gallery

1479 pieces, shuffled — reshuffle

Sketchbook 44 spread, 'Slightly lost': ballpoint sketch of the Heusden bus stop en route to a driving exam, a reclining graphite nude below, and watercolor figure studies in grey and burnt orange opposite The Path character sheet '2_Rose': four polaroids of the girl in the red hood and dress at different ages, a green hedge-maze icon at left AP photograph of the yeti crab Kiwa hirsuta: a white deep-sea crab, its long arms shaggy with pale silky bristles Sketchbook 57 page at the Musei Capitolini: charcoal study after Caravaggio's St John the Baptist embracing the ram, with notes on getting authorized to draw after 6:30 Four pinned cicada specimens beside a millimetre ruler, shown from above and below, dark bodies with amber-veined translucent wings Arman's Chopin's Waterloo: a grand piano smashed and splayed across a red panel, keys, hammers, and strings fixed where they burst Silent Hill screenshot: a dark corridor swallowed in black, the flashlight flaring gold against a door beside a potted plant Composite telescope image of the Bullet Cluster: colliding galaxy clusters with hot gas in pink and the inferred dark matter mapped in blue among the field of galaxies Washed-out webcam self-portrait, bare-shouldered with a light flare, a St Hubert pilgrimage banner on the wall behind Page 12 of Hiroshima Mon Amour: in the café she tells why she went mad in Nevers — her head shaved in 1944 for loving a German soldier — every mention of Nevers highlighted From behind: drawing on a stone bench by a green pond, sketchbook open on crossed legs, locs down the back, trees doubled in the water Sketchbook 44 spread: pencil studies after ceiling figures — a flying woman with wind-blown drapery carrying an infant, and a second tumbling figure seen from below Diptych by the wooden door: grinning in a fur-trimmed hooded coat, then hiding — pulling the hood down over her face Digital painting after a life photo: seated nude with red hair, arms crossed over her face, pale body against near-black Gopher-browser screenshot of Dorothy Parker's Comment: 'Oh, life is a glorious cycle of song... And I am Marie of Roumania' METOPE paint and glaze figure Sketchbook 25 spread of watercolors: a faint green figure bleeding through above, and below, a blond man in black standing in a Maine yard by a shed — the only known drawing of Rick Work-in-progress collage of Object 02: photogrammetry scans of a seated woman clutching a skull, from broken raw meshes to a resculpted red clay figure signed AU The morning after, in overlapping photo windows: a wine bottle and glasses on the floor, two desks buried in prints, gear and a laptop Side view of Auriea's small bronze Magdalene raising a skull before her face, photographed on a windowsill beside a cream-white rose Sketchbook 49 spread at the Sinebrychoff Museum, Helsinki: ink sketch of a St Anne 'protects against plague' painting holding Maria and Jesu, a light tangle of figures, and a shaded reaching hand New Year selfie from below in the Louvre's gilded galleries, painted ceiling of gods and putti overhead, chin high Sketchbook 5 spread: Emily Dickinson's 'My life closed twice before its close' written out in violet, facing a green-toned acrylic nude torso with dark red nipples The Endless Forest running on a museum kiosk: metal arcade cabinet with yellow joystick, four buttons and a recessed screen of forest Hotel bathroom mirror-in-mirror: dark figure at the sink reflected through a doorway, grey mosaic tiles, towel on the rail Photograph of the back of a neck and shoulders tattooed with the single lowercase word life, ending in a period Back of sketchbook 31: a dark felt pencil roll stitched in red over a black Moleskine, four worn pencils tucked in the bottom Year Zero at bitforms, the rose-pink room: framed monotypes and drawings, a shelf of small dark maquettes, and a white figure on its bracket Ornate gallery with The Graveyard(?) on a flatscreen — a blue underwater scene — a woman mugging wildly for the camera while a man gazes up The bunny-eared girl textured: red bob wig and blue flame-like ears over a wireframed cream face — Path girl in progress Auriea Harvey, Iphigenia Still from Silent Hill 2: Maria leans close behind the cell bars, subtitle reading See? I'm real. Sketchbook 32, page 53: pencil figure studies — a man standing hands behind back, and a woman with sunglasses on her head playing a flute SketchBox app full of virtual sticky notes: THE PATH, 'make paintings of triads', 'PUT GRANDMOTHER IN THE BACK OF THE HOUSE', MAKE GRAVES, two red DONEs Sketchbook 38 spread: a Tyrolean pine hillside in plum-dark wash, kettles sketched beneath — 'Gutshof zum Schluxen, Austria. Wir freuen uns auf Ihren Besuch!' Still from Peter Greenaway's The Pillow Book: a body covered in black calligraphy, arms spread wide under falling rain against darkness Sketchbook 45 spread: graphite life studies of a seated male nude torso with crossed legs at left, and a slumped figure with an arm swung out along a dark bolster at right Sketchbook 47 Rome spread: full-page graphite study of a sprawling classical nude with an arm flung overhead, beside grotteschi from Palazzo Doria, a Pietro da Cortona sketch, and notes on feeling at home in Rome Inside the MinoRinth maze: dark castle-like towers with chimneys loom over the walls under a curdled white-and-sepia sky Two-page spread from One Hundred Years of Solitude in which José Arcadio Buendía insists the day is still Monday, the time machine broken Sketchbook 39, digital painting: a boy in a blue sweater in profile, pale face under a mop of brown hair, his shadow doubled on the tan wall Sformo-Numbers Diagram of the Julio-Claudian family tree, tracing marriages and adoptions from Julius Caesar through Augustus, Tiberius, Caligula, Claudius, and Nero Sketchbook 38 spread: the roof view again — a sunset skyline in pink and indigo above, and a brick chimney rising through clouds at right Sketchbook spread: a figure in red and green ballpoint asleep in an armchair, and opposite, a collaged anatomical heart ringed by a rhinestone bracelet with a red mitten below Subtitled still from Rome Open City: a woman speaks to a uniformed man in the street — 'Pina, do you think Americans really exist?' Two Belgian ballots, 7 June 2009: the mint-green European Parliament sheet and the Flemish Parliament list, red dots marked under GROEN! Early color photograph of Emilie Flöge standing in a garden wearing a flowing white reform dress with appliquéd panel, designed with Gustav Klimt Sketchbook 42 spread: layered ballpoint and blue pencil sketches of sleepers — a face sunk into a pillow at left, a bald man asleep against his raised arm at right

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