gallery

1458 pieces, shuffled — reshuffle

Sketchbook pencil studies: a woman's downcast face, a dark heavily-shaded bearded man grimacing, and a faint construction-lines head DVD cover of Antonioni's Blow-Up: on hot orange, a photographer kneels over a woman on the ground, camera raised Kiki Smith's Lilith: a black bronze woman cast from life, crouching upside down high on the gallery wall, glass eyes looking back over her shoulder Roma sketchbook: brush-pen sketch after Bernini's Rape of Proserpina — her raised arm and turned head, his fingers pressing into her hip Side by side: the 1796 silhouette of Flora, an enslaved American woman, on Instagram — and a white 3D-scanned head in profile, echoing her Tweet by Hasan Niyazi: 'Like paper & ink before it, technology became a conduit for emotion. People clutch devices of metal & silicon, cherished to their hearts' Heather Mason's unlockable God of Thunder costume in Silent Hill 3: a tank top printed with the thunder god Raijin, her arms mottled with full-sleeve tattoos Sketchbook 40, Theories of Beauty continued: notes on the technological sublime and 'Beauty or the Aesthetic', with pencil portraits of speakers and audience Sketchbook 38 spread, 'The Roof view': a chimney and a patch of green moss and lichen spreading across pale roof slope in watercolor Sketchbook 32, page 11: three painted severed heads — a red-bearded head lifted by the hair from a white basin (#032), a grey figure, and a red-lined sleeping face (#006) Back cover of sketchbook 18: a photograph of an open hand pressed under waxed translucent paper, everything tea-stained and creased Sketchbook 32, Mediaterra session 2 'Identity & Psychology of the Player': Espen Aarseth mirrored top-to-bottom with Celia Pearce, speakers threaded through a yellow coiling snake Reference collage for Labytaur: medieval Minotaur-in-labyrinth manuscript, garden-maze engraving, Picasso Minotaur images, the sleeping Ariadne, a two-faced bust, and floor mazes Standing at the lit vitrines of Degas bronzes — dancers mid-leap on their plinths — sketchbook raised, silhouetted in the amber museum light Sketchbook 35 diary spread: close-up of a dalmatian-spotted jacket and a zigzag-lipped fish face with a button eye, opposite a loose contour figure climbing Early 3D render at 52 FPS: girls in white dresses scattered across a lawn under painted trees, one dark figure in a leaf-dappled dress up front — an army of she Grid of fifty identical grey 3D heads showing facial morph targets: rows of subtle brow, eye, and mouth shapes, one mouth open wide mid-shout Three views of a 3d scan of an Artemis statue in short belted chiton and hunting boots, rendered in a blue and bronze matcap against black Sketchbook 33 spread, Teotihuacan Mexico 2007: a shaggy pepper tree in black ink over a shaded path, and at right cactus paddles drawn in wandering line Sformo-Mold-Exploded Detail of a digital painting after Monet: loose pink and white impasto strokes of water lilies floating on vertical blue-green water, with dark red foliage at right Handmade drawing tools made by Henrik Drescher's students laid out on white: spoons, sticks, sponge-tipped rods, taped filmstrip, feathers and bound rag brushes Sketchbook 39, digital painting: a boy in a blue sweater in profile, pale face under a mop of brown hair, his shadow doubled on the tan wall Sketchbook 46 opening: 'This book begins on a plane. The Crystal Ship is being filled' — a painted airplane window on orange paper with budget notes ('learn to drive, NOT OPTIONAL'), facing a watercolor of Michaël asleep in a blue shirt Netscape window on Windows 95 showing skinonskinonskin by Entropy8Zuper!: Auriea's face half-hidden under dreadlocks, a Z at her fingertips, chapter links across the top Sketchbook 44 spread: pale watercolor notation of the Pacific coast — green scrub hills, scattered trees, and an ochre bluff washed over faint pencil beneath Double exposure in reds and blues: a sleeping dark face overlaid with a lit clock tower and a night street's lights Desktop with 3d girl half-wireframed beside a photo of a blindfolded woman, and a hooded red-cloaked model in a second window; a filename rants across the top Photo-viewer collage of four self-portraits documenting dreadlocks: from behind, piled up close, topless holding the camera, and in profile Digital painting on teal: a gaunt pale-faced figure bowed forward, wrapped head to foot in long dark red-streaked hair, bare hands and feet showing A denser QR code on white, larger than the first Small white clay maquette from behind: a kneeling Magdalene with long incised hair holding a skull up at arm's length, face to face Looking down at a new dress printed with deer, trees and red flowers — a Bambi-esque forest scene with black lace at the neckline Screenshot of the classic Mac OS X Colors picker panel showing a web-safe palette grid, with hex value #0099ff entered and a bright blue swatch above Sketchbook 49 spread of cast-hall studies: headless antique torsos, a winged Cupid stringing his bow, a standing putto seen in profile, and a muscular breastplate torso Sketchbook 46 spread: 'Frequently I am quite torn apart by anger' — a ballpoint figure collapsing amid scribbled darkness beside an up-flung arm drawn in graphite, a bare foot planted below Rick Owens–style runway look: model wrapped in a grey-brown scarf-dress with knit cap, long gloves, and shaggy fur boots Two finds: enamel 'Drukkerij St Joris P.V.B.A.' printers' sign, and an office-door flyer — 'ART PROBLEMS? Seek professional advice…' BBC photograph of a black crested macaque crouched in jungle foliage, peering intently into an object held up to its face Sketchbook 38 spread: a Tyrolean pine hillside in plum-dark wash, kettles sketched beneath — 'Gutshof zum Schluxen, Austria. Wir freuen uns auf Ihren Besuch!' Small black-and-white QR code on white Preface page from Anne Carson's Grief Lessons — 'Tragedy: A Curious Art Form' — beginning 'Why does tragedy exist? Because you are full of rage. Why are you full of rage? Because you are full of grief.' Concert at a small venue: singer bent over at the stage edge in black, guitarist and drummer on stage, sparse audience watching Sketchbook 49 spread: studies after Rembrandt's Man with the Golden Helmet at the Gemäldegalerie, and Géricault at Ghent's MSK — severed-head studies, phrenology marbles, and the 'head of a monomaniac' Sketchbook 44: the altered title pages of Zénaïde Fleuriot's 1888 novel Feu et Flamme — author struck through and replaced with 'Mvr A. Samyn', dated 1888–2012, ringed by the year's cities from Neuchâtel to Las Vegas Wireframe viewport of the virtual Labytaur: a latticed dome and radiating disc enclosing a cylindrical core, a small dark figure and inverted cone below Caravaggio's Judith Beheading Holofernes: Judith in white drives the sword through the roaring general's neck, blood jetting, an old maidservant waiting with the sack Two figures on the wide wet sand of the Belgian coast under a heavy sky, a rainbow arcing down toward distant apartment blocks Look-and-feel test for MinoRinth: a photogrammetry point-cloud of Theseus fighting the Minotaur seen from below against blue sky, crossed by pink laser lines Webcam still from an AR test — 'Pattern marker example with Three.js' — peering over glasses in a patterned dress, the screen behind mirroring the page

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