gallery

1479 pieces, shuffled — reshuffle

Two small painted portraits labeled Bonnie and CLYDE — blonde Faye Dunaway and Serge Gainsbourg-esque face, side by side Listening party — On Viale della Trinità dei Monti at dusk, she gathered the palazzo's held warmth—travertine walls yielding their pale grayish browns, the yellowish grays of weathered stone like old parchment. A pink-and-white peony bud leaning across the frame above a wooden floor — birthday flowers Sketchbook 49 spread: ballpoint choir singers of the Berliner Domkantorei mid-phrase, with a pasted ticket for Bach's Matthäuspassion at the Berliner Dom, 12 April 2014 Sketchbook 32 cover detail: creased player-piano roll paper, its white perforations drifting diagonally across the tan surface METOPE paint and glaze figure Cover of sketchbook 6 (1996): crumpled white spiral notebook inked 'Auriea Part 6' over a taped clipping reading 'sex, life, and the cosmos…', dated 8 May–20 Aug 3D-printed cyclops head prototype in tan filament held in the hand, a single brown glass eye set into its off-center socket Blurry snapshot in a pink tank top printed with a roaring purple monster, mid-gesture Hands in red light hold a Book of Blessings open to the Order for the Blessing of Centers of Social Communication Sketchbook 40, Theories of Beauty continued: notes on the technological sublime and 'Beauty or the Aesthetic', with pencil portraits of speakers and audience Black flag with white glyphs inside a red circle on black; red caption reads: -1000 days, -10 hours, -10 minutes and -28 seconds Digital painting after a life photo: seated nude with red hair, arms crossed over her face, pale body against near-black Sally Mann's Virginia #42 (2004): huge varnished silver print of a freckled sleeping face, eyes closed, gallery caption below Black-and-white film still: a young woman in a white nightdress pressed against ornately patterned wallpaper, looking back over her shoulder Sketchbook 44 spread, IndieCade day one: blue ballpoint portraits of Ian Dallas, Chris Bell, Amy Hennig, Jenova Chen, Christine Love, Anna Anthropy, and Steve Russell with John Romero at the mic Page from the Codex Seraphinianus: two halves of a hollow deer joined by red threads, a tiny figure dangling between them, with asemic script Sketchbook 49 spread: graphite sketches of conference speakers — a man in glasses folded into a chair with a microphone, a cross-legged panelist, and a bearded man in beanie and thick glasses Journal page dated February 19: notes before Las Meninas at the Prado — 'surprised by brushwork, muddy and rough… the strokes being alive' — with two ink sketches John Cage score page: circled constellations of pitch letters joined by lines, floating over conventional staves beside an ornate clef Dancing drawing: a dense tangle of black ink figures looping across grey-washed paper, thin drips running off the bottom of the swarm Sketchbook 38 spread: a Tyrolean pine hillside in plum-dark wash, kettles sketched beneath — 'Gutshof zum Schluxen, Austria. Wir freuen uns auf Ihren Besuch!' Sketchbook 48 atelier spread 'searching for a flashlight in the dark': boxy construction figures and a sanguine nude with hand on hip, with notes on Poussin vs. Rubens and Couture's 'line properly understood is color' Snapshot of Delacroix's Death of Sardanapalus detail — the bearded king gripping the arm of the nude concubine arched back against the red bed — stamped with a 2001 camera date The word NOW in soft-edged black letters, set diagonally and dissolving into a pale blue ground Ross Bleckner's Invisible Heaven: a vast curved lattice of scratched blue-white diamonds receding to a vanishing point high above, like a domed net of lights Grey 3D sculpt of three hands: one cradling an eyeball in its open palm, one clenched around another, and a limp hand lying with a ball between its fingers Harrison Ford as Rick Deckard in Blade Runner, looking up warily in his rough brown coat, hair damp Sketchbook 38 spread: Prague Castle and St Vitus's spires in loose watercolor, red rooftops dissolving into wash below a blue sky Cover of sketchbook 25: dark green cloth with a small black-and-white photo of Devils Tower and three red ribbons hanging down Low-poly creature textured in ink-scratch black and white on dusty pink: a rabbit-eared armored beast with a raw pink mouth Sketchbook 4, 'Diagram of the War': a page-spanning blue ink flowchart of spirals and rivers of self-argument — 'nothing exists until we perceive it', 'be careful what you wish for' The same support forest assigned the bronze material instead of oak, so the struts read as cast metal against a marble body. Two Path scenes: the misty forest with the small white shrine among trunks, and the girl at a picket fence gate before the house glowing purple Anime still: a green dinosaur mascot in a white apron offers baked snacks from a tray in a village street, subtitled It's really scrumptious! How about one? Sketchbook 45: tonal pencil drawing of the back of Martha's head, loose blonde hair falling over an embroidered blouse against a dark shaded ground Sketchbook spread in ballpoint: gothic spires and hanging chandelier-like forms of Riverside Church, drawn dense and scratchy across both pages Bernini's chalk study personifying St Peter's: a standing figure whose outstretched arms become the colonnades embracing the piazza Sketchbook 49 spread of Louvre copies: a crouching satyr and standing nude pulling off her shift, facing a Daumier-like group of heads and a pensive figure resting chin on fist Despair.com demotivational poster, Procrastination: a figure gazes over a sea of clouds — laziness always pays off now Example #22 installation view at Kassel: two glass vitrines of small sculptures against a cloud-painted blue and orange wall, heads glowing inside the upper case Sketchbook spread in blue ballpoint: a large portrait of Martin Luther King Jr. speaking at right, smaller faces, a crown and 'KING' sketches at left Five views of Object 01: a small polished bronze head of Auriea, bald with serene features, shown in the hand, on a black pouch, and beside a leather notebook Lain's bedroom from Serial Experiments Lain: a girl hunched at a glowing monitor amid stacked computers and coolant cables, stuffed animals lined along the window Soft-focus black-and-white studio portrait of a girl with dark marcel-waved hair and dark painted lips, gazing steadily at the camera Work-in-progress VR lock in the game engine: an orange striped head caged inside interlocking dark rings, purple tendrils sweeping through the space around it Blue pencil sketch of a Louvre marine centaur group: a bearded triton reclining on a coiling fish tail, a slender youth seated against his back Cover of sketchbook 44: a red 19th-century publisher's binding stamped in gold, titled 'Feu et Flamme', the author's name blacked out — an antique book altered into a sketchbook A scanned drift of currencies: a fifty-million-Mark Reichsbanknote, a US two-dollar bill, Egyptian pounds, assorted coins, and a pink hundred Spread of One Hundred Years of Solitude, pages 196–197, with 'Cease, cows, life is short' highlighted in yellow

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