gallery

1497 pieces, shuffled — reshuffle

Digital painting 'Did she jump or was she pushed': a white streak of a falling figure flashing through smoky blue and umber clouds inside a hot red border Black-and-white hunting-lodge room crowded with taxidermy — moose and deer heads, geese, a pheasant — with a small color photo of an embracing couple collaged on the wall La Vita Nova render: a towering point-cloud figure fills a dark shaft of light, tiny scanned statuettes hovering in niches around it Digital self-portrait painting: a woman with long braids looking straight out, framed by green leaves and small white blossoms on deep purple Vatican City, Vatican City — The Borgo Angelico held her in its greenish gray — that muted tone of weathered plaster, the ground itself. Silent Hill 2 twice: Maria lying dead on the green diner floor, and James reading 'There was a HOLE here. It's gone now.' on a newspapered wall Sketchbook 44 spread: Mary Flanagan's IndieCade keynote — her full-length portrait beside her list from Jacquard to Gygax — facing notes from Richard Lemarchand's USC class with studies of clasped hands and a wire tangle Paper background texture shaded all over in soft grey pencil strokes Corner of a social profile: '144 friends — See All' Blurred black-and-white photo of the Penguin Classics Ovid Metamorphoses, its cover Bernini's Apollo and Daphne, her fingers bursting into laurel Ana Mendieta's Body Tracks: arms raised high against a pale wall at the start of the drag, blood-dipped, the film grain in rainbow bands Cover of sketchbook 20, 'Psyche Story': a winged figure in a pale blue gown collaged over gauze and yellowed floral paper — 'now I feel all my life has needed was one good dream' Back cover of sketchbook 22B: half faded red cloth, half a smoky photographic print of gnarled tree branches Sketchbook 32 dark side spread: pencil sketches of family on couches — a woman reclining with cats curled below, a young woman seated, studies of faces Spolia-Gizmo-Turn Four Dior haute couture looks by Galliano, Madame Butterfly themed: Hokusai-wave gown, kimono silhouettes and origami tailoring A tall vessel in Spolia with the overhang heatmap on and no supports: red bands mark the rim lip and the underside of the base ring, the surfaces that lean past 45 degrees from vertical. Sketchbook 32, Mediaterra Athens, session 1 'Gaming Society': ballpoint portraits of seven speakers as busts on plinths — Julian Dibbell, Daniel Pargman in a Magic Circle trophy, and others Cover of sketchbook 27: a cream string-tie envelope with red button closures, bordered in blue-and-orange Japanese fan paper, a faint face sketched at top Animation frame of Captain Kirk from the Star Trek episode Plato's Stepchildren, source of his kiss with Uhura A grey Dutch bicycle with a black basket leaning against a park bench in a winter park, bare trees and drifts of fallen leaves behind Wireframed hooded girl in the viewport, face smooth inside the mesh hood, red seam lines around the face Louise Bourgeois drawing: obsession or Confusion? handwritten in red inside a scratchy red chalk frame, signed in pencil Yellowed spread from Rodin's L'Art in French: passages declaring art dead to modern utility, and art as contemplation, the joy of intelligence seeing clearly Eight-song playlist starting with Final Fantasy's None Of You Will Ever See A Penny, five stars, then Deerhunter, Boduf Songs, Fridge, Beck, Cranes Tiny dark sketch of three standing figures side by side, scratched out of black ink Roman mosaic labyrinth: a square meander maze ringed by a mosaic city wall with towers and gates, corner ornaments at the edges Mina Loy's Love Songs in manuscript, 1915: the poem beginning Spawn of Fantasies in a looping hand, signed and dated Sketchbook 46: graphite study on orange paper of a marble male torso from behind, headless and armless on its museum mount QR code for the ProjectProject work Polyphemau The Path logo: scratchy black hand-drawn capitals reading THE PATH, 'a tale of tales' small beneath ZBrush sculpt for MinoRinth: a child-faced figure with blank eyes, cow ears, and great curved horns, hair braided up into a knot Sketchbook 46 spread: orchid buds barely open, purple and green against a brown wash — 'things that are not, that cannot, but must be' — beside a chalk study of a weathered column and rooftop Five 3D-printed heads of the same downcast face lined up in filament shades from ivory to dark brown, print scraps, a bronze arm and figurines scattered behind Comic panels of Death from Neil Gaiman's Sandman: the pale girl in black, ankh at her throat, moving through a crowded street Church marquee for Memorial Baptist Church: 'Ain't no party like a Holy Ghost party, cause a Holy Ghost party don't stop' Snapshot of Delacroix's Death of Sardanapalus detail — the bearded king gripping the arm of the nude concubine arched back against the red bed — stamped with a 2001 camera date Vitrine close-up from Example #22: the horned white faun bust The Minories among heads — a weathered infant head, a tiny imp, a rose-crowned terracotta head on an alabaster stem Sketchbook 44: the altered title pages of Zénaïde Fleuriot's 1888 novel Feu et Flamme — author struck through and replaced with 'Mvr A. Samyn', dated 1888–2012, ringed by the year's cities from Neuchâtel to Las Vegas Tiny icon of a wooden hourglass, sand gathered in the lower bulb Barack and Michelle Obama embracing forehead-to-forehead on election night, black stage behind — AFP/Getty frame Dozens of telephone lines crossing a pale evening sky, small birds strung along the farthest wire by a streetlamp Sketchbook 46 spread, Easter 2013: a smoky charcoal portrait of a long-haired girl doubled across both pages, with planetary notes — Mars blood and bone, Saturn teeth, Mercury brain — for a game about the body Belgian Senate ballot, 13 June 2010, pink paper listing 25 senators by party column; a hand with a pencil hovers over Groen! Standing small before the Pergamon Altar friezes in Berlin, hands at sides, bag dropped on the marble floor, battling gods overhead Ancient Egyptian bronze mirror: a slender standing woman forms the handle, her upraised arms curving into a papyrus support for the broad golden disc Printed card on the 19th-century 'Language of the Fan', pairing gestures with meanings — 'With handle to lips: Kiss me', 'Fanning fast: I am engaged', 'Open wide: Wait for me' Tall foxglove stem with pink bell flowers rising against a peeling whitewashed wall Low-poly creature textured in ink-scratch black and white on dusty pink: a rabbit-eared armored beast with a raw pink mouth Still life of small art objects on grey: a glass egg with suspended yolk, a black bird, an orange yolk, a turquoise egg, a tiny figure and a white bird pull-toy on a string

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