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1479 pieces, shuffled — reshuffle

Chart of the twenty-four Greek capital letters from Alpha to Omega, each with its name and pronunciation spelled out beneath The Metope Atelier interface: the glyph spine at the left, the Tools tablet pinned open with all twenty shape tools and the brush controls, the Material tablet at the right, and a relief in progress in the viewport. Double exposure in reds and blues: a sleeping dark face overlaid with a lit clock tower and a night street's lights Small grainy GIF of Mr. T in his layered gold chains and mohawk Tiny blurred frame of figures dancing in a room washed green and yellow Instagram story from earlymusicinstruments: the pegbox of a viola da gamba in progress, its scroll crowned by a small sculpted head in a cap Sketchbook 49 spread at Chicago's Driehaus Museum: sanguine studies of Tiffany bronze candlesticks and a caryatid ('Renaissance + Japanese motifs combined'), facing graphite silhouettes of cinnabar lacquer and skyline finials In the studio — On Borgo Angelico at 14:09, she found Deep Red—that inward turning, garnet-dark, the colour of old blood pooling in silk. Tweet by Hasan Niyazi: 'Like paper & ink before it, technology became a conduit for emotion. People clutch devices of metal & silicon, cherished to their hearts' Sketchbook 46 spread: orchid buds barely open, purple and green against a brown wash — 'things that are not, that cannot, but must be' — beside a chalk study of a weathered column and rooftop Five studio views of the Fauna head circling from front to back: the long-eared child's face, the horn bud, and the gold-filled fissures crossing the white skull Sketchbook 44 spread from GDC Europe 2012: ballpoint figures of attendees, and Thomas Grip saying 'Keep systems simple, rely on imagination' beside his eight numbered design principles Screenshot from Ico: the boy in his red tunic and horned helmet reaches down from a wooden plank toward the pale, glowing Yorda in the castle gloom Cover of sketchbook 22B: a dark overexposed photograph of a crowd raising round-headed forms, like a procession seen through fog Sketchbook 32, Mediaterra session 3 'Game Politics': six conference speakers drawn as ballpoint busts with name labels, tangled cords looping between them Vooruit cinema screen from the balcony: 'Filmfestival Gent & Vooruit presenteren CLINT MANSELL & SONUS QUARTET' Black silhouette of a woman drifting mid-turn against a grey gradient, a faint reflection under her feet Line diagram of a Molotov cocktail: a taped bottle with labeled wick and fuel mixture Sketchbook 32, Mediaterra day 2 'Gaming Environments': pages crowded with ballpoint portraits — Michael Mateas, Chris Crawford haloed mid-speech, notes on Deikto and immersion A red 3d-printed extension worn over the middle finger of a brown hand with gold-painted nails and a gold ring; laptop keyboard and grey cat beyond A Softer World comic, six sky-blue panels with a crane and unfinished tower: 'I sing anyway.' Blender title bar path: /Auriea/Work/144/MODELING/The Concept Of Everything Divided By Girl/GMH/GMH-modeling/ThePathOfKidRed05.blend Bookbinding in progress: a hand steadies a cardboard book cover with a circular window cut out, exposed cords at the raw spine Two photos: a wall scratched full of names and 'I LOVE' graffiti, and a red-lit stage with a small grinning performer between heavy curtains Rain water pooled on a flat surface reflecting the sky, a drainpipe and grass behind, an old school building beyond the fence Journal spread: two red-ink figures joined at the torso holding tangled organs, opposite a dense two-column dialogue in silver and red ink over a faint photo The word NOW in soft-edged black letters, set diagonally and dissolving into a pale blue ground Early 3D render at 52 FPS: girls in white dresses scattered across a lawn under painted trees, one dark figure in a leaf-dappled dress up front — an army of she Mail.app junk-mail window, addresses blacked out: subject To Bertram, these things shall be; body reading Suffer under this complaint we Sketchbook 32, page 53: pencil figure studies — a man standing hands behind back, and a woman with sunglasses on her head playing a flute Journal spread painted black: a red anatomical hand with a blue-purple palm reaching down the right page, faint red writing in the margins Two small painted portraits labeled Bonnie and CLYDE — blonde Faye Dunaway and Serge Gainsbourg-esque face, side by side Reference chart of Blender sculpt-mode keyboard shortcuts: draw, smooth, pinch, inflate, grab brushes and their keys, white text on dark grey ZBrush close-up of a Path girl's hooded head, wireframed olive face with blank eyes inside a smooth grey hood Journal spread: a crosshatched ink head with hollow eyes among falling leaves — 'what a horrible way to go, to be crushed...' — opposite a page of pencil writing Sketchbook 40, 'Plan V': a hand-drawn watercolor map of the Venice trip — the Grande Canal, Lido, flight numbers, hotel notes, two instant photos taped on, 'we sat here + kissed' Long pink-and-black text conversation about BioShock: 'i didn't find it gorgeous at all... Hellgate <--vs--> Anne Carson. Anne Carson wins!' Near-black Blender render of grandmother's kitchen — chair, table and cabinets barely emerging from darkness, a lamp gizmo above ('Kitchen.001') The Path logo: scratchy black hand-drawn capitals reading THE PATH, 'a tale of tales' small beneath Leonardo da Vinci's parachute sketch: a figure hanging beneath a sealed linen pyramid, mirror writing in the margin Spread from C. S. Lewis's Till We Have Faces, pages 168 and 169: Orual presses Psyche about her unseen husband, monster, shadow, or god of the Mountain SketchBox app full of virtual sticky notes: THE PATH, 'make paintings of triads', 'PUT GRANDMOTHER IN THE BACK OF THE HOUSE', MAKE GRAVES, two red DONEs Notebook spread on the cosmos: paper wheel cutouts, a watercolor star-sphere and a fiery wheel, notes on Anaximander's rings of fire Tiny dithered black-and-white photograph of a loaf of bread with cut slices leaning against it Handmade drawing tools made by Henrik Drescher's students laid out on white: spoons, sticks, sponge-tipped rods, taped filmstrip, feathers and bound rag brushes Urs Fischer's A Place Called Novosibirsk: a push broom standing in an empty gallery, held upright only by a red balloon tied to its handle Journal spread: blue ballpoint knee studies wrapped in cursive about attraction and illness, skeleton torsos and shoe sketches, 'It's a perfect day for letting go' — 3 June 92 A grey Russian Blue mother cat nursing three newborn kittens on white towels in a basket Reading Ovid at 03:16 — iPad page of the Metamorphoses with Medea's lines underlined in red: 'It's useless to fight, Medea… This, or something akin to it surely, is what they call love.' Photogrammetry point cloud of a large spreading tree on a lawn, rendered as 2.1 million colored dots in a 3D viewport against grey emptiness

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