gallery

1479 pieces, shuffled — reshuffle

Inside the MinoRinth maze: dark castle-like towers with chimneys loom over the walls under a curdled white-and-sepia sky Italian grammar cartoon 'La casa di essere': a cutaway house whose rooms illustrate the verbs that take essere — nascere, stare, vivere, salire, cadere, morire and more Two low-poly grey toy soldiers posed like plastic army men — one swinging a club overhead, one striding with pistol drawn Sketchbook 6 page dated 24 June 1990: rows of an invented cipher alphabet in green ink, with framing notes for a black-metal-frame self-image piece and the word 'anorexia' in the margin Roma sketchbook: brush-pen sketch after Bernini's Rape of Proserpina — her raised arm and turned head, his fingers pressing into her hip Scanned spread from The Unbearable Lightness of Being, chapters 14 to 16: Tereza embraces a tree like a lost grandfather while the man with the rifle waits Poster for In the Kingdom #19: layered blackletter cascading down black — works by Auriea Harvey, baykiddead and Alex Myers, December 13 at Project Project, 1818 Vinton Metope's Model Stamp window: an orbitable preview of the shape being pressed, source buttons for six primitives, model import and image-to-relief, the baked depth map, and the Detail slider. Sketchbook 46 spread titled 'The Audience': overlapping colored-pencil studies of a group of nudes in graphite, brown and wine red — standing, crouching and turning as if watching something Strip of a 3d face: two almond eyes with snowflake-patterned kaleidoscope irises in pale skin Back of sketchbook 31: a dark felt pencil roll stitched in red over a black Moleskine, four worn pencils tucked in the bottom Painting of a huge grey wolf's head hanging upside down among pale birch trunks, jaws open, while a small child covers their face below Journal spread in black grease crayon: two slashed portrait heads emerging from darkness, a third small face lower left Unity scene 'Flowerfield': the red-wigged Path girl toppled head-over-heels among sketchy poppies, half the field still untextured grey Tiny image of a woman in a white head-wrap looking over her shoulder, after the old master portrait Mina Loy's Love Songs in manuscript, 1915: the poem beginning Spawn of Fantasies in a looping hand, signed and dated Three views of a 3d scan of an Artemis statue in short belted chiton and hunting boots, rendered in a blue and bronze matcap against black Instagram post by earlymusicinstruments captioned Nearly there, tagging auriea.art: a viola da gamba on the workshop wall, dark body, pale unvarnished neck, carved head atop the pegbox A gilded baroque sculptural composition featuring a human skull at its center, flanked by two golden cherub figures and ornate architectural elements including scrolled moldings, set against a black background. The work exemplifies memento mori imagery, combining precious metalwork with skeletal symbolism in an elaborate three-dimensional arrangement. It is also the icon of my MacBookPro. The Late Raphael exhibition catalogue with a thank-you note signed Auriea, above her sketchbook of pencil copies after Raphael's Saint Michael and putti Six Magdalenes clothed in their own hair: Donatello's gaunt penitent, two paintings of angels lifting her to heaven, Giampietrino's praying saint, and carved altarpiece elevations Sketchbook 49 spread: Louvre notes on Giulio Romano and Pannini's paired Views of Ancient and Modern Rome, a monk-robed figure, a wine-red crouching nude hiding her face, and a pietà study Sketchbook 38 spread: Prague Castle and St Vitus's spires in loose watercolor, red rooftops dissolving into wash below a blue sky The MinoRinth play space in the studio: a spiral labyrinth taped in white on a wooden floor, an HTC Vive headset resting at its lit center, controllers at the edges Anatomical fantasy drawing: skeleton of a crouched werewolf-like creature, skull snarling, drawn inside its transparent body outline Grainy photograph of the transit of Venus: an arrow points to the planet's small dark silhouette against the Sun's blurred limb Sketchbook 32 spread: Washington Square Park fountain in white and brown gouache, black silhouettes circling through hot pink swirls — 'a beautiful day after meeting with Wayne + Ashley, 2006' Sketchbook 5: dense ballpoint drawing of a horse-like skull in profile, its teeth and cranial plates crosshatched into a black-and-white pattern Sketchbook pencil portrait of a young man in vest and shirt looking down, arms crossed at the wrists, signed in cursive 'Love Truitt' Wireframed hooded girl in the viewport, face smooth inside the mesh hood, red seam lines around the face The print studio bench against pink walls: a crowd of small sculptures — printed heads in a dozen materials, black falling figures, gold twins, glass jars — with an iPad, a pencil study, and a sticky note pricing it all at ONE MILLION EURO Torn scrap of paper, its lower edge charred: a finely drawn eye rains rows of blue teardrops, tiny handwriting threading through the lashes Close on the trunk legs: bark fissures sized to each limb's girth, and a lopped branch stub with its collar — the scar every Roman marble trunk carries. Mike Libby's mechanical insect: a real cicada with orange-and-black wings spread, its body replaced by tiny watch gears and a red jewel QR code for the ProjectProject work The Mystery Sketchbook 49 spread: pale blue-pencil studies of draped figures with a shield-like disc, beside a graphite arm and a slender standing nude with raised arm Close on the draped legs: heavy smooth folds, the cloth bulk swelling where it is thrown over, and the hem giving way to bare post. Diagram of the Hebrew letter aleph in thick black calligraphy, its strokes numbered 1 through 10 with pointer lines Cover of sketchbook 38: a misty black-and-white photo of a Japanese garden framed in Kodak TX film-box edges, collaged over torn German book pages with red initials Star Trek Voyager cast photo: Janeway front and center with arms crossed, the crew in red and gold uniforms around her Sketchbook 44 spread from a private model session: pencil crouching nudes at left; at right three heads on a grey gouache ground — a pink-cheeked profile facing a bald man, a shaved nape beyond Close on the leafed neck struts: twisted stems with leaf blades reaching out and up between them. Four Saint John test prints against orange: a white resin figure, black demon legs on a rod above a tiny reclining body, a small black figurine, and a bronze-patina cast Grey Blender wireframe of a bunny-eared girl's head, dense mesh face with two flat ears sticking up Text excerpt from James Baldwin: '...It was really a matter between me and God. I told him quite a long, long time ago there would be two of us at the Mercy Seat. He would not be asking all the questions.' Two clear printed head-bottles beside their signed label: 'Object #3 — Head of a Negress in the Form of a Plastic Vessel, 2018, Auriea XLVI. This head has been checked for leaks, but be careful.' Auriea's bare feet on a wooden floor beside two HTC Vive trackers with ankle straps, ready to be worn for full-body VR Sketchbook 49 spread at the Musée Jacquemart-André: notes on Vigée-Lebrun, Van Dyck and Lord Leighton's 'Antigone', facing a dense graphite copy of Aleijs Loir's sprawling satyr with pipes A scanned drift of currencies: a fifty-million-Mark Reichsbanknote, a US two-dollar bill, Egyptian pounds, assorted coins, and a pink hundred Sketchbook 40, Theories of Beauty continued: notes on the technological sublime and 'Beauty or the Aesthetic', with pencil portraits of speakers and audience

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