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1504 pieces, shuffled — reshuffle

Diary page in green ink, Thursday August 27: 'computers take too long and I am sick of being enslaved… no more writing on machines… I love the paper, just feeling the pen on the paper' Sketchbook 46 spread, mid-May: a painted self-portrait head balancing a cherry, a red heart, and pages of seed, fruit and flower studies — strawberry, plum, wheels and pods — over notes on thinking decoratively Film still: a man and a woman stand in a wet green garden watching a wooden barn burn, from Tarkovsky's Mirror Sketchbook 38 spread: rooftops in watercolor — a mottled brick gable at left, storm clouds and a dark slate roof-line against blue at right Sformo-Mold-Exploded Sketchbook 48 spread: reclining foreshortened nude in graphite, and an ink-and-wash seated woman with one green-stockinged leg — questions in red on using energy lines for invention and composition Barry back from Iraq: seated on the couch in a white keffiyeh and brown robes, photographed in warm low light French exam paper, January 2008, name Auriea Harvey: 83% total with 'Très bien!' in green ink Catalogue text inventorying Louise Bourgeois's 1997 cell Passage Dangereux, room by room: cuffs, mirrors, hanging chairs, glass spheres, a bronze bull Tekken doujinshi page: a boy reads happily about Paul Phoenix's towering flattop while grandfatherly Heihachi looks on, headed So what if I'm a Paul fan! Path production prints: black-and-white posters of the six sisters hung on a line, and the tall Scarlet poster taped up over the tidy desk The Bibliochaise by nobody&co: a black armchair whose frame is a bookshelf holding rows of books around a red cushioned seat Screenshot from Ico: the boy in his red tunic and horned helmet reaches down from a wooden plank toward the pale, glowing Yorda in the castle gloom Hands in red light hold a Book of Blessings open to the Order for the Blessing of Centers of Social Communication Sketchbook 46: watercolor self-portrait in a grey tank top cradling a skull, with a note wondering whether to stop this book early before the vacation Sketchbook 40: notes from the Theories of Beauty symposium in Leuven under a blue KASK Cinema flyer, with a pencil drawing of a woman reading beside an hourglass Chalk drawing on red-brown paper: two arms reaching upward and a tilted, smiling face — study of a straining Eros from the Louvre Kiki Smith's Lilith: a black bronze woman cast from life, crouching upside down high on the gallery wall, glass eyes looking back over her shoulder Sketchbook 32 cover detail: creased player-piano roll paper, its white perforations drifting diagonally across the tan surface Titian's Bacchus and Ariadne: the god leaps from his cheetah-drawn chariot toward the startled Ariadne under a deep blue sky crowned with stars Caravaggio's Judith Beheading Holofernes: Judith in white drives the sword through the roaring general's neck, blood jetting, an old maidservant waiting with the sack Beksiński painting: a figure with wild red hair and bared teeth, pearls at the throat, wrapped in a rotting ornate garment amid an orange haze Two small painted portraits labeled Bonnie and CLYDE — blonde Faye Dunaway and Serge Gainsbourg-esque face, side by side Work-in-progress collage of Object 02: photogrammetry scans of a seated woman clutching a skull, from broken raw meshes to a resculpted red clay figure signed AU Rain water pooled on a flat surface reflecting the sky, a drainpipe and grass behind, an old school building beyond the fence Sketchbook 42, page 14: ballpoint portrait on tan paper of a woman with a ponytail seen in profile, eyes lowered, her seated body trailing off into light contour lines Diagram of the Julio-Claudian family tree, tracing marriages and adoptions from Julius Caesar through Augustus, Tiberius, Caligula, Claudius, and Nero Table of the Celtic tree calendar: thirteen months from Birch to Elder or Myrtle, the tree of death, with thorn, heath, poplar, and fir for the seasons Cover of sketchbook 25: dark green cloth with a small black-and-white photo of Devils Tower and three red ribbons hanging down Dense journal spread: an inked self-portrait beside a collaged red planet, columns of handwriting, and a blue profile facing a ghostly face — 'READ IT AND COMMIT ME' Cover of sketchbook 35: a red Moleskine planner with a Polaroid of dried leaves taped under plastic, dated 2008/11/16 Camera-viewfinder framing of a studio wall: a webcam and USB lamp plugged in, small prints taped up, everything dim and greenish Blender top view: a small posed figure at the crossing of yellow dashed constraint circles and axis lines — camera rig geometry Sketchbook 31 spread: a hand-drawn map of Rome's rioni with the blue Tiber winding through — Trastevere, Trevi, Esquilino, the Colosseum — 'ROMA v. 842006 - 1142006 A.D.' A Magnavox Odyssey, the first home video game console: white unit with two cable-tethered paddle controllers, game cards, and boxed accessories Lecture slide from The Endless Forest: sunbeams falling into a clearing where a white stag stands at a small ruin The Minories vitrine in Example #22: the horned faun bust flanked by the crumbling gilt infant head, a rose-crowned terracotta head with pearl earrings and two small dark imps Roman mosaic labyrinth: a square meander maze ringed by a mosaic city wall with towers and gates, corner ornaments at the edges Two mirror photos rotated sideways: trying on a green-blue-white abstract print dress with heels, in a sunny wooden-floored room Vitrine close-up from Example #22: the horned white faun bust The Minories among heads — a weathered infant head, a tiny imp, a rose-crowned terracotta head on an alabaster stem Sepia museum display of a mastodon skeleton before a painted marsh mural, its label reading 'This mastodon was found in Indiana' Second angle on the simulated striped table: the curly blue head and orange cyclops face in front, legs in orange boots, a standing figure, and bone fragments behind Five Mary Magdalenes with ointment jars side by side: a Flemish Renaissance portrait, a Northern engraving, Caravaggio's penitent Magdalene, a tearful nude leaning on a gold jar, and a hooded mourner in a landscape Looking down at a new dress printed with deer, trees and red flowers — a Bambi-esque forest scene with black lace at the neckline Sketchbook 45 spread: sanguine and watercolor study after a baroque abduction scene — bare legs kicking free of red drapery at left, the rest of the group in faint red outline at right Paint coverage across a stroke, before and after — measured from the colour buffer Journal spread: two torn notebook scraps with inked faces collaged over pencil writing, the profile at right labeled 'THE ACCUSER' Sketchbook 42, page 3: ballpoint interior — a television on a carved dresser, a figure in a patterned robe behind it, and someone sleeping under blankets in the foreground Standing in split-toe tabi boots on a concrete doorstep, grey trousers pushed into the black boots, a number-printed black skirt above Standing at the lit vitrines of Degas bronzes — dancers mid-leap on their plinths — sketchbook raised, silhouetted in the amber museum light

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