gallery

1504 pieces, shuffled — reshuffle

Gilded rococo openwork relief titled Christ and the Lamb: asymmetrical gold scrolls and foliage swirl over shaped mirror glass, the figures hidden in the ornament Metope's Model Stamp window: an orbitable preview of the shape being pressed, source buttons for six primitives, model import and image-to-relief, the baked depth map, and the Detail slider. Poster for In the Kingdom #19: layered blackletter cascading down black — works by Auriea Harvey, baykiddead and Alex Myers, December 13 at Project Project, 1818 Vinton Two studio portraits fanned on a scanner: a grinning man in an NBA cap and Celtics jersey, and a baby girl in pink with beaded braids Diptych: profile nearly curtained by long straight black hair on a fur throw; below, bare feet with chipped pink polish in deep shag carpet Sketchbook 6 page dated 24 June 1990: rows of an invented cipher alphabet in green ink, with framing notes for a black-metal-frame self-image piece and the word 'anorexia' in the margin Entropy8Zuper International Garden Mural Invitational template: a courtyard with a sooty black wall and two green plastic chairs, above a blank measured mural diagram Small jade plant with plump oval leaves in a terracotta pot with saucer, on a red tiled windowsill by an open window Sketchbook 32 dark side spread: Acropolis columns dripping in dark red ink, a Greek alphabet chart taped above a pencil island — 'first meeting with the Mediterranean sea, 2006' Back of sketchbook 31: a dark felt pencil roll stitched in red over a black Moleskine, four worn pencils tucked in the bottom Double page from Hokusai's Manga: sketched vignettes of kneeling figures — a startled couple, a shamisen player, a monk, and a gossiping pair — with brush captions Digital self-portrait painting: a woman with long braids looking straight out, framed by green leaves and small white blossoms on deep purple Sketchbook 32, page 11: three painted severed heads — a red-bearded head lifted by the hair from a white basin (#032), a grey figure, and a red-lined sleeping face (#006) Sketchbook 45 spread: pencil copy of a church sculpture — a bearded God the Father flying with billowing drapery, arm outstretched — beside studies of trousered legs kneeling on a cushion Sketchbook 46: watercolor self-portrait in a grey tank top cradling a skull, with a note wondering whether to stop this book early before the vacation Washed-out webcam self-portrait, bare-shouldered with a light flare, a St Hubert pilgrimage banner on the wall behind Steam Top Sellers list with The Path at #8, $9.99, between Counter-Strike: Source and The Orange Box Tintype-style self-portrait, very close: round dark-rimmed glasses, window light on one side, the plate scratched and spotted Rutger Hauer as Roy Batty at the end of Blade Runner, platinum-haired and wide-eyed, cradling a white dove against his chest Cover of sketchbook 49: dark green cloth with a pasted photograph of a granite Egyptian head on its museum pedestal Lecture slide: Olafur Eliasson's Weather Project three ways — the huge indoor sun at Tate Modern, a figure raising arms before it, visitors sprawled on the floor Playlist mixing Stanley Lieber's GOKU tracks with Nine Inch Nails Ghosts I–IV and FLAMES.GIF songs Wall chart of the katakana syllabary in a blocky graphic typeface, black characters in columns with red script down the left edge Sketchbook 49 spread: a single faint gesture drawing of curling, flame-like figures rising up the page fold, the rest of the spread blank Back cover of sketchbook 15: torn brown pages of a 19th-century elocution book pasted over grey board, a hymn on angels still legible at left Body scan, 2002: a horizontal abdominal incision closed with a row of metal staples, stained gauze pads resting above it Giuseppe Maria Crespi's Hecuba Blinding Polymestor: the Trojan queen in torn white silk drives her thumbs into the bound king's eyes as he claws backward in the dark Cover of sketchbook 31: a plain black Moleskine with its elastic band, scuffed from travel Black-and-white film still: a young woman in a white nightdress pressed against ornately patterned wallpaper, looking back over her shoulder Sketchbook 5 fold-out scroll: collage of a torso photograph, a surgical-instruments catalog page, an Elric of Melniboné 'Stormbringer' text, film strip, comic panel and handwritten x-ray notes with red measurements A denser QR code on white, larger than the first Standing at the lit vitrines of Degas bronzes — dancers mid-leap on their plinths — sketchbook raised, silhouetted in the amber museum light Blender viewport for a VR lock: a pink segmented orb with a gold-lidded eye at its center, red tendrils radiating out beneath a spiked golden sun Sketchbook 46 spread: loose watercolor peonies in rose and magenta with sap-green leaves, blooming across the gutter of the tan pages Tiny snapshot of Quinton at graduation, smiling in black cap and gown and holding a diploma Mirrored double portrait: a pale face with dark fringe doubled nose to nose, a point of light burning between the eyes over a band of ringed dots Netscape-era screenshot of a web ELIZA chatbot — 'a friend you could never have' — replying 'Why do you say your whole life?' above the submit box Mac Finder search grid: sixteen identical copies of gold.gif, small square tiles of mottled gold texture The Aristodikos kouros, ca. 510-500 BC, National Archaeological Museum Athens inv. 3938. The hands are lost but the stubs of the two struts that braced them to the thighs survive at hip height. Photograph by Gary Todd, CC0 via Wikimedia Commons. Sketchbook spread drawn from a hospital bed: flowers in a water glass by the curtain, the IV stand, and the cannulated hand with one line touched in pink Sketchbook 45 spread: graphite portraits of dying flowers — a drooping daisy over collapsed petals at left, a closed rose bending on its stem beside a tulip at right Sketchbook 40: notes from the Theories of Beauty symposium in Leuven under a blue KASK Cinema flyer, with a pencil drawing of a woman reading beside an hourglass Sketchbook 49 spread: gestural line studies of tumbling bronze figures, with notes on Veronese's Hercules at the Crossroads and a seven-headed French Hercules-and-Hydra bronze Collage naming two Roman coins — Faustina's over a painted empress, Antonius' silver denarius below Kim Gordon of Sonic Youth in a 1990s Calvin Klein ad, seated on a couch in a sheer black dress and heels, the CK logotype over the image Francesca Woodman's Blueprint for a Temple: a large blue diazotype collage assembling photographed caryatids and Greek-key friezes into a temple facade Sepia self-portrait, head bowed before a window: sunlight flares over the top of the head, dreadlocks hanging, apartment block beyond Wax maquette for the MinoRinth Maiden: a terracotta-toned child's head with cow ears crowned by carved roses, strands of white beads falling from the ears, on a 3D-printed stem Two small painted portraits labeled Bonnie and CLYDE — blonde Faye Dunaway and Serge Gainsbourg-esque face, side by side Long strip of overlapping webcam frames: a woman with braids, bare shouldered and eyes lowered, repeating and dissolving along a dark band

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