gallery

1497 pieces, shuffled — reshuffle

Textured 3d crow standing on flat chroma green, beak open mid-caw Early color photograph of Emilie Flöge standing in a garden wearing a flowing white reform dress with appliquéd panel, designed with Gustav Klimt Sketchbook 44 spread: ballpoint plane trees and a mossy fountain, with scribbled motion studies of dancers noted from Les Ballets C de la B's 'Oude King' — 'human range of motion', 'over pain madness' Black-and-white diagram of the lost circular pavement labyrinth of Santa Maria in Trastevere: eleven concentric mosaic rings around a dark center Kara Walker's Burn: black paper silhouette of a girl with braids standing in cut flames, a gnarled plume of smoke towering above her Both sides of Sonic Youth's first EP on SST cassette: clear shells listing The Burning Spear, I Dream I Dreamed, She Is Not Alone, The Good and the Bad Sketchbook 40 spread on the game that became Bientôt l'été: door-and-level diagrams, color theory notes on hue value chroma, and the Room 101 passage from Orwell copied out Card of brief forms of Gregg shorthand in alphabetical order, 1963: a ruled grid of curling pen strokes, a McKay's price sticker in the corner A Burlington Magazine anthology open to the 1998 article The Raphael Tapestry Cartoons Re-examined, with a pricked cartoon head of a woman as its plate Sformo-Bands A branch of lunaria held before a lamp, its papery translucent seed pods glowing amber and pearl Grainy black-and-white portrait of young Isabelle Adjani with braided pigtails and dark-rimmed eyes, gazing gravely past the camera ZBrush: dark red clay-like child figure with orange retopology lines crawling over the body Sketchbook 40, IGS Cologne, Aug 15: pencil portraits of the indie games scene — Brandon Boyer, Michaël Samyn, Douglas Wilson — around the panel title 'Beyond Fun' Two self-portraits of Auriea at 25 with short locs: leaning against a car on a mountain road, and among junipers at the rim of a canyon Sketchbook 45 spread: graphite still life of a clementine with a dried curling leaf on its stem, and a separate leafy twig floating on the facing page Cover of sketchbook 30: a hanging cluster of pale bell-like flowers painted over turquoise and gold wash Sketchbook 49 spread: a red-and-graphite banner-waving nude atop struggling fallen figures, facing a putto's face, a study of a nude's hip and thigh in pink, and a keychain shaped like an 8 Text titled Realtime processing: the computer's essence as artistic medium is generating events in real time — time is to digital art what space is to analog art Painted 3d head in profile looking up, sinewy yellowed skin like carved bone, grey ground QR code for the ProjectProject work Sketch for a Cyclops Page from Rodin's conversations on art: asked if art is a kind of religion, he answers that its first commandment is to model well an arm, a torso, or a thigh Harrison Ford as Rick Deckard in Blade Runner, looking up warily in his rough brown coat, hair damp Still from Tarkovsky's Stalker: the Stalker's daughter in a gold headscarf rests her head beside two glasses on a stone table lit by a window Sketchbook 42, page 69: small gouache of a nude with a purple headwrap crouching against a dark brown ground, seen from behind, beside faint pencil thumbnails Two sagittal MRI scans of the same head and spine in profile, lips, tongue, and vertebrae glowing white against black Graphite study of the Borghese Gladiator's lunging leg and arm, annotated 'energy curve is inscribed on the body' Walton Ford's Falling Bough: a massive branch borne aloft by a swarming flock of passenger pigeons, breaking apart against a pale sunset over the river plain Corner of a Mac desktop: film thumbnails and a '1001 More in Finder' badge over a photo of a sleeping woman curled on patterned sheets Joseph-Benoît Suvée's The Invention of the Art of Drawing: the Corinthian maid traces her lover's lamplit shadow on the wall as he gazes up at her Wally Wood's 22 Panels That Always Work — the classic cheat sheet of comic framings: big head, extreme close-up, silhouette, down shot, L-shape and the rest Sketchbook 49 spread on Michaël Borremans at BOZAR: thumbnail sketches of 'The Avoider', 'The Garment', 'The Angel' and 'The Devil's Dress' with notes, facing ballpoint figures from 'The Storm' 35mm projection loop Almost-black room: a dark silhouetted head in the foreground, a man's face lit by a screen at the far desk, an icon poster on the wall Two dim selfies at Bernini's grave slab in Santa Maria Maggiore — 'Ioannes Laurentius Bernini' carved in the marble behind wide eyes Roma sketchbook: a weeping face drawn in red pencil beside a Palazzo Barberini ticket dated 10/05/2006 and postcards of Canova's Pauline Borghese and Caravaggio's Narcissus Sketchbook 44 spread from GDC Europe 2012: ballpoint figures of attendees, and Thomas Grip saying 'Keep systems simple, rely on imagination' beside his eight numbered design principles Scanned opera synopsis, the prologue of L'incoronazione di Poppea: Fortune and Virtue dispute supremacy until Cupid arrives to settle the matter Sketchbook 48 spread: atelier maxims on block-in and contour — 'no straight lines in anything ever', 'limbs start turning before the joint' — facing a faint gesture sketch of a striding horse The Archive to Come in Mozilla Hubs: floating screens under the heading History, Conflict, Social Justice, one labeled Auriea Harvey, on blue virtual ground Blingee'd black-and-white Crater Lake photo: animated stars and sparkles, 'Merry Christmas!' stamped in the corner Early game avatar: a low-poly nude brown-skinned woman with black bobbed hair, arms at her sides, texture seams still showing, on a purple base Journal spread filled edge to edge with handwritten lists of symptoms and side effects: cramps, dizziness, numbness, hallucinations, page after page in black ink Julian Wasser's 1963 photograph of Marcel Duchamp playing chess with a nude Eve Babitz beneath The Large Glass at the Pasadena Art Museum Attic wall mid-repair: patches of white filler over old yellow paint above a long white floating shelf, bare wood floor below Rick Owens–style runway look: model wrapped in a grey-brown scarf-dress with knit cap, long gloves, and shaggy fur boots Studio corkboard packed with sculpture clippings: bronze foundry photos, Johan Creten and Dirk De Keyzer pages, insects, casts, a blue clay head, 'IT WAS LIKE SO BUT WASN'T' Sketchbook 46 spread of Metropolitan Museum notes: Egyptian scarab rings and a blue-scarab necklace in colored pencil, notes on the Hudson River School, Church's Heart of the Andes and Tiepolo, with Eros, Pothos and Himeros listed Reference collage titled sirens, singing ref 1: film stills of women mid-scream and mid-song — wailing on beds, in cafeterias, in glitter crowns Church on sunday — The courtyard floor holds her attention. Dancing drawing: a sweeping charcoal-and-pencil arc curving up the page from a dense black smudge, looping scribbles at its base

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