gallery

1479 pieces, shuffled — reshuffle

Sketchbook 48 atelier spread: notes on light value and planar orientation with a shaded sphere diagram, facing a seated female nude annotated with trochanter, shadow side, and 'GRANDEUR — carve into the largeness of things' Work desktop: ballpoint sketches of a man's eyes, a red-ink figure drawing, and a 3d man with a dotted wireframe mask — '144 character modeling - Grandmother' in the dock Small grainy GIF of Mr. T in his layered gold chains and mohawk Film strip of 3D character models in a dark viewport: costumed figures, a hooded walker with a cane, a wireframe deer, dancers caught mid-pose Atari Tempest title screen: the word TEMPEST in glitching red-and-blue vector strokes above the 1980 Atari copyright iTunes 'Enter Code' screen refusing a gift card: 'This code is only valid for customers of the United States store' Portrait swallowed by darkness: only the tip of a nose, a bared smile and chin lit between black locs Dancing drawing: a dense tangle of black ink figures looping across grey-washed paper, thin drips running off the bottom of the swarm Sketchbook spread in red and blue ballpoint: a couple with a baby on a patterned couch, and opposite, a figure seen from behind in a white slip RCA Victor Opera Series cover for Bizet's Carmen: Leontyne Price in large hoop earrings against red, with Franco Corelli, Karajan and the Vienna Philharmonic billed Grainy photograph of the transit of Venus: an arrow points to the planet's small dark silhouette against the Sun's blurred limb Digital painting 'Did she jump or was she pushed': a white streak of a falling figure flashing through smoky blue and umber clouds inside a hot red border Printed card on the 19th-century 'Language of the Fan', pairing gestures with meanings — 'With handle to lips: Kiss me', 'Fanning fast: I am engaged', 'Open wide: Wait for me' Cover of sketchbook 23B: a narrow old ledger bound in dark marbled paper, red cloth at the spine, edges worn to orange Two sepia portraits of a man at home: smiling close in wire glasses and a heavy chain; then aiming his Nikon back at the camera beneath a Pianos Daudé poster Hands leafing through the Ray Caesar Art Collection monograph: the masked cover girl, a spider-legged theatre box, big-haired doll portraits, a drawing index page Vooruit cinema screen from the balcony: 'Filmfestival Gent & Vooruit presenteren CLINT MANSELL & SONUS QUARTET' ZBrush sculpt of a stylized animal skull mask, yellow-green over white with red striped horns and black flame markings Cover of sketchbook 25: dark green cloth with a small black-and-white photo of Devils Tower and three red ribbons hanging down A pink-and-white peony bud leaning across the frame above a wooden floor — birthday flowers Filmstrip of four grainy webcam frames in sickly greens and reds: a woman at a piano, in a fur collar, resting on an arm, beside flowers Illustrated chart of ten knots with handwritten labels: overhand, figure-8, reef, sheet bend, carrick bend, bowline, clove hitch, timber hitch, taut-line hitch, sheepshank Diptych: profile nearly curtained by long straight black hair on a fur throw; below, bare feet with chipped pink polish in deep shag carpet Flat-shaded render: girl's head in profile in a black bonnet against sky blue, a hot magenta silhouette facing her Sketchbook 42, page 3: ballpoint interior — a television on a carved dresser, a figure in a patterned robe behind it, and someone sleeping under blankets in the foreground A grey Dutch bicycle with a black basket leaning against a park bench in a winter park, bare trees and drifts of fallen leaves behind Portable studio on a desk: black felt pencil roll, tiny travel watercolor set with stained mixing lids, sketchbook, tea mug and laptop A branch of lunaria held before a lamp, its papery translucent seed pods glowing amber and pearl Long-exposure blur of a family living room seen through a mylar balloon — clock, cabinet and figures smeared into ghosts The original beige Apple Macintosh: built-in monochrome screen showing a welcome dialog, floppy slot below, keyboard cable in front Cover of sketchbook 29: a painted collaged face on black — cropped bands of eyes, nose and grinning teeth assembled into a mask METOPE paint and glaze figure Caravaggio's Judith Beheading Holofernes: Judith in white drives the sword through the roaring general's neck, blood jetting, an old maidservant waiting with the sack A notan diptych — panel A in one gray with a white mass, panel B in the second gray with black and white masses, HUD proportion bars beneath each Text excerpt from James Baldwin: '...It was really a matter between me and God. I told him quite a long, long time ago there would be two of us at the Mercy Seat. He would not be asking all the questions.' Phone raised in the Gesù in Rome, dwarfed by Baciccio's Triumph of the Name of Jesus boiling out of its gilded frame overhead Back cover of sketchbook 26: waxed book pages printed with dark palm fronds and crosshatched shadows, amber and sepia Sketchbook 42b: second charcoal study of the Belvedere Torso, seen from the front with the chest collapsing toward the cut thighs, a small profile sketched above Sketchbook spread: a figure in red and green ballpoint asleep in an armchair, and opposite, a collaged anatomical heart ringed by a rhinestone bracelet with a red mitten below Sketchbook 44, 'Things that happen at night', last night in Fenouillet, 27 July 2012: four ballpoint vignettes — a hill against storm light, wind through a dark window, a man in darkness, a figure day-for-night Blurred photograph in amber light: a bellydancer in a sequined costume performs on a white runway in an ornate gilded hall Six red 3d urns and lidded jars in diamond and stripe patterns lined up on a dark shelf — Graveyard props QuickTime windows of dance-studio clips: a dancer improvising alone on a black floor marked with tape, seen from the corner — Drama Princess motion reference Cover of sketchbook 10: a dark window taped into mottled blue-green painted board, an X of white creases over a swirling green orb Tiny dark sketch of three standing figures side by side, scratched out of black ink Snapshot portrait of game designer Fumito Ueda, dark hair falling across his face, against sunlit foliage Sketchbook 40, journal page copying Anne Carson: 'Drawing is quite, quite naked...' with notes on drawing, honesty, and modelling a hand in 3D, a wiry hand sketched above Drawing on a torn, burn-edged scrap: a pencil eye weeping a lattice of small blue teardrops, with the words something I don't trust written along the lid A denser QR code on white, larger than the first Sketchbook 45: a white rose in graphite against a dark hatched ground, its stem crossing two curled leaves — dated notes opposite mention Bientôt l'été and Anne Carson

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