gallery

1458 pieces, shuffled — reshuffle

Diary line in blue ballpoint over the printed word APRIL: 'I wrote this in Darmstadt with a free pen. Michael has gone to the restroom. I'm drinking champagne.' Five 3D-printed heads of the same downcast face lined up in filament shades from ivory to dark brown, print scraps, a bronze arm and figurines scattered behind Journal spread: a crosshatched ink head with hollow eyes among falling leaves — 'what a horrible way to go, to be crushed...' — opposite a page of pencil writing Teiji Furuhashi's Lovers: life-size nude figures projected walking and running around a dark room, a scaffold tower of projectors at its centre Black-and-white photograph of Claude Monet standing in his Giverny studio beside a sofa, surrounded by the huge water-lily panels Cover of sketchbook 26: a thick black branching form like roots or veins inked over waxed book text crosshatched with shadows Black-and-white photo of Frida Kahlo winking, pearl necklace and heavy earrings, a wire crossing in front of her face Two dim selfies at Bernini's grave slab in Santa Maria Maggiore — 'Ioannes Laurentius Bernini' carved in the marble behind wide eyes Gramolazzo · 13 Jun Metope's Scaffold tablet: symmetry axes, the six grid kinds with snap, the draw-shape modes, and the guide tools (ruler, compass, curve, poly, magnet). Metope's Face Sets tablet: the paint-regions switch, the list of sets with their colours, stone dropdowns and lock/hide flags, and the region tools — rect, circle, flood fill, smooth edges, fill with material or texture, and extrude set. Sketchbook 47 spread: ballpoint life drawings — a bald man in profile, a bending figure with hanging hair, and overlapping reclining and seated nudes Sketchbook 49 spread: a single faint gesture drawing of curling, flame-like figures rising up the page fold, the rest of the spread blank Sketchbook 22B spread 'NIGHT OF ME': golden grasses and silver berries on seafoam green, opposite a red spider-like burst and a row of gold ovals circled in silver Metope's Interface tablet: the four interface stones (basalt, plaster, terracotta, aegean), the metal accent swatches with follow-brush, the viewport backdrop controls, and reset bench. Blurred black-and-white mirror self-portrait: standing in a bare room with a camera at the chest, a lit sconce and door behind Sketchbook 49 spread in wine-red pencil: sleeping subway riders, a heavy downcast face, and two men leaning close over something in their hands Text titled Realtime processing: the computer's essence as artistic medium is generating events in real time — time is to digital art what space is to analog art Chalk drawing on red-brown paper: two arms reaching upward and a tilted, smiling face — study of a straining Eros from the Louvre Sketchbook 41, page 43: charcoal seascape — two dark headlands flanking open water, a small buoy mid-channel, gulls scratched into a pale sky Journal page: the Parsons 'fine arts' senior thesis exhibition card, 1993, above taped photo strips of small sculptures — 'this was a very good idea' in pencil Still-life painting: a human skull in profile shelved inside a rough wooden box beside a small glass bottle of clear water Two frames from Ghibli's A Country Doctor–style animation: a boy leaping off a sea cliff, and sunflowers hanging over towering clouds, upside down Masahiro Mori's uncanny valley graph: familiarity against human likeness, dipping past bunraku puppet toward corpse and zombie before healthy person Looking up through MinoRinth: a dark tree trunk forks overhead into pixel-dust foliage, the maze's green rings and grids dissolving in white glare Cover of sketchbook 44: a red 19th-century publisher's binding stamped in gold, titled 'Feu et Flamme', the author's name blacked out — an antique book altered into a sketchbook Page from Cabanne's Dialogues with Marcel Duchamp: painting had become retinal — few ideas, mostly technical problems, all painting since Impressionism antiscientific Group photograph of the Bauhaus masters in coats and hats on the Dessau roof — Gropius, Kandinsky, Klee, Moholy-Nagy among them Tiny icon of a wooden hourglass, sand gathered in the lower bulb Photogrammetry point cloud of a large spreading tree on a lawn, rendered as 2.1 million colored dots in a 3D viewport against grey emptiness A single seedling pushing up through dark soil, seed husk still capping one cotyledon like a hat A Softer World comic, six sky-blue panels with a crane and unfinished tower: 'I sing anyway.' A Magnavox Odyssey, the first home video game console: white unit with two cable-tethered paddle controllers, game cards, and boxed accessories Anne Carson, 'Could I': 'If you are not the free person you want to be, you must find a place to tell the truth about that… The point is not to find a reader, the point is the telling itself.' Sketchbook 49 spread: dark graphite vignette of a seated figure with another curled beside it, facing a bending walking figure with bundled back, a lined older face, and scattered head studies Sketchbook 25 spread of watercolors: a faint green figure bleeding through above, and below, a blond man in black standing in a Maine yard by a shed — the only known drawing of Rick Till We Have Faces, pages 294 and 295: the dream of the golden rams that trample Orual in their joy, and the other woman gleaning bright wool from the thorns Black-and-white particle image: an eye-shaped void opening in a field of bright specks, with a 1 cm scale bar and timecode Roma sketchbook: a pencil reclining nude, Ovid's Latin on Daphne's transformation lettered around it, and an inked mustached portrait — 'is it possible that in Roma there can be no fantasy?' Two Louvre photos: a gilded ceiling crowded with ornament and putti, and Raphael's La Belle Jardinière with a sketchbook of tumbling cube studies held before it Sketchbook 47 spread: Tivoli notes on Villa d'Este's Hercules frescoes, and a watercolor of the artist's bare feet propped against the blue Bay of Naples with Vesuvius and Capri beyond — Sorrento and Pompeii notes around it Sketchbook 49 spread: graphite study of a mannerist pose with arm raised, and a sanguine drawing of two intertwined nudes dated 30 Dec 2013, 17:45, at the Louvre Three Jandek-style CD-Rs on a desk: 'Magick for Cherishings' and 'Magick for Prudence' with pressed-flower covers, one disc hand-labeled 'NOT SURE IF I SENT THIS TO YOU ALREADY!' A woman wearing the exoskeletal Gypsy motion-capture suit, black straps and sensors down her limbs, cables trailing across the floor toward a mirror Journal spread in black grease crayon: two slashed portrait heads emerging from darkness, a third small face lower left Sketchbook 47 Rome spread: full-page graphite study of a sprawling classical nude with an arm flung overhead, beside grotteschi from Palazzo Doria, a Pietro da Cortona sketch, and notes on feeling at home in Rome Handbound felt-covered sketchbook with an iPod Touch bound in as a page, screen reading 'Sync in Progress' — three views of the book-with-battery Blue pencil sketch of a Louvre marine centaur group: a bearded triton reclining on a coiling fish tail, a slender youth seated against his back MinoRinth: looking down into the maze's core, a grey fan of wall segments circling a sunken mosaic hexagon overlaid with green triangulation An antique red-and-gold binding of Vecellio's Costumes Anciens et Modernes given new blank pages — old spine, bare label panel, fresh paper inside

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