gallery

1458 pieces, shuffled — reshuffle

The colossal marble Medusa from behind: heavy braids of snakes wind over the sleeping head, one serpent knotted around the mass Sketchbook 46: watercolor self-portrait in a grey tank top cradling a skull, with a note wondering whether to stop this book early before the vacation Aerial view of snowbound mountain range threaded by glaciers, clouds drifting over the ridges — Himalaya from the plane Sketchbook 39: a woman in a slip drawn in charcoal and white chalk on kraft-brown paper, her head turned sharply in profile, hair swept up Labeled photo of First Style wall decoration in the Samnite House, Herculaneum, ca. 100 BC: painted plaster courses marked plinth, socle, orthostats, frieze and cornice Cover of sketchbook 21B: red felt covered in dark oval link shapes touched with gold, signed '21 TDM' — The Disease Manifesto Tiny icon of a wooden hourglass, sand gathered in the lower bulb A blood-red stag with towering antlers walking through tall grass and poppies — Tale of Tales anniversary card image Sketchbook 43 spread: graphite studies of a bent leg and hand holding a pen, and on the right page feet dragged mid-stride, toes trailing across shaded ground Sketchbook 45 spread: a close brown-toned gouache portrait of a woman's face, facing a red ink-and-wash figure curled inside an egg-like ring with notes on love, fragments and ruins in technological art Sketchbook 49 spread of Donatello studies: St George and the Dragon relief with a large horse head, the pointed-hatted profile of Saint Louis de Toulouse, and notes on Spiritelli and Brunelleschi vs. Ghiberti Subtitled still from Rome Open City: a woman speaks to a uniformed man in the street — 'Pina, do you think Americans really exist?' James Jean's painting Sink: a robed minotaur pours a thread of water from a teapot toward a pale bald girl curled in a tub among dark leaves Two frames: copper leaf laid with tongs onto a girl's closed eyelids, then her face with gilded eye sockets running in metallic drips like tears Digital self-portrait painting in ochre and umber tones: a woman with long dark hair gazing left, two small moons floating beside her head Photo-weave collage: a black-and-white portrait cut into small rectangles and rewoven, scattering eyes, lips, and hair across the grid Scanned spread from The Unbearable Lightness of Being, chapters 14 to 16: Tereza embraces a tree like a lost grandfather while the man with the rifle waits The Instagram app icon: a white outlined camera on a purple-to-orange gradient rounded square Sketchbook 49 spread: ballpoint portraits of long-haired conference-goers, a face with heavy eyes, and notes — 'board games as narrative devices', 'dice as the devil's bones', 'gamification is where capitalism wants to go' Mike Libby's mechanical insect: a real cicada with orange-and-black wings spread, its body replaced by tiny watch gears and a red jewel Blender scene for MinoRinth: twelve wooden folding chairs ringing a flat round labyrinth carved with concentric paths Sepia self-portrait, head bowed before a window: sunlight flares over the top of the head, dreadlocks hanging, apartment block beyond QuickTime window playing Parajanov's Shadows of Our Forgotten Ancestors (winter birches) over an engraved anatomical plate of dissected legs Blender viewport for La Vita Nova: scanned bust of a figure with thick locks holding a round object at its chest, white against a black grid Back cover of sketchbook 16A: a Daniel Clowes 'PARANOID' comic page varnished in amber, its edges dissolving into dark red drips Sketchbook 22B spread: a silvered page with a Handloom Batik Ganesha card taped on, opposite a drawing of a woman in a slip with one blackened arm against blue-patterned shadow Washed-out webcam self-portrait, bare-shouldered with a light flare, a St Hubert pilgrimage banner on the wall behind Sketchbook 38 spread: the roof view again — a sunset skyline in pink and indigo above, and a brick chimney rising through clouds at right Sketchbook 32 dark side spread: pencil sketches of family on couches — a woman reclining with cats curled below, a young woman seated, studies of faces Metope's Interface tablet: the four interface stones (basalt, plaster, terracotta, aegean), the metal accent swatches with follow-brush, the viewport backdrop controls, and reset bench. Cover of sketchbook 1: a red chaos star on black, 'RIEA' in white block letters, 'CHAOS is my life' at the hub — 'Auriea Harvey's Sketchbook' A three-dimensional digital sculpture of a standing female figure rendered in pale gray and white, viewed from behind with arms crossed, a long staff or pole extending vertically through the composition from head to toe. The figure wears flowing, draped clothing with horizontal scan lines and pixelated artifacts visible across the surface, suggesting a 3D model or point cloud visualization. Spread of One Hundred Years of Solitude, pages 196–197, with 'Cease, cows, life is short' highlighted in yellow Two life-size gilded skeleton sculptures hold an oval mirror in a dark shop window; the photographer stands reflected between them, all in black Textured 3d crow standing on flat chroma green, beak open mid-caw The Living Line in wobbly hand-drawn lettering above a screenshot of Droom-Zacht v1.0, 'drawing tools for sleepy people', its canvas filled with dense brown scribble Natal chart drawn in vintage Mac astrology software, cyan double wheel with red and green aspect lines, tables of elements and aspects around it Quest3D tutorial titled Multi-texturing the Earth: handwritten arrows explain copying a grass surface to a dirt surface with a black-and-white alpha map Photo of an open sketchbook held on a floral bedspread: 'NEVER DOUBT' painted huge in black over pages of smudged pencil writing, 'OK? O.K!' in the corner Journal spread dated 20 Nov 1993: 'not in the same way nicotine addicts are addicted to cigarettes' painted over a murky face, a blue skeleton stamped at right A Magnavox Odyssey, the first home video game console: white unit with two cable-tethered paddle controllers, game cards, and boxed accessories Metope's Scaffold tablet: symmetry axes, the six grid kinds with snap, the draw-shape modes, and the guide tools (ruler, compass, curve, poly, magnet). John William Waterhouse's Consulting the Oracle: a priestess by lamplight speaks to a semicircle of veiled women leaning in around a marble floor Cover of sketchbook 24: grey-black felt with a gold eagle medallion reading 'Illustrated Encyclopedia of the Modern World' Poliriea: ZBrush render of a mauve cyclops head with tight sculpted curls and one teal eye, resting atop a striped ziggurat pedestal Sketchbook 39, digital painting: a hollow-eyed figure in dusky red with long dark hair and thin wire rabbit ears, leaning forward in darkness Sunny's Lion: a blue-green painting of a snarling shishi guardian lion face, round eyes and bared teeth framed by spiraling curls of mane Gopher-browser screenshot of Dorothy Parker's Comment: 'Oh, life is a glorious cycle of song... And I am Marie of Roumania' Webcam frame: a man's face looms half out of frame at the right; behind him a brick fireplace, a television, and a small posable skeleton bent double French test 'Het Perspectief' marked 18.5/30 in red — conjugations corrected, self-introduction paragraph: 'Je m'appelle Auriea Harvey, j'ai 38 ans…'

508 more ›