and a truck at its root Sketchbook pencil portrait of a young man in vest and shirt looking down, arms crossed at the wrists, signed in cursive 'Love Truitt' Two states of a 3d girl's face: buried in rainbow scanline noise above, and smooth with one glass eye looking out below Cover of sketchbook 40: plain dark grey woven bookcloth, worn at the corners, no title

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