gallery

1479 pieces, shuffled — reshuffle

The Bauhaus curriculum wheel: VORLEHRE around the rim, rings of Stein Holz Metall Ton Glas Farbe Gewebe, and BAU at the core Yellowed spread from Rodin's L'Art in French: passages declaring art dead to modern utility, and art as contemplation, the joy of intelligence seeing clearly Dark digital drawing: a doll-like face buried in a storm of scribbled black hair over mottled green and magenta Labeled map of ancient Rome: the seven hills in orange within the red line of the Servian Wall, the Tiber, Tiber Island, and the Field of Mars at left Sketchbook 32: pencil studies of heads — a downcast woman at left, and a large anguished bearded face, eyes closed, drawn dark and dense Journal spread: two torn notebook scraps with inked faces collaged over pencil writing, the profile at right labeled 'THE ACCUSER' Sketchbook 44, 'Summer, Jun 27': iris and leaves in vivid colored pencil growing past a shaded skull, journal notes on color and the Book of 8 project, over a printed Feu et Flamme page describing Parc Monceau Detail of a digital painting after Monet: loose pink and white impasto strokes of water lilies floating on vertical blue-green water, with dark red foliage at right Game character model: a gaunt zombie-like man with skull-white face, arms outstretched in T-pose, black tattered body with white markings Tiny animated gif of a figure rising from a small fire against black Washed-out webcam self-portrait, bare-shouldered with a light flare, a St Hubert pilgrimage banner on the wall behind QR code for the ProjectProject work Polyphemau Photo of an open sketchbook held on a floral bedspread: 'NEVER DOUBT' painted huge in black over pages of smudged pencil writing, 'OK? O.K!' in the corner Frans Floris, The Fall of the Rebel Angels: armored archangels with swords and shield drive a writhing avalanche of muscular demon bodies down out of the light Sketchbook 32 spread, Athena 4 Oct 06: the Erechtheion caryatid porch in red ink, a purple caryatid 'cement copy', pencil snakes twisting below — 'growing hair, moving arms, shifting weight' Cover of sketchbook 10: a dark window taped into mottled blue-green painted board, an X of white creases over a swirling green orb A woman wearing the exoskeletal Gypsy motion-capture suit, black straps and sensors down her limbs, cables trailing across the floor toward a mirror Five studio views of the Fauna head circling from front to back: the long-eared child's face, the horn bud, and the gold-filled fissures crossing the white skull Sketchbook 33 spread: a pine tree drawn in patient pen line, its trunk splitting into branches over a bare horizon, a few ink burrs floating above Sketchbook 46, 8 March at the Met: graphite and watercolor study of the Crouching Aphrodite marble, wine-red shadows at her hip, a rainbow of paint swatches down the page edge Card of brief forms of Gregg shorthand in alphabetical order, 1963: a ruled grid of curling pen strokes, a McKay's price sticker in the corner A three-dimensional digital sculpture of a standing female figure rendered in pale gray and white, viewed from behind with arms crossed, a long staff or pole extending vertically through the composition from head to toe. The figure wears flowing, draped clothing with horizontal scan lines and pixelated artifacts visible across the surface, suggesting a 3D model or point cloud visualization. Sketchbook fantasy drawing in colored pencil: a pale long-haired figure raising a sword before a sea with a tall ship, a huge face dreaming in the sunset sky Three views of a 3d scan of an Artemis statue in short belted chiton and hunting boots, rendered in a blue and bronze matcap against black Skeptical Cat meme: an orange cat glowering over the caption Skeptical Cat is fraught with skepticism MTAA's Simple Net Art Diagram, ca. 1997: two clip-art computers joined by a cable, a red lightning bolt at the midpoint labeled 'The art happens here' Sketchbook 40, Köln museums spread: Roman mosaics and hairpins from the Germanicus museum, notes on Käthe Kollwitz's 'Frau mit totem Kind', and inked towers over park trees Still from Peter Greenaway's The Pillow Book: a body covered in black calligraphy, arms spread wide under falling rain against darkness Sketchbook 49 spread on 'Renaissance and Baroque Bronzes from the Hill Collection': notes on the Sleeping Venus's winged-skull memento mori and gilt bronze, with two twisting figure sketches — 'the twist' Two life-size gilded skeleton sculptures hold an oval mirror in a dark shop window; the photographer stands reflected between them, all in black Raw photogrammetry scan for The Flower Seller: a grey ragged-edged bust with a blurred face, an armful of thick-petaled blooms dissolving into scan debris Sketchbook 50 spread on grey paper: graphite-and-white studies of a kitten asleep on its back, paws curled, with separate sketches of its ears and toe pads The Late Raphael exhibition catalogue with a thank-you note signed Auriea, above her sketchbook of pencil copies after Raphael's Saint Michael and putti Sketchbook 35 diary spread relabeled December: a long-haired girl seen from behind, and again close-up kissing a dark bird's head, a game controller sketched below Wall chart of the katakana syllabary in a blocky graphic typeface, black characters in columns with red script down the left edge Sketchbook 22B spread: a silvered page with a Handloom Batik Ganesha card taped on, opposite a drawing of a woman in a slip with one blackened arm against blue-patterned shadow Sketchbook 48 spread: ballpoint portrait of a bald speaker and a colored-pencil portrait in mint-green shirt, with notes on the aesthetics of play coming from action, not objects — 'don't let a day go by' Sketchbook 5 fold-out scroll: collage of a torso photograph, a surgical-instruments catalog page, an Elric of Melniboné 'Stormbringer' text, film strip, comic panel and handwritten x-ray notes with red measurements The Pleiades star cluster: the seven sisters blazing blue-white inside wisps of reflection nebula on a dense starfield Caravaggio's Judith Beheading Holofernes: Judith in white drives the sword through the roaring general's neck, blood jetting, an old maidservant waiting with the sack Webcam still from an AR test — 'Pattern marker example with Three.js' — peering over glasses in a patterned dress, the screen behind mirroring the page Sketchbook spread: at left a dark X-ray-like film scratched with 'I TALK IN MY SLEEP ALL MY LIFE', at right black figures and circles slashed over red paint Dentist office view — The waiting room holds its pale blue certainty—sky caught behind glass, the colour of a summer afternoon in the north, bleached by fluorescent light into something patient and still. Michelangelo-school marble Adam beside a charcoal master copy of the same statue, face left blank in the drawing A box crammed with 3D-print tests: faces and heads in chocolate brown, blue, gold, copper, and bone, red architectural fragments, and gridded lattice scraps Cover of sketchbook 49: dark green cloth with a pasted photograph of a granite Egyptian head on its museum pedestal Sketchbook 32 spread: Eagle Creek park, Indianapolis, 2006 — dark red ink water swirling over swimmers, a duck sketched at the edge Spacecraft photograph of Jupiter's moon Io half in shadow, a volcanic plume erupting in a bright arc off its upper limb Hotel-room door detail: steel panel with white handle, ballpoint graffiti on the frame — 'JOHAN Je t'♥ gio 21/03/08' Collage 'Cautionary Tale': a watercolor figure with exposed bones walking on green ground, framed by torn handwriting and a small anatomical leg diagram

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