gallery

1458 pieces, shuffled — reshuffle

Four frames from the Magnetosphere music visualizer: red tangles around white globes, pink threads on magenta, and golden particle bursts in blackness The Archive to Come at Telematic gallery: a dark room where a projection of two golden particle faces hovers on blue between bright screens on the walls Thirty-minute digital portrait study: a scowling face lit blue from one side against dark red, white tank top roughed in The Path's graveyard: the girl in red stripes standing small among headstones and crosses under grey misty trees Bookbinding, three views: fanning the fresh deckle-edged signatures in cream, peach and celadon; the finished linen cover with black elastic; peach marbled endpapers Roma sketchbook: quick ink sketches of sculpture groups — figures wrestling above a skeleton, and a robed statue on a plinth Sketchbook held up in a park: brown-ink drawing of the pond with a dark figure's ripples, the real pond and lawn behind it Tiny pixel-art GIF of a dark-haired woman in a black top and red skirt, one arm raised — the classic animated dancing girl of the early web La Vita Nova render: two glittering point-cloud sculptures face each other from arched niches across a grey, star-flecked mist Artefact Festival 2006 posters spread on a green sofa, each showing a misty forest of tall bare trees with a tiny red figure Self-portrait reflected in a botanical garden greenhouse pane, camera raised, autumn pines and roses tinted rose-gold through the glass Sketchbook 48 spread: 'The lesson of Raphael — you stand on the dragon, your sword is lighter than air', with a pencil study of a standing putto reaching upward — 'transform the hours of your life into art' Janine Antoni's Lick and Lather: two self-portrait busts side by side, one licked-down chocolate, one washed-away white soap, on classical pedestals Book page from Liao Yiwu's The Corpse Walker: an interview in which Li describes the old profession of walking a corpse home in pairs, chanting 'Ya, ho, ya, ho' Sketchbook 45 spread dated 2013: Martha's head bent over drawing at left in graphite; at center her wavy hair drawn entirely in red pencil; a fainter study with red handprint at right J.W. Waterhouse's Circe Invidiosa (1892): the jealous sorceress in a dark peacock gown stands on the water, pouring luminous green poison from a wide bowl Portrait swallowed by darkness: only the tip of a nose, a bared smile and chin lit between black locs iTunes 'Enter Code' screen refusing a gift card: 'This code is only valid for customers of the United States store' The studio worktable in 2017: a bronze head resting in a stone dish, a white David figurine, dark wax figures, a porcelain Venus on a box, and a teacup of tools Thin gold threads wandering and crossing over a white field, like a tangle of dropped wire Sketchbook drawing of a seagull in pencil and crayon, grey wings and orange beak, red legs, faint clouds sketched above The koer through open kitchen windows: pink Japanese maples and spring green, binoculars and clutter on the sill, a wine bottle at the edge Instagram post by earlymusicinstruments captioned Nearly there, tagging auriea.art: a viola da gamba on the workshop wall, dark body, pale unvarnished neck, carved head atop the pegbox Sketchbook 48 spread: atelier maxims on block-in and contour — 'no straight lines in anything ever', 'limbs start turning before the joint' — facing a faint gesture sketch of a striding horse Sketchbook 46 spread of Metropolitan Museum notes: Egyptian scarab rings and a blue-scarab necklace in colored pencil, notes on the Hudson River School, Church's Heart of the Andes and Tiepolo, with Eros, Pothos and Himeros listed Museum vitrine with a device to measure the scent of a flower: white blossoms sealed in a glass bottle, tubing running to a small wooden pump box beside a porcelain jar Sketchbook 49 spread in wine-red pencil: sleeping subway riders, a heavy downcast face, and two men leaning close over something in their hands Anne Carson, 'Could I': 'If you are not the free person you want to be, you must find a place to tell the truth about that… The point is not to find a reader, the point is the telling itself.' 19th-century anatomical plate: dissected shoulder and arm of a bowed figure, muscles and arteries hand-colored, with key text above FlightView tracker map: flight DL5372 en route from Indianapolis to New York over a weather-radar map of the eastern US Live 3D scan of someone sprawled on the couch, rendered as white sculptural relief — 59fps, 1.93 million points and counting Line graph of human growth from age 1 to 18: cyan male and magenta female height curves rising to plateau, with growth-rate curves peaking in adolescence Back of sketchbook 38 and its spine: marbled green paper under a black inked cloud, leather corners, spine strips reading 'Der Geist des Rokoko' Inverted-color render: a bob-haired girl in negative, face patched black and white like a skull, one red shoulder Gustav Klimt's Medicine: Hygieia in red and gold at the base of a drifting column of entangled nude figures, a skull among them Freud's model of the mind as an iceberg: the conscious ego above the waterline, superego at the surface, and the vast unconscious id submerged below Sketchbook 47 spread in sanguine pencil: tumbling stacks of blocky ruins and scattered figures with beams, captioned 'Adult parties w/ wine & fire' Detail of Marqueste's Perseus Slaying Medusa: the gorgon cries out, head wrenched back, small wings at her shoulder, beside a fluted column Sketchbook 49 spread: graphite sketches of conference speakers — a man in glasses folded into a chair with a microphone, a cross-legged panelist, and a bearded man in beanie and thick glasses Smooth grey profile of the same girl's head, lips parted slightly, ponytail falling behind the ear Sketchbook 42b: dark charcoal study of the Belvedere Torso from behind, the muscled back twisting above the truncated thighs against heavy hatching Studio corner crowded with wood frames holding small game-screenshot prints, art postcards pinned above a green cutting mat Max/MSP patch for the MaxMBROLA~ speech-synthesis object: message boxes loading a voice and .pho phoneme files wired into pitch, time, and voice inlets above a dac~ Sketchbook 48 spread: figures reduced to stacked boxes ('a lot of talk about magic'), facing a blocked-in standing nude with red construction lines and notes on EROS, thrust and 'the boxes are a placeholder for the space the body takes' Early ZBrush study for Saint John the Baptist: front and back of a faceless muscular body, its surfaces streaked with rough sculpting strokes Four Magdalenes in ecstasy side by side: Artemisia Gentileschi's slumped Magdalene, Caravaggio's Magdalen in Ecstasy, an angel visiting the long-haired saint, and a polychrome sculpture detail Cover of sketchbook 23B: a narrow old ledger bound in dark marbled paper, red cloth at the spine, edges worn to orange Labeled map of ancient Rome: the seven hills in orange within the red line of the Servian Wall, the Tiber, Tiber Island, and the Field of Mars at left Sketchbook 43 spread: a real pressed pansy taped over pencil pansies in a vase; opposite, a portrait of an older man in a tank top and a note on seeing the work of Steven Assael, 26 May 2012 Belgian practical driving-exam sheet, 12/06/2014: 'Uitgesteld' — deferred — with the examiner's litany of Voorbehoud and Onvoldoende line by line

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