gallery

1479 pieces, shuffled — reshuffle

Book paragraph on Mozart's finances, highlighted pink: 'neither he nor his wife had a good grasp of managing finances… they lurched from crisis to crisis' Webcam frame: a man's face looms half out of frame at the right; behind him a brick fireplace, a television, and a small posable skeleton bent double Codex Seraphinianus illustration: a potted deer head whose antlers are a leafing tree, roots filling the transparent pot MinoRinth: the dark bronze Minotaur figure dances on yellow wireframe ground, its horned shadow thrown huge across the deep red wall Hotel bathroom mirror-in-mirror: dark figure at the sink reflected through a doorway, grey mosaic tiles, towel on the rail Sketchbook 49 spread of cast-hall studies: headless antique torsos, a winged Cupid stringing his bow, a standing putto seen in profile, and a muscular breastplate torso Cover of sketchbook 42: olive-green board embossed with a crackle pattern, a strip of yellowed cloth tape along the stitched spine and a bent wire clip at top Graphite study of a marble torso's thighs, a carved hand gathering the robe aside at the waist, with a smaller drapery sketch alongside Desktop wallpaper grid of cute forest-creature illustrations in greens and plums — deer, mushroom folk, a peacock — with Mac folders scattered over it La Vita Nova render: two glittering point-cloud sculptures face each other from arched niches across a grey, star-flecked mist Animation frame of Captain Kirk from the Star Trek episode Plato's Stepchildren, source of his kiss with Uhura The Path character sheet '2_Rose': four polaroids of the girl in the red hood and dress at different ages, a green hedge-maze icon at left Printed card on the 19th-century 'Language of the Fan', pairing gestures with meanings — 'With handle to lips: Kiss me', 'Fanning fast: I am engaged', 'Open wide: Wait for me' Lecture slide: three Bernini images — the Fountain of the Four Rivers figure sketch, an oval chapel plan, and Sant'Andrea al Quirinale's facade overlaid with proportion lines A whole pumpkin pie on a metal plate with one slice cut and slightly pulled out, on black granite Sketchbook 41, page 43: charcoal seascape — two dark headlands flanking open water, a small buoy mid-channel, gulls scratched into a pale sky Panorama of the Markt in Delft: herringbone brick square, gabled houses all around, the town hall at center, children and strollers at the statue's plinth Roma sketchbook: dense ink trees in the Vatican gardens under writing about tourism and dedication — 'genetics be damned in my spirals' Sepia still life: a hand with dark nails at the edge of frame, two rough loaf-like stones, and a dark peony resting in a footed cup Tiny icon of a wooden hourglass, sand gathered in the lower bulb Wood-panelled wall of framed personal photos — a man in a white suit singing, band snapshots with congas — behind a frosted-glass lamp Sketchbook 32, page 34: pencil study of Rodin's Old Courtesan ('She Who Was Once the Helmet Maker's Beautiful Wife'), her bowed bony body in profile Upside-down black-and-white portrait: a smiling face hanging inverted out of a hood of dreadlocks against white Back cover of sketchbook 17: a Kokoschka Kunstschau drama poster, an 'Andre the Giant Has a Posse' sticker, a strip of red velvet and a tiny yellow cat charm on a string Sketchbook 44 spread, 2 October 2012, Boeing 747 to Las Vegas: red ballpoint sleeping passengers under a painted blanket, with a swatched palette of 'colors for a trip to California' Sketchbook 44: the altered title pages of Zénaïde Fleuriot's 1888 novel Feu et Flamme — author struck through and replaced with 'Mvr A. Samyn', dated 1888–2012, ringed by the year's cities from Neuchâtel to Las Vegas Cover of sketchbook 9: pink-washed board stamped 'ENCLOSED' in red, scratched with a circled monogram and penciled 'retro-sketch #IX Auriea L. Harvey — PROFOUND IDEAS' Sketchbook 43 spread: a real pressed pansy taped over pencil pansies in a vase; opposite, a portrait of an older man in a tank top and a note on seeing the work of Steven Assael, 26 May 2012 Sketchbook 44 spread, 3 September, model session: soft pencil sketches of the same nude bending, kneeling and seen from the back, poses overlapping across the gutter Metope's Face Sets tablet: the paint-regions switch, the list of sets with their colours, stone dropdowns and lock/hide flags, and the region tools — rect, circle, flood fill, smooth edges, fill with material or texture, and extrude set. A blood-red stag with towering antlers walking through tall grass and poppies — Tale of Tales anniversary card image Silent Hill 2 graffiti in grainy red letters across two frames: 'There was a HOLE here. It's gone now.' Black-and-white X-ray of a curved spine and ribcage in profile — the scoliosis made visible Tiny dithered black-and-white photograph of a loaf of bread with cut slices leaning against it Entropy8Zuper International Garden Mural Invitational template: a courtyard with a sooty black wall and two green plastic chairs, above a blank measured mural diagram Bookbinding in progress: a hand steadies a cardboard book cover with a circular window cut out, exposed cords at the raw spine The Bibliochaise by nobody&co: a black armchair whose frame is a bookshelf holding rows of books around a red cushioned seat Ornate gallery with The Graveyard(?) on a flatscreen — a blue underwater scene — a woman mugging wildly for the camera while a man gazes up Sketchbook 40, journal page copying Anne Carson: 'Drawing is quite, quite naked...' with notes on drawing, honesty, and modelling a hand in 3D, a wiry hand sketched above Sketchbook 38 spread: rooftops in watercolor — a mottled brick gable at left, storm clouds and a dark slate roof-line against blue at right Night desk: an iBook showing a dark forest painting, in front of a big monitor with Blender open on a textured cube — Endless Forest work in progress Sketchbook 32, Mediaterra day 2 'Gaming Environments': pages crowded with ballpoint portraits — Michael Mateas, Chris Crawford haloed mid-speech, notes on Deikto and immersion Diptych: looking up through an olive tree's branches at blue sky; below, a woman with dreadlocks and a smiling grey-bearded man lying in the grass Sketchbook 46 spread titled 'The Audience': overlapping colored-pencil studies of a group of nudes in graphite, brown and wine red — standing, crouching and turning as if watching something Back cover of sketchbook 22B: half faded red cloth, half a smoky photographic print of gnarled tree branches Sketchbook 5: ballpoint self-portrait close-up, face filling the right of the page with lips parted, a chair and window line-drawn behind Five Mary Magdalenes with ointment jars side by side: a Flemish Renaissance portrait, a Northern engraving, Caravaggio's penitent Magdalene, a tearful nude leaning on a gold jar, and a hooded mourner in a landscape Sketchbook ballpoint page: a big-haired figure gazing sideways, an ear study, a diagram of arrows around a circle, and a small drawing of a girl in a room Cover of sketchbook 11, black leather-grain board with a small pasted label: 'THE NEW SCHOOL MUST FALL! LONG LIVE PARSONS!' A gray cat, blurred mid-shake, sitting on the desk between the laptop and the glass cabinet where the skull keeps watch

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